NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Horner’s classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And I’m not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movieChill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I can’t help but wondering if there’s some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think you’re pushing it a bit.<br>Anyway no hate I don’t care who wrote it I’m just curious about the behind the scenes stuff.
You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to Go
Not to mention that Steve and Lorne structure their power anthems differently.<br>To me this score sounds like 100% SteveI wouldn't say so, Lorne stacks his ostinatos and rhythms on top of each other (see Blackwood, Last Man on the Moon) and shotguns piano writing all over his scores in addition to using it for almost any kind of emotional scene (see Manny, Duck Shoot, Brothers Theme from Hurricane Heist)Well, if all we're using to distinguish Lorne is ostinatos and piano writing, then in that case, he's all over this film!The interesting thing is, that if Lorne did work on it, his work is indistinguishable from Steve's cause I hear none of his ostinatos or extensive piano writing.@Hybrid, a while ago I saw a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap.<br>But looking at the credits I see some people from his team have been involved( his assistant Queenie Li as music coordinator, and Max Aruj and Steffen Thum did arrangements..)<br>Do you know why and to which extent he was involved or why his team worked on the score?
This little gem of a score is one of my favourites of Lorne's smaller projects.<br>Got a great main theme and varying instrumentations of it throughout, plus he's using a real orchestra which is always good. (Check out The Heist, very upbeat jazzy piece)Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?Looking forward to what Ben's going to do with that movie.Hellboy coming by Sony Classical at 4/5/19
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Henry JackmanAnthony WillisJeff MorrowNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Ralph Breaks The Internet
Label: Walt Disney Records
Length: 74'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (523 votes)
  1. Zero - Imagine Dragons (3:32)
  2. A Place Called Slaughter Race - Sarah Silverman & Gal Gadot & Cast (3:28)
  3. In This Place - Julia Michaels (3:21)
  4. Best Friends (2:52)
    Henry Jackman
  5. Circuit Breaker (2:21)
    Henry Jackman, Jeff Morrow
  6. Pulling The Plug (1:14)
    Henry Jackman, Jeff Morrow
  7. On The Rooftop (1:04)
    Henry Jackman
  8. The Big Idea (1:15)
  9. The Internet (2:47)
    Henry Jackman
  10. KnowsMore & Spamley (1:17)
  11. Site Seeing (1:29)
  12. Checkout Fiasco (1:32)
  13. Get Rich Quick (1:43)
  14. Shank (3:03)
  15. Hangin' Out (1:03)
    Henry Jackman, Jeff Morrow
  16. BuzzzTube (1:42)
    Henry Jackman, Jeff Morrow
  17. Overnight Sensation (2:51)
    Henry Jackman, Jeff Morrow
  18. Separate Ways (1:04)
  19. Vanellope's March (0:46)
  20. Desperate Measures (1:20)
    Henry Jackman, Jeff Morrow
  21. Don't Read The Comments (1:48)
  22. Growing Pains (1:35)
    Henry Jackman
  23. Double Dan (3:35)
  24. Scanning For Insecurities (1:54)
    Henry Jackman, Jeff Morrow
  25. Breaking Up (2:45)
  26. Replicate-It-Ralph (1:20)
    Henry Jackman, Jeff Morrow
  27. Operation Pied Piper (2:37)
  28. Kling Kong (3:39)
    Henry Jackman
  29. The Meaning Of Friendship (2:16)
  30. A Big Strong Man In Need Of Rescuing (1:54)
  31. Letting Go (1:48)
    Henry Jackman, Jeff Morrow
  32. Comfort Zone (1:32)
    Henry Jackman
  33. Worlds Apart (1:22)
    Henry Jackman, Jeff Morrow
  34. A Place Called Slaughter Race (Instrumental) - Alan Menken & Phil Johnston & Tom MacDougall (3:28)
  35. In This Place (Instrumental) - Alan Menken & Phil Johnston & Tom MacDougall (3:19)
Create Topic

MrZimmerFan reply Replies: 0 || 2019-02-26 19:50:02
Detective Pikachu will be released by Sony Classical

Michael Fields reply Replies: 1 || 2019-02-09 09:31:16
Additional Music Credits:

"A PLACE CALLED SLAUGHTER RACE"

Performed By
SARAH SILVERMAN
GAL GADOT
&
CAST

Music By
ALAN MENKEN

Lyrics By
PHIL JOHNSTON
TOM MacDOUGALL

Produced By
ALAN MENKEN
MICHAEL KOSARIN
RICH MOORE
EARL GHAFFARI

Recorded & Mixed By
FRANK WOLF

Arranged By
MICHAEL KOSARIN
DAVE METZGER

Orchestrated By
DAVE METZGER

Conducted By
MICHAEL KOSARIN

Song Recorded At
THE NEWMAN SCORING STAGE, 20th CENTURY FOX STUDIOS

Additional Vocal Recording By
NICK WOLLAGE
At
AIR LYNDHURST STUDIOS

Published By
WONDERLAND MUSIC COMPANY, INC (BMI)
WALT DISNEY MUSIC COMPANY (ASCAP)


Michael Fields2019-02-09 09:33:49
And what about credits by Anthony Willis? Can it be possible that he did Vanellope's March (becase he worked on Han Solo) and helped with A Big Strong Man In Need Of Rescuing?

Knight reply Replies: 0 || 2018-12-02 20:26:56
Hybrid, did you forget to add the tracklist/booklet info here or are you waiting till you have the composer/additional music info?

Jean-Luc reply Replies: 11 || 2018-11-16 14:24:55
This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.


Hybrid Soldier2018-11-16 20:41:41
Henry has been removing electronics for 4 years now...


Mike2018-11-16 21:29:51
So I guess I'm the only one who likes less-electronic-Henry?


Iamtommie2018-11-16 23:19:02
No you're not. I think Jackman has made some great score over the last through years.
And I think this is one of them. Both tracks with or without electronics


Medigo2018-11-18 19:54:36
Are you sure Jackmans been removing the electronics from his music, or just from his albums?

Civil War was noticeably different, if you compare the OST to what you heard in the movie.


Hybrid Soldier2018-11-18 22:58:23
From albums yes, not from the scores... lol


Anonymous2018-11-19 06:56:09
I don't understand the composer's reasoning. If a piece of music is written with a palette of sounds in mind, it will only work as intended when those stems are all present. One can't aim to do a painting of a pasture and then leave all the green color out because some Gothic Art critic doesn't like the color.


Hybrid Soldier2018-11-19 12:33:28
Exactly...


...2018-11-19 17:31:23
Which scores has he done this with?


Sideshow Bob2018-11-20 03:13:23
civil war is one of quite a few


Meta2018-11-20 04:05:44
Well...Maybe Jackman is bucking for something grander than the standard RCP mold.


jjstarA1132018-11-21 23:24:56
Just got back from this (very fun and sweet) film, and I can confirm that the electronics were not removed on the album; the last third of the album really is meant to be entirely orchestral (except for "Comfort Zone"). A ballsy move on Jackman's part, but man, I really thought it payed off emotionally!

T-Mann036 reply Replies: 2 || 2018-11-18 16:47:08
Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu? I wonder what the film soundtrack would sound like. Hmm...


tilibro2018-11-20 04:16:08
Maybe adapt the game's soundtrack to the score. I remember hearing the "main theme" jingle at one point in the trailer.


Der Profl2018-11-21 22:47:19
It would be a shame, if he won't use some characteristic Pokémon Themes. But maybe it's just my fan opinion. :)

JBSO99 reply Replies: 0 || 2018-11-18 11:24:47
I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.

Really great score!

SPECTER reply Replies: 2 || 2018-11-17 21:17:22
Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?


Hybrid Soldier2018-11-17 22:35:59
He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."


Anonymous2018-11-18 06:27:46
About his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?

jjstarA113 reply Replies: 6 || 2018-11-17 02:45:47
Copied from Filmtracks:

Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.

*I get the sense that this movie might be too long (1 hour and 52 minutes).


Meta2018-11-17 03:54:26
WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.


jjstarA1132018-11-17 04:57:34
Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.


Meta2018-11-17 12:18:56
Aw Hell...

I guess it never did freeze over.


Anonymous2018-11-17 18:12:20
Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for me


Nick2018-11-18 05:25:58
@Anonymous

Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality.

I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).


HunterTech2018-11-18 06:06:23
That is probably the fairest thing anyone on this website will say about Clemmensen. :P

HunterTech reply Replies: 1 || 2018-11-17 04:04:41
That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.


HunterTech2018-11-17 04:05:59
Referring to the previous comment (how did it not reply to the the previous message?)

The Dude reply Replies: 2 || 2018-11-10 20:15:11
I wonder with all of the Easter eggs if Jackman will incorporate some character themes like possibly the Imperial March for Storm Troopers Or Disney themed for the Disney characters


Frank2018-11-16 10:36:54
Imperial March and Luke's theme are in it!


Iamtommie2018-11-16 16:59:30
Listen to

A Big Strong Man In Need Of Rescuing.

That whole track is a damn easter egg

Anonymous reply Replies: 1 || 2018-11-16 12:51:28
Hard to believe this is a follow up to Wreck-It Ralph. Did he remove the electronics from this one too? Sounds too serious and at times dark and dramatic for a kid's movie score. Whatever happened to the fun?


Meta2018-11-16 13:51:40
The Henry Jackman I know died out after Civil War and Kingsman 2. After that you can hear faint fizzles of his electronic greatness, but nothing more.

But hey maybe he just doesn't wanna do that crap anymore...so..eh.

Scorefan reply Replies: 0 || 2018-11-16 02:12:31
Tracklist:

01. Imagine Dragons – Zero (3:32)
02. Sarah Silverman, Gal Gadot, Cast – Ralph Breaks the Internet – A Place Called Slaughter Race (3:28)
03. Julia Michaels – In This Place (3:21)
04. Karol Sevilla – El lugar (3:21)
05. Best Friends (2:53)
06. Circuit Breaker (2:22)
07. Pulling the Plug (1:14)
08. On the Rooftop (1:04)
09. The Big Idea (1:16)
10. The Internet (2:47)
11. KnowsMore & Spamley (1:18)
12. Site Seeing (1:30)
13. Checkout Fiasco (1:33)
14. Get Rich Quick (1:43)
15. Shank (3:03)
16. Hangin’ Out (1:03)
17. BuzzzTube (1:42)
18. Overnight Sensation (2:52)
19. Separate Ways (1:04)
20. Vanellope’s March (0:46)
21. Desperate Measures (1:20)
22. Don’t Read the Comments (1:49)
23. Growing Pains (1:35)
24. Double Dan (3:36)
25. Scanning for Insecurities (1:54)
26. Breaking Up (2:46)
27. Replicate-It-Ralph (1:21)
28. Operation Pied Piper (2:38)
29. Kling Kong (3:39)
30. The Meaning of Friendship (2:16)
31. A Big Strong Man in Need of Rescuing (1:55)
32. Letting Go (1:49)
33. Comfort Zone (1:33)
34. Worlds Apart (1:22)
35. Alan Menken, Phil Johnston, Tom MacDougall – A Place Called Slaughter Race (Instrumental) (3:28)
36. Alan Menken, Phil Johnston, Tom MacDougall – In This Place (Instrumental) (3:20)

 HANS-ZIMMER.com© 2001-2018 OST 
Ralph Breaks The Internet soundtrack - Henry Jackman 2018