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Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!
Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hans’ New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :p
Stairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's Leaguemvictor: it's funny, 3:10 To Yuma is perhaps the only Beltrami score I really like :-p<br><br>In my opinion, what made Dunkirk special is that it's a Zimmer score, so it sounds better, massive, impressive, while most horror scores stay in the background except for a few jump scares that are not pleasing at all when you listen to the album. Dunkirk is a tension-builder, but it's more than that.<br><br>You should definitely listen to Gravity a couple more times, it's an absolutely amazing score, in my opinion better than Dunkirk, as it's equally tense and massive, but has more refined electronic manipulation, it's more colorful and it's simply more musical. Go straight to the track 'Shenzou', play it very loud, and you'll see what I mean :-p
Hats off to Hybrid Soldier dealing with all you ungrateful cancerous rude spammers. This was a good score IMHO, but if you didn't like it then try to give constructive criticism. But I guess acting like an inebriated ape with a laptop is easierHere's a chronological listing based on the cue sheet from ASCAP<br><br>1. 2049<br>2. Sapper's tree<br>3. Flight to LAPD<br>4. Rain<br>5. Ossuary<br>6. Wallace<br>7. New model<br>8. Return to sapper's<br>9. Memory<br>10. DNA<br>11. Trash Mesa<br>12. Must Protect the Child<br>13. Orphanage<br>14. Furnace<br>15. Someone lived this<br>16. Bomb<br>17. Shesome (aka "Joi")<br>18. Like a real girl<br>19. Luv in apartment<br>20. Pilotfish (aka "Pilot")<br>21. Mesa hijack<br>22. Joi crushed<br>23. K rescued<br>24. You imagined it was you (aka "That's why we believe")<br>25. Her eyes were green<br>26. Sea wall<br>27. All the best memories are hers<br>28. You're free to meet your daughter (aka a cover of "Tears in rain" by Vangelis)<br>29. Blade Runner<br>30. Blade Runner 2049 theme<br>31. Almost human<br>32. Bibi's<br>33. Bibi advert music<br>34. Bibi's bar bass<br>35. Big band stingThe official credit is now "Music by Geoff Zanelli & Jon Brion"...<br><br>Geoff wrote a good chunk of the score.Why is Zanelli credited as composer. Jon Brion is doing to the music, right?<br><br>I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?I just wish they had included the finale in both the SW story scores all the music complied together would have been great
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John PowellJames McKee SmithJohn Ashton ThomasAlan Meyerson
ComposerAdditional MusicAdditional MusicMusic Scoring Mixer
Rat Race
Label: Beyond Records
Length: 35'32
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3695 votes)
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  1. Let's Meet Our Contestants (1:46)
    John Powell
  2. A Very Special Reception (0:47)
    John Powell
  3. I'll Take The Stairs (0:23)
    John Powell, James McKee Smith
  4. The Chase Begins (3:29)
    John Powell
  5. Flights Cancelled (1:16)
    John Powell, James McKee Smith
  6. Roswell‚ New Mexico? (0:47)
    John Powell, James McKee Smith
  7. The Cabbie Dumps Owen (0:52)
    John Powell, James McKee Smith
  8. The Squirrel Lady (0:33)
    John Powell
  9. Helicopter Dance (2:18)
    John Powell, John Ashton Thomas
  10. Switch Keys And Should Have Bought A Squirrel (0:56)
    John Powell, James McKee Smith
  11. Pollini Wakes And Owen Gets Some Clothes (0:50)
    John Powell, James McKee Smith, John Ashton Thomas
  12. Wanna See A Heart? (1:12)
    John Powell
  13. Stealing Some Gas (0:32)
    John Powell, James McKee Smith
  14. Chase To The Balloons (0:59)
    John Powell
  15. I Lost My Heart To A Dog (0:41)
    John Powell
  16. Bike Dyke Attack (0:41)
    John Powell
  17. All Alone In The World (0:46)
    John Powell
  18. From A Rocket Car To A Nut Bus (1:51)
    John Powell
  19. A Family On Drugs! (0:45)
    John Powell, James McKee Smith
  20. The Lucys Chase Owen And Third Reich In The Parking Lot (1:36)
    John Powell, James McKee Smith
  21. Arrival At Silver City (3:47)
    John Powell
  22. Grisham Runs Off With The Hooker (1:05)
    John Powell
  23. Tour Bus Crash (0:29)
    John Powell, James McKee Smith
  24. All The Little Children (3:20)
    John Powell, John Ashton Thomas
  25. La Habanera Loca (1:57)
    John Powell
  26. Before We Were Russian (1:46)
    John Powell
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John reply Replies: 0 || 2010-09-10 00:00:00
No comments?? No way! You just can't not love the Elfmanish theme. Slapstick scoring at its best!

Dakota reply Replies: 0 || 2010-09-10 00:00:00
I LOVE this score, one of my favorites

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Rat Race soundtrack - John Powell 2001