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This credits list absolutely reeks of bullshitI can come up with the booklet credits for Adventure Time: Awakening. So here's my booklet credits for this movie.<br><br>Music Composed by<br>STEVE JABLONSKY<br><br>Music Produced by<br>STEVE JABLONSKY <br>and HANS ZIMMER<br><br>Music Orchestrated and Arranged by<br>THOMAS FARNON<br>CZARINA RUSSELL<br>BRUCE FOWLER<br>STEPHEN COLEMAN<br><br>Additional Music by<br>LORNE BALFE<br>JOHN POWELL<br>JASHA KLEBE<br>HALLI CAUTHERY<br>RAMIN DJAWADI<br>DAVID BUCKLEY<br><br>Orchestra Conducted by<br>NICK GLENNIE-SMITH<br><br>Choir Conducted and Arranged by<br>GAVIN GREENAWAY<br><br>Vocals by<br>LISA GERRARD<br><br>Score Recorded At<br>THE EASTWOOD SCORING STAGE, WARNER BROS. STUDIOS, BURBANK, CALIFORNIA<br><br>Score Mixed At<br>REMOTE CONTROL PRODUCTIONS, SANTA MONICA CALIFORNIA<br><br>Special Thanks to<br>TREVOR RABIN<br>MATTHEW MARGESON<br>and RUPERT GREGSON-WILLIAMS*sigh* Pirates of the Caribbean: The Curse of the Black PearlFor what score are those booklet credits for, Sam?I can imagine if the booklet credits might help.<br><br>Music composed by<br>KLAUS BADELT<br><br>Score produced by<br>KLAUS BADELT<br>and HANS ZIMMER<br><br>Music orchestrated and arranged by<br>BRUCE FOWLER<br>YVONNE S. MORIARTY<br>GRAHAM<br>JAMES MCKEE SMITH<br><br>Orchestra Conducted by<br>BLAKE NEELY<br><br>Music Programmed by<br>STEVE JABLONSKY<br>GEOFF ZANELLI<br>MARC STREITENFELD<br>NICK GLENNIE-SMITH<br><br>Score recorded at<br>PARAMOUNT SCORING STAGE M<br><br>Score mixed at<br>MEDIA VENTURES, SANTA MONICA, CALIFORNIA
Is there any word or time frame on the second release?Jenny of Oldstones was an old song in Westeros about a common woman named Jenny of Oldstones, a strange woman who a Targaryen prince rejected his claim to the throne to be with. Before a big battle, a character sings this song and a montage of the various characters plays as they prepare for battle. So that is the melody. The lyrics go like this:<br><br>High in the halls of the kings who are gone,<br>Jenny would dance with her ghosts; <br>The ones she had lost and the ones she had found<br>The ones who had loved her the most;<br>the ones who've been gone for so very long, she couldn't remember their names<br>they spun her around on the damp old stone<br>Spun away all her sorrow and pain.<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br><br>They danced through the day and into the night<br>Through the snow that swept through the hall<br>From winter to summer and winter again<br>Till the walls did crumble and fall<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br>Hybrid, please update this list. Is it possible that you could include the alternate/album version of Main On Ends (AKA Taking A Stand)?COMPLETE SCORES ARE AWESOMECareful, talking about complete scores or recording sessions can get your comment removed now.
No more superhero film score for me, he said .... :DThe complete score is so amazing!! I saw on YouTube too.CD RELEASE????PosiblyA surprise reference to be sure, but a welcome one.
The same thing happened to me George@Michael Baker - I can’t be the only one who read that as Han Solo right?Yeah... Wait till CD 2 and I'm sure we'll get a much stronger idea of what's solo Hans in here.@Edmund<br>I wonder if this is one of those situations where the material in film is derived heavily from the suites, with everyone either arranging it or adding elements onto it. Just guessing of course, I’m sure we’ll get a clear picture once the bonus stuff gets released.<br><br>And apparently there is about 16 hours of music “lying around”, going off of what Hans mentioned in the Vi-Control forums."heavily influenced" indeed :D <br>I really love Amity and I love how the theme appears in several other cues:<br>Reckless which features an epic/action rendition <br>Insertion = a short quote at the beginning <br>Coda = another call back to the theme<br><br>Been listening to the score since I saw the film. Love it. Eagerly waiting for CD2. I wonder if it includes an extended version of the last 2 minutes of Insertion - INCREDIBLE.
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Benjamin Wallfisch
Composer
Serenity
Label: Milan Records
Length: 62'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (509 votes)
  1. Serenity (4:45)
  2. The Beast (4:31)
  3. Suit (2:34)
  4. Karen (1:58)
  5. Baker Dill (2:31)
  6. Patrick (2:56)
  7. Memory (2:18)
  8. Deliver Me From Temptation (2:32)
  9. He Wants Justice (2:27)
  10. Girl At The Bridge (6:48)
  11. I Am The Rules (4:03)
  12. Plymouth Island (1:53)
  13. I Remember You (3:46)
  14. Catch That Fish (1:57)
  15. How We See It (3:16)
  16. Creator (4:43)
  17. Justice (3:13)
  18. Alternate Reality (3:03)
  19. It's Dad (3:45)
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MrZimmerFan reply Replies: 1 || 2019-03-21 08:59:05
Hellboy coming by Sony Classical at 4/5/19


Knight2019-03-21 10:26:48
Looking forward to what Ben's going to do with that movie.

Knight reply Replies: 0 || 2019-02-26 20:28:48
MOVIE CREDITS:

Music Composed, Produced and Mixed by
Benjamin Wallfisch

Additional Music and Orchestrations
Antonio Andrade

Orchestrations
David Krystal

Music Editor
Tony Lewis

Orchestra
The Chamber Orchestra of London

Concertmaster
Laura Samuel

Orchestra Conductor
Geoff Alexander

Orchestra Contractor
David Griffiths

Choir
Trinity School Boys Choir

Boys Choir Conductor
Terry Edwards

Soprano Solos
Grace Davidson

Synth Programming
Benjamin Wallfisch

Music Recorded by
Jake Jackson

Protools Recordist
Chris Barrett

Assistant Engineer
Alex Ferguson

Score Mix Assistant
Michael Dean Parsons

Music Preparation
Jill Streater

Score Coordinator
Darrell Alexander

Music Recorded at
Air Lyndhurst Studios, London

Music Mixed at
Goldcrest Post Production, London

Music Supervisor
Rob Lowry

Music Clearance
Charles M. Barsamian

MrZimmerFan reply Replies: 1 || 2019-02-26 09:18:15
Shazam! will be released by Watertower Music


Knight2019-02-26 20:28:27
Looking forward to what Ben's made for it

ThePhantasm reply Replies: 2 || 2019-02-13 07:20:34
What do you guys think Bens score for shazam will sound like? Is he going for that old school fun sound, kinda like Bill Contis Masters of the universe score or is he gonna do the Hans Zimmer big epic score?? I think most likely Hans but who know, for some reason when i put on the main theme for Maters of the universe it fits this movie.


Edmund Meinerts2019-02-13 11:05:27
Hmm...Hans Zimmer or Bill Conti...if I'm a studio exec in Hollywood anno 2019, which of those two do I put on the temp track???


Ro2019-02-13 13:07:35
Factor out "doom and gloom", and "atmospheric sound design" from the palette and just about anything would be great. If the composer had genuine fun along the ride, it'll sound even better.

Knight reply Replies: 1 || 2019-01-26 20:35:47
A beautiful score by Wallfisch with some enjoyable action writing, will likely be one of the highlights for me this year. I am super excited to see what he will bring to the table for Shazam


JamesT2019-01-28 00:59:23
Beautiful score — love it!

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Serenity soundtrack - Benjamin Wallfisch 2019