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Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.
Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).@Ahmad i only need "The Oil (Film Version)" :D Then i'll be happy :D
*That was a thumbs up but it didn't work :D<br><br>^This how I feel lol.I hope Dunkirk wins just to make the so-called "reviewers" and those who say it isn't music, more frustrated and annoyed.@badbu &#128077;<br><br>I honestly don't know how a complete score is going to work. They weren't kidding when they said the music is done like one long track. <br><br>What I understood from a Q&A with Nolan is that they didn't do it the usual way which means there are cues that are cut together / exist as segments. This was done in a different way where to create such cues, they used automation graphs to bring the layers in and out. Very complex. <br><br>One of the reasons why I think this deserves to win so many awards.Well it has officially been nominated. Fingers crossed for the complete score nowyep ahmad! 100% right
The score is brilliant. It does its purpose very well and it is an essential part of the movie. It's also the most creative of the bunch with the way it was recorded and edited.I'd like Hans to win another Oscar but please, not for this.YES HANS!!! The second Oscar is COMMING! :DMesa is a cue in the film and it has to match with what's happening in the scene. <br><br>Blade Runner is an end credits suite which allows the themes to breathe a little. I think the two versions are identical when it comes to pitch.If it's nominated for the Oscar, the complete score will be released. So it should be out these weeks.
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Additional Music - Conductor
Hans ZimmerStanley MyersAl ClayMel Wesson
ComposerAdditional MusicMusic Scoring MixerSynth Programmer
Paperhouse
Label: Milan Records
Length: 41'22
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5454 votes)
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  1. Overture (6:30)
  2. Is Anybody There? (11:08)
  3. Sanctus (From Gabriel Fauré's "Requiem") (1:44) *
  4. I'll Be Back (2:20)
  5. The Staircase (1:46) **
  6. Me And My Daughter‚ We Get On Like A House On Fire (17:42)
*Conducted by Stanley Myers

**Written by Stanley Myers
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Michael Poleschuck reply Replies: 0 || 2017-02-14 08:28:37
Nobody knows, who plays on the guitar on this score?

Anon Y. Mouse reply Replies: 4 || 2016-06-16 06:18:18
There was a song from Paperhouse, featured in a scene where a mom and daughter are driving through London and arguing. It was a simplistic but really far out track, but it wasn't featured on the CD or vinyl. Was it created by a different composer, or was it a Hans Zimmer song?


Hybrid Soldier2016-06-16 08:33:08
Yeah some old school 80s cue.

I think it's actually written by the film director :

"A40 Overhead Section
Written by Bernard Rose"


Candyman2016-06-24 05:22:10
I can't find A40 Overhead Section anywhere. I doubt it was ever released for sale, but Bernard Rose probably has it stored somewhere or something. I agree, beautiful track, and Hans Zimmer's tracks really gave the film a nostalgic, otherworldly atmosphere.


Hybrid Soldier2016-06-24 08:52:54
It is, indeed, unreleased.


Candyman2016-06-24 22:12:13
Too bad, it's a great track.

misterblue (Paris, France) reply Replies: 0 || 2008-07-03 00:00:00
Still one of my favorite soundtracks by Hans Zimmer. The album released by Milan Records is great, complete with sound effects from the film. I managed to get a copy of the film, at last , and I must say that the soundtrack gives the whole movie an epic dimension it would have lacked otherwise...

fabien reply Replies: 0 || 2007-11-01 00:00:00
excellent soundtrack in the series of the fruit machine, the burning secret by the master..

Kamian Nivors reply Replies: 0 || 2005-03-14 00:00:00
Groovy Soundtrack

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Paperhouse soundtrack - Hans Zimmer 1989