NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Visceral Ambience
Hans ZimmerKlaus BadeltJohn PowellJeff Rona
ComposerAdditional MusicAdditional MusicAmbient Music Design
The Thin Red Line (Complete Score)
Label: Unofficial Release
Length: 286'47
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (27 votes)
  1. Nature Montage (1:27)
  2. Children Swimming (3:06)
  3. Soon My Lord (1:17)
  4. Witt With Melanesians (1:28)
  5. Island (1:46)
  6. Jisas Yu Holem Hand Blong Mi (1:23)
  7. Witt In Brig (3:26)
  8. Tall & Quintard (5:08)
  9. Staros Below Deck (1:58)
  10. March Inland (8:31)
  11. Staros Prays (2:23)
  12. The Grass (0:45)
  13. Tall Calls Staros (2:42)
  14. Keck's Death (4:47)
  15. Welsh Helps Tella (2:29)
  16. Staros Refuses Order (7:55)
  17. Bell's Patrol (3:58)
  18. Bell Goes Alone (3:31)
  19. Welsh & Witt Talk (3:49)
  20. Gaff's Party Leaves (3:17)
  21. Gaff's Party Returns (2:04)
  22. Attack On The Bivouac (11:03)
  23. Staros Is Relieved (2:08)
  24. Tall Does Nails (1:22)
  25. Airfield - Bell Flashback (5:57)
  26. Marty's Letter (3:42)
  27. Village Flashback (2:04)
  28. Witt Travels (5:48)
  29. Japanese Appear (1:30)
  30. Witt Chased (4:28)
  31. Witt Killed (2:15)
  32. Witt's Funeral (5:17)
  33. Cemetery (4:48)
  34. God Yu Tekkem Laef Blong Mi (1:57)
  35. River Suite (5:43)
  36. Grace Suite (5:23)
  37. Concerto For Beam Suite (6:09)
  38. Big Chord Suite (3:05)
  39. Sit Back & Relax Beam Suite (2:06)
  40. Solo Cello Suite (1:29)
  41. Cosmic Beam (5:45)
  42. Nature Montage (Alternate I) (1:34)
  43. Nature Montage (Alternate II) (1:16)
  44. Nature Montage (Alternate III) (2:54)
  45. Children Swimming (Alternate) (2:52)
  46. Island (Alternate I) (1:38)
  47. Island (Alternate II) (1:45)
  48. Island (Alternate III) (1:25)
  49. Witt In Brig (Alternate) (3:30)
  50. March Inland (Alternate) (8:21)
  51. Keck's Death (Alternate) (5:48)
  52. Staros Refuses Order (Alternate) (8:13)
  53. Bell Goes Alone (Alternate) (3:29)
  54. Welsh & Witt Talk (Alternate) (3:18)
  55. Gaff's Party Leaves (Alternate) (3:18)
  56. Gaff's Party Returns (Alternate) (2:05)
  57. Attack On The Bivouac (Alternate I) (9:17)
  58. Attack On The Bivouac (Alternate II) (7:43)
  59. Attack On The Bivouac (Alternate III) (10:59)
  60. Attack On The Bivouac (Alternate IV) (6:22)
  61. Staros Is Relieved (Alternate I) (3:06)
  62. Staros Is Relieved (Alternate II) (3:24)
  63. Tall Does Nails (Alternate) (1:30)
  64. Airfield - Bell Flashback (Alternate I) (5:59)
  65. Airfield - Bell Flashback (Alternate II) (7:17)
  66. Witt Travels (Alternate I) (6:43)
  67. Witt Travels (Alternate II) (2:42)
  68. Witt Travels (Alternate III) (6:09)
  69. Witt Killed (Alternate I) (1:53)
  70. Witt Killed (Alternate II) (1:43)
  71. Cemetery (Alternate I) (5:07)
  72. Cemetery (Alternate II) (5:16)
  73. Big Chord (Alternate) (1:33)
Create Topic

Knight reply Replies: 7 || 2019-02-11 12:20:46
Holy shit! So many suites and alternates


mpolonest123 2019-02-11 14:56:27
And not counting the War Drums/Wild Bowls/Taikos that the team recorded for, what I’m guessing, the editor to use. The war drum recording alone is 18 minutes!

On one hand I understand the frustration behind La-La-Land not actually releasing the complete score. On the other, so many of the alternates are so similar to the original I can understand from a repetition perspective. Either way still one of Zimmer’s masterpieces.


mpolonest123 2019-02-11 14:58:04
And Hybrid, why did they end up recording so much of the solo instruments? Was it just to give Terrence Malick a variety of options when assembling the film?


Anonymous2019-02-11 16:32:04
@mpolonest123
I am sure they do this all the time. This is probably the first time this stuff made their way to the outside world, hence the surprise from our end.


mpolonest123 2019-02-11 18:44:00
@anonymous
That is a good point!


StRuPiE2019-02-13 15:15:15
So basically, this is LLL's release, chronologically presented. I see a few differences, some cues are split up, a few new tracks were added and (almost) all the alternates/unused tracks from LLL and the sessions are included.

So I guess Complete in this set means, everything Zimmer wrote for the movie, which is fine of course. However, Beam and source cues are still not included.



HunterTech2019-02-14 03:11:51
Unless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?


StRuPiE2019-02-14 12:38:02
My definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.

The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.

In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music that made it into the cut, which hardly anyone ever talks about.

Anyway, maybe a future project will tackle most of these issues.

Hari Haran reply Replies: 0 || 2019-02-13 00:16:00
MOTHER OF GOD WE HIT THE JACKPOT

Edmund Meinerts reply Replies: 0 || 2019-02-11 16:01:08
An historic day for HZ.com...Hybrid finally caved and made a page for the TTRL complete score. :P

Sherlock Holmes next? ;)

 HANS-ZIMMER.com© 2001-2018 OST 
The Thin Red Line (Complete Score) soundtrack - Hans Zimmer 1998