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The Call of the Wild has a bit more heart than Solo but Solo is just on another level in terms of complexity and ambition. The HTTYD scores are the best of both worlds.Booklet credits:<br><br>Score Composed, Produced, Programmed, Mixed and Mastered by Tom Holkenborg<br><br>Additional Music: Antonio Di Iorio<br>Additional Synth Programming by Sara Barone<br>Technical Score Engineers: Jacopo Trifone, Shwan Askari, Gevorg Chepchyan and Jarrod Royles-Atkins<br>Music Production Services by Michiel Groeneveld<br>Score Mixed at Computer Hell Cabin<br><br>Score Conducted by Edward Trybek<br>Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard and Tom Holkenborg<br>Music Contractor: Peter Rotter (For Encompass Music Partners)<br>Score Copied by Edward Trybek and Henri Wilkinson<br>Score Recorded by Chris Fogel<br>Digital Recording by Kevin Globerman<br>Score Recorded at Elbo Studios<br><br>Executive in Charge of Music for Paramount Pictures: Randy Spendlove<br>Soundtrack Album Coordinator: Michael Murphy<br>Executive Album Producers for La-La Land Records: MV Gerhard and Matt Verboys<br>Art Direction by Dan Goldwasser at Warm Butter Design<br>Production Assistance: Frank K. DeWald and Neil S. Bulk<br><br>Special Thanks:<br>Saskia Holkenborg, Julian and Darren Holkenborg, David Altschul, Anne Cobb, Allison Dotson, Richard Kraft, Laura Engel, Hisham Dahud and Alastair Duncan<br><br>Paramount Pictures Thanks:<br>Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicholl, Vanessa Palmer, Areli Quuirarte, Maddy Van Remortel, Kim Seiniger, Johnathan Weiss and Clare YezerskiHey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for you
Now, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.
Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.
Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.
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Benjamin Wallfisch
Composer
King Of Thieves
Label: Milan Records
Length: 42'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1591 votes)
  1. Reader's Theme (1:15)
  2. The Scheme (1:58)
  3. Diamond Education (2:07)
  4. What About My Privacy? (2:27)
  5. Load In (2:57)
  6. Blinking Red Light (1:44)
  7. Night At Hatton Garden (4:19)
  8. Sugar Plum Raid (2:08)
  9. The Morning After The Night Before (3:41)
  10. Train Escape (2:01)
  11. Where's Basil (4:36)
  12. Tracking The Lads (1:12)
  13. I'm The Guv Now (3:55)
  14. Police Sting (1:44)
  15. Reader Arrested (2:55)
  16. King Of Thieves (3:15)
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Michael Fields reply Replies: 0 || 2019-02-09 09:51:49
MOVIE CREDITS:

Music By
BENJAMIN WALLFISCH

Music Supervisor
SARAH BRIDGE

Music Consultant
KIRSTEN ERRINGTON (RIGHT MUSIC LIMITED)

Music Arranged & Produced By
BENJAMIN WALLFISCH
CHRISTOPHER EGAN

Additional Arrangements & Programming By
JARED FRY
ANDREW COOKSLEY

Orchestrated By
CHRISTOPHER EGAN
DAVID J. KRYSTAL

Music Editors
GRAHAM SUTTON
ROBIN BAYNTON

Music Performed By
THE CHAMBER ORCHESTRA OF LONDON

Orchestra Contracted By
GARETH GRIFFITHS

Concert Master
LAURA SAMUEL

Guitars
ADAM GOLDSMITH

Electric Bass
PAUL MULLFORD

Acoustic Bass
CHRIS HILL

Drums
RALPH SALMINS

Keyboards
CHRISTOPHER EGAN

Cimbalom
ED CERVENKA

Trumpets
SIMON GARDENER
PAT WHITE
TOM REES ROBERTS
CRAIG WILD

Trombones
ANDY WOOD
MARK NIGHTINGALE
ALISTAIR WHITE
RICHARD WIGLEY

Saxophones
SAMMY MAYNE
NICK MOSS
MARTIN WILLIAMS
JAMIE TALBOT

Tubas
MARTIN WILLIAMS

Alto Flutes
GARETH LOCKRANE
ANDY FINDON

Music Recorded By
JAKE JACKSON

Pro Tools Recordist
TOBY HULBERT

Assistant Engineer
GEORGE OULTON

Music Preparation By
JILL STREATER

Music Mixed By
TRYSTAN FRANCIS
JAKE JACKSON

Music Recorded At
ABBEY ROAD STUDIOS (London)

Score Coordinated By
DARRELL ALEXANDER

MrZimmerFan reply Replies: 1 || 2019-01-16 21:47:44
Serenity going to be released next week

https:/ / www.amazon.com/gp/product/B07KZGKX4K/ref=as_li_qf_asin_il_tl ?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativ eASIN=B07KZGKX4K&linkId=b932ee0afd97cf3be04f644cad294734


MrZimmerFan2019-01-18 21:47:51
and tracklist

Pictures. Visit the official movie website for more information.

Hereís the album track list:



1. Serenity
2. The Beast
3. Suit
4. Karen
5. Baker Dill
6. Patrick
7. Memory
8. Deliver Me From Temptation
9. He Wants Justice
10. Girl at the Bridge
11. I Am the Rules
12. Plymouth Island
13. I Remember You
14. Catch That Fish
15. How We See It
16. Creator
17. Justice
18. Alternate Reality
19. Itís Dad


Saurabh reply Replies: 0 || 2018-09-17 07:53:46
Schifrin and Mancini would be proud. Awesome fun work by Wallfisch.

Tom de Ruiter reply Replies: 1 || 2018-09-17 00:10:36
It's a great score! The Sugar PlumRaid is awesome. It's a great big band score! Loved it!


Mephariel2018-09-17 05:47:02
Love Sugar Plum Raid!

Moggyman reply Replies: 0 || 2018-09-16 22:01:54
This looks promising. Benjamin Wallfisch will probably do a good job.

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King Of Thieves soundtrack - Benjamin Wallfisch 2018