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Off the top of my head:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>Reunited<br>What Could Be Greater Than A King?<br>He Commands The Sea<br>Suited And Booted<br><br>Not sure about Arthur, Between Land And Sea, and He Commands The Sea. I think Arthur may be a suite that includes his main theme, the Atlantis chase, and some action themes. I'd have to listen to the other two tracks again to be sure, but I think He Commands The Sea is near the end.anyone care to take a stab at the chronological trask listing?Yes, both played in the film, and it's sort of a suite: It's split into two in the film, first part sounds close to the opening, the heavy synth part plays in really well when it's used, you'll hear it the moment it starts, no spoilers from me, but it's an awesome sequence.Does the cue "Arthur" play during the film or is it a theme suite?It's confirmed a CD release, but not confirm if is a CD-R
Is the soundtrack released on CD, or it's only digital ?by that logic he wouldíve done blade runner 2049. Heís retiredMakes you wonder why they didn't get Vangelis himself.Naw man this is the right page lolWrong page?
Rupert Gregsons amazing blending of orchestral and electronic sounds in Aquaman is epic.Arthur is the best?why Slenderman theme not getting the praise it deserves?Conrad Pope is only conductor in this, not orchestrator.Creatively speaking I can see why they choose that particular synth style, and my guess has nothing to do with that Thor Rganarok score. <br><br>It has MUCH to do with one composer: VANGELIS. You cannot see Aquaman landscapes and not to think of Vangelis (Blade Runner to be precise) and by all means, if you know well Mr. Papathanassiou's body of work, in his style.. he even has an album called OCEANIC. <br><br>I mean, RGW even uses the same exact 5 notes in which Vangelis tended to end up some of his themes, as also closing notes for one of his themes. It has nothing to do with Ragnarok.. lets not be so short sighted please.^ And I think a big part of that is the sound mixing. I understand each composer has their own unique voice, but in Holkenborgís case he tends to mix everything so harshly, particularly the brass. It definitely muffles the music to a degree. <br><br>Similar issue I have with Giacchino, who I think writes amazing music which gets undercut by the really dry mixing.
Arthur alone is worth the price of the whole album. Amazing piece.To me it sounds like the composer's usual fare, only this time it has a touch of Conrad Pope every now and then in the orchestrations. Won't be surprised if CP's involvement went beyond just conducting.I think some pices of music was simillar to bane theme in dark knight rises. Isnt it ?Am I correct that the music used in the long flashback sc&#232;ne with Hester and Shrike is only sort of present in the final track "Alive and Together" ?So the complete score is now available on YouTube and itís AWSOME. Particularly Escape through Paris
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Hans ZimmerSteve MazzaroSteven KofskyStephen Lipson
ComposerAdditional MusicMusic Production ServicesMusic Scoring Mixer
Widows
Label: Milan Records
Length: 36'50 (Score: 22'16)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (355 votes)
  1. Marcus (3:24)
    Hans Zimmer
  2. We Have A Job To Do (2:33)
    Hans Zimmer, Steve Mazzaro
  3. Money (2:34)
    Hans Zimmer
  4. Perimeter Check (3:09)
    Hans Zimmer, Steve Mazzaro
  5. The Calm Before The Storm (1:39)
    Hans Zimmer, Steve Mazzaro
  6. The Job (4:58)
    Hans Zimmer, Steve Mazzaro
  7. Race Against Time (1:23)
    Hans Zimmer, Steve Mazzaro
  8. My Son (2:33)
    Hans Zimmer
  9. Wild Is The Wind - Nina Simone (7:00)
  10. Dice Game - The Cool Kids (3:11)
  11. The Big Unknown - Sade (4:21)
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Anonymous reply Replies: 1 || 2018-12-06 19:34:01
Widows Didnít nominated for any categories of golden globes. I so disappointed


Mephariel2018-12-06 23:15:13
Didn't have enough music I think.

Mephariel reply Replies: 1 || 2018-11-16 08:17:44
Widows is actually a pretty interesting score. Not one of Zimmer's best from for an isolated listening experience standpoint, but as a textual score, I was engaged for the most part. The score effectively builds momentum throughout from beginning to end and I could feel the movie just by listening to the music.


Kalman2018-11-16 14:27:38
I haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.

meta reply Replies: 5 || 2018-11-12 03:20:44
Not for nothing but it's kinda odd how Zimmer has been declining ever since, IMO, his collaboration with Wallfisch on Blade Runner 2049....

Honestly, I've been straying towards John Carpenter's Halloween 2018 and horror synth ever since....is Zimmer retiring or something? Because I'm finding myself not into him so much, anymore.


superultramegaa2018-11-12 03:54:41
I'm kind of the same way, even on a personal level. The synth and power anthems, even from the Media Ventures era, is just kind of getting old to me. The incessant momentum, the lack of thematic progression, it all wears on you eventually.


Edmund Meinerts2018-11-14 15:17:48
That collaboration was barely a year ago. This is literally Zimmer's first significant score since then. You can't deduce a pattern from two data points.


Mephariel2018-11-14 16:56:07
Plus, Blue Planet II came out last year. That score is as far from Widows as possible.


George2018-11-14 19:38:42
Yeah seriously, he hasnít done much in a year plus. Heís definitely taken some time off for touring and other things, which may be a great thing for his inspiration... who knows, but Iím guessing the time off has let his brain take a break and maybe he has a ton of new ideas for the big 3 (WW:84, Dark Phoenix, Lion King) coming up in the next year and a half.

Or maybe Iím just hopeful/wishful thinking lol.


Jsdamian2018-11-15 00:14:15
And top gun:maverick....big 4

Hari Haran reply Replies: 2 || 2018-11-11 20:14:39
I honestly wasn't expecting much from this film on a musical level, but some tracks that are available are OK to listen to. McQueen has never been a proponent of larger-scale thematic music in his scores, he seems to be a mood-inspired person, and Zimmer can do that very, very well.

Coming back to the music, Zimmer seems to have embraced his textural roots. 2018 has been all about texture really in the action films, i.e. Black Panther's percussion layers, Mission Impossible: Fallout, Widows. Thematically, there seems to be a solemn progression for Marcus that reappears in "My Son", that relies on familiar elements (i.e. drone strings layered on top of each other, lower bass accompaniment), and some of the action textures in "We Have A Job To Do" and "Perimeter Check" is a nice callback to the Media Ventures style of things.

I'm admittedly disappointed with the fact that there is nothing beyond residually, well-anchored momentum and tension to the score,and the album length is shocking. But it is what it is. I love the underlying, throbbing synth bass ripples, I've always had a soft spot for them.

Honestly, it's a one time listen for me. I'm more excited about his dual superhero bonanza return next year- Wonder Woman 1984 and X-Men Dark Phoenix. I'm definitely not expecting him to use John Ottman's brilliant theme for the latter, although I will definitely be impressed if by slight chance, he does. The "Money" is quite soothing in a melancholy way. "The Calm Before The Storm" uses some worthwhile sombre piano treading that I'm always a stickler for.


mpolonest1232018-11-12 03:35:00
I think you really nailed how I feel about this score. I donít personally mind the tense electronic elements (this is music that I can enjoy on its own level) but I do feel let down by the lack of a theme or any solid motif to anchor the music. Especially in the emotional cues.

The one thing that I keep coming back to is how this sounds so much like something Johann Johansson would have written. I actually really like his music style, but it is pretty jarring to see Zimmer do minimalism on this level. No objections here, but I canít wait to get some exciting Zimmer music again.


Josiah2018-11-14 07:47:13
Well, if you check what Hans Zimmer did recently there wasn't much material for him to write a good theme too. A lot of it was types of movies that were synth type music. I think The Dark Phoenix and Wonder Woman (apart from his amazing theme for her already) will have some good typical Hans Zimmer feel to it which I am excited for.

Mike reply Replies: 14 || 2018-11-05 05:23:54
I'm going to assume this album is the whole score, based on Hybrid's comments?


Hybrid Soldier2018-11-05 12:31:19
It is...


Anonymous2018-11-05 16:59:51
so out of a 130 min movie we get 22 min of score. thats an hour and 48 minutes with no score.....


Max Potcats2018-11-05 17:45:09
That's right, but it's not necessarily a bad thing. The less music there is, the more powerful and meaningful it will be when there is. This is a very interesting decision IMO, can't wait to see the movie.


mpolonest1232018-11-06 02:43:49
Having only seen 12YAS, I have full confidence the film will be well done. Say what you will about his music choices, I personally think Steve McQueen is a brilliant filmmaker. If nothing else, the performances should be stunning.

And as far as the score goes, there are plenty of films which make use of silence or sound design without relying on music, so itís definitely not uncommon.


Mephariel2018-11-06 06:53:10
No doubt McQueen is a great filmmaker and to be honest, his lack of music in his movies never bothered me.

It is crazy that Zimmer is working with 3 of the most talented auteur directors today: Nolan, Villeneuve, and McQueen.


...2018-11-06 12:20:24
The score is very dark. Kind of a thriller version of Dunkirk in places. a lot of rhythmic synths.


...2018-11-06 12:24:17
A lot of it sounds like a mix of the joker.


JamesT2018-11-06 15:51:07
Is that observation based on the one track The Job thatís been released or have you heard the remainder of the score?


...2018-11-06 16:56:14
No I've listened to the whole album. Marcus and My Son are slow and sad pieces for strings and, calm before the storm is kind of quiet with some piano but the rest is suspense like the joker with Dunkirk mixed in.

I am guessing it works great in the movie but as a standalone listen it's not one of Zimmer's most memorable scores.


mpolonest1232018-11-06 23:28:05
After one listen I can definitely tell this is something a lot of people wonít like outside of the context of the film. Itís a very ďbare-bonesĒ type of score.
You have the stretched note string music overlaid with ambience, and the grungy ďDunkirk/JokerĒ electronics.

Personally I like the action music here, regardless of how similar it is to Zimmerís other scores. ďRace Against TimeĒ is particular intense. The emotional music, on the other hand, didnít really do much for me. I am interested to hear it in context, but donít go in with high expectations.


Mike2018-11-07 01:50:08
Really, now that I've heard it, this score just sounds like "Dunkirk ó The Rejected Stuff." lol. That's saying nothing about how it does in context or whether it does what McQueen wants. But it definitely kind of just sounds like Hans had some leftover ideas from Dunkirk and used this movie for them.


Meta2018-11-07 02:02:13
NOte to John Carpenter:

NOW IS THE TIME. SEIZE THE DAY!


MrMayo2018-11-08 14:44:46
Not complete,that last song isn't going to be played by Sad,but going to be played by SADE..That's something else..I say.


Kalman2018-11-08 19:25:39
The tracks Marcus and My Son have some very strong Morricone resemblance. They're similar how the Italian Maestro usually introduces/builds up many of his slow and heartbreaking melodies. The difference is that Zimmer doesn't really build up a theme, therefore it sounds as a long introduction of a never written Morricone theme. Still, I like it.

Andreas reply Replies: 12 || 2018-10-25 20:02:07
track 6 already available: https://soundcloud.com/ milanrecords/thejob


mpolonest1232018-10-25 21:04:46
It sounds like a grungier Dunkirk, Iím interested in what the more ďthematicĒ sound will be....


Edmund Meinerts2018-10-26 12:58:14
That description doesn't exactly inspire my confidence.


mpolonest1232018-10-26 15:36:24
@Edmund
Itís pretty much exactly what I expected this to sound like, going off of the reviews that mentioned the score beforehand. If I had to guess, half will sound like Dunkirk/TDK (the heist portions) while the other half will probably be more traditional Zimmer string writing.


Mephariel2018-10-26 16:47:37
Agree with mpolonest123.

I do really like the Shekere portion of the the cue "The Job." I think it adds a very unique touch to the music.


Jsdamian2018-10-26 17:41:10
I have confidence in the tracks 1,5,7,8


MrZimmerFan2018-10-26 19:02:41
Don't expected something orchestral, i got a feeling this score will be enteraily electronic


Mephariel2018-10-26 19:25:13
I think during an interview, Zimmer confirmed that there will be strings sections, so not 100% electronic.


Ahmad2018-10-27 02:13:33
Well, I think we know already that "orchestral" does not equal "thematic". He could have the players bang on their instruments with a toothpick (JK). :D

I really love this kind of stuff, so I enjoyed the track. Can't wait to see the film/hear the rest of the score.


Michael2018-10-27 13:07:02
Is Balfe involved ?Sounding very 13 Hours.


Mike2018-10-27 20:21:33
Zimmer produced 13 Hours...


Micheal 2018-10-29 00:05:20
Mike-is Zimmer on the cue sheet for 13 Hours ?


Mike2018-10-29 06:24:15
Actually, Hybrid said Hans did get credit for one cue on that score...

Scorefan reply Replies: 0 || 2018-10-28 20:10:22
@ Hybrid, this commercial edition will get all the music Zimmer wrote, i mean, the 20 minutes of all the score?

Jsdamian reply Replies: 8 || 2018-10-10 23:35:24
Waiting!!


Jsdamian2018-10-17 16:44:51
Nominated in Hollywood media award best score film.


michael2018-10-17 17:45:13
and the film has yet to open. who even nominated it? the people in the industry. they award themselves. goes to show how much of a sham it all is.


Mephariel2018-10-17 19:06:42
The film premiered at the Toronto International Film Festival back in September and was reviewed by like 50+ critics already.


michael2018-10-17 19:22:40
yeah. critics. who the hell nominated it for the music? the general public hasnít even seen or heard it yet.


Iamtommie2018-10-17 20:24:48
FYC albums is the thing studios use for these kind of nominations.


Mephariel2018-10-17 22:02:10
I don't think you want the general public nominating film scores.


Jsdamian2018-10-18 00:00:29
It was also nominated for interstellar and the film had not yet been shown ... the most important thing is that there can be great music in this movie


michael2018-10-18 00:07:08
the likes of which well never hear outside of the film. our only hope is if someone gets the fyc album and shares it

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Widows soundtrack - Hans Zimmer 2018