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Hello everyone! After watching the film I noticed that about half of music that used in film disappeared at sessions or has different arrangement. Why it's not released? What's the reason for this?As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.
I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.
Not any more lame than the Balfe cueLorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lol
So is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)
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Benjamin Wallfisch
Composer
King Of Thieves
Label: Milan Records
Length: 42'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (715 votes)
  1. Reader's Theme (1:15)
  2. The Scheme (1:58)
  3. Diamond Education (2:07)
  4. What About My Privacy? (2:27)
  5. Load In (2:57)
  6. Blinking Red Light (1:44)
  7. Night At Hatton Garden (4:19)
  8. Sugar Plum Raid (2:08)
  9. The Morning After The Night Before (3:41)
  10. Train Escape (2:01)
  11. Where's Basil (4:36)
  12. Tracking The Lads (1:12)
  13. I'm The Guv Now (3:55)
  14. Police Sting (1:44)
  15. Reader Arrested (2:55)
  16. King Of Thieves (3:15)
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Michael Fields reply Replies: 0 || 2019-02-09 09:51:49
MOVIE CREDITS:

Music By
BENJAMIN WALLFISCH

Music Supervisor
SARAH BRIDGE

Music Consultant
KIRSTEN ERRINGTON (RIGHT MUSIC LIMITED)

Music Arranged & Produced By
BENJAMIN WALLFISCH
CHRISTOPHER EGAN

Additional Arrangements & Programming By
JARED FRY
ANDREW COOKSLEY

Orchestrated By
CHRISTOPHER EGAN
DAVID J. KRYSTAL

Music Editors
GRAHAM SUTTON
ROBIN BAYNTON

Music Performed By
THE CHAMBER ORCHESTRA OF LONDON

Orchestra Contracted By
GARETH GRIFFITHS

Concert Master
LAURA SAMUEL

Guitars
ADAM GOLDSMITH

Electric Bass
PAUL MULLFORD

Acoustic Bass
CHRIS HILL

Drums
RALPH SALMINS

Keyboards
CHRISTOPHER EGAN

Cimbalom
ED CERVENKA

Trumpets
SIMON GARDENER
PAT WHITE
TOM REES ROBERTS
CRAIG WILD

Trombones
ANDY WOOD
MARK NIGHTINGALE
ALISTAIR WHITE
RICHARD WIGLEY

Saxophones
SAMMY MAYNE
NICK MOSS
MARTIN WILLIAMS
JAMIE TALBOT

Tubas
MARTIN WILLIAMS

Alto Flutes
GARETH LOCKRANE
ANDY FINDON

Music Recorded By
JAKE JACKSON

Pro Tools Recordist
TOBY HULBERT

Assistant Engineer
GEORGE OULTON

Music Preparation By
JILL STREATER

Music Mixed By
TRYSTAN FRANCIS
JAKE JACKSON

Music Recorded At
ABBEY ROAD STUDIOS (London)

Score Coordinated By
DARRELL ALEXANDER

MrZimmerFan reply Replies: 1 || 2019-01-16 21:47:44
Serenity going to be released next week

https:/ / www.amazon.com/gp/product/B07KZGKX4K/ref=as_li_qf_asin_il_tl ?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativ eASIN=B07KZGKX4K&linkId=b932ee0afd97cf3be04f644cad294734


MrZimmerFan2019-01-18 21:47:51
and tracklist

Pictures. Visit the official movie website for more information.

Hereís the album track list:



1. Serenity
2. The Beast
3. Suit
4. Karen
5. Baker Dill
6. Patrick
7. Memory
8. Deliver Me From Temptation
9. He Wants Justice
10. Girl at the Bridge
11. I Am the Rules
12. Plymouth Island
13. I Remember You
14. Catch That Fish
15. How We See It
16. Creator
17. Justice
18. Alternate Reality
19. Itís Dad


Saurabh reply Replies: 0 || 2018-09-17 07:53:46
Schifrin and Mancini would be proud. Awesome fun work by Wallfisch.

Tom de Ruiter reply Replies: 1 || 2018-09-17 00:10:36
It's a great score! The Sugar PlumRaid is awesome. It's a great big band score! Loved it!


Mephariel2018-09-17 05:47:02
Love Sugar Plum Raid!

Moggyman reply Replies: 0 || 2018-09-16 22:01:54
This looks promising. Benjamin Wallfisch will probably do a good job.

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King Of Thieves soundtrack - Benjamin Wallfisch 2018