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Balfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.
I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.
Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?"The Wanderer", "Event Horizon", "You Have To Let Me Go" and "Tuesday (Voiceless)" = WOW WOW WOW!!!Zanelli is no James Newton Howard, but he did a fantastic job with writing a large scale fantasy score. I’ll even say that, while I think the first Maleficent is stronger overall, I personally like the action writing better here. Also 2 little things I’ve noticed;<br><br>1. The new theme here sounds fairly similar to the Father/Son tune from KFP3<br>2. 2:20-3:30 sounds like it may have been temped from the finale of Fantastic Beasts. (Or maybe I’m just crazy lol)
Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.It’s definitely Balfe. I’ve seen the film for the second time two weeks ago so my memory is kind of hazy but luckily I decided to record the end credits for reference and I think it plays in Balfe’s section / variation of one of his themes played on a solo string instrument. <br><br>I think we got most of Richter cues as it was mainly his release. I feel that Lorne has moved on from this project - he didn’t even mention the release so an extended release of his material seems unlikely to happen :( <br><br>For those interested the credits suite plays as follows: <br><br><br>“A Trip To The Moon” (synth part)<br>“I Put All That Away”<br>Variation on the theme in “Underground Lake” at 0:14<br>Variation on the theme in “Trip To Neptune” 0-1:00<br>“To The Stars”Season 2 premieres in 2 weeks, if he was scoring he would be working on it at the moment. But yes no confirmation regarding his return or a new composer. No news regarding new composer might be a hint whether Djawadi is returning or not.I only listened to the first couple of cues so it is too early to form an opinion comparing it to JNH but I disagree the first half drags. Maybe because I love tender themes.I suspect that the release was just what they had originally planned, with a couple of bonus tracks thrown in to appease Fox. They likely didn't put too much thought in what they added, since people who have spoken with Lorne said he wasn't aware of the release and was surprised Prayer wasn't on it. I'm just glad anything got released at all after everything that has gone before.<br><br>Regarding that theme you mentioned, is it one that sounded like the personal motif Ethan has in M:I Fallout? Because while I did initially assume that was Balfe too, it seems it was actually Richter. Haven't gotten to hear Lorne's parts yet, so who knows he if he also did a similar thing.
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Rupert Gregson-WilliamsAndrew KawczynskiPaul MounseyTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
Wonder Woman (Complete Score)
Label: Unofficial Release
Length: 148'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (628 votes)
  1. DC Logos - Opening - Amazons Of Themyscira (4:20)
    Rupert Gregson-Williams (Hans Zimmer)
  2. Bedtime Story - Training Diana (5:16)
    Rupert Gregson-Williams
  3. Fighting Antiope (3:14)
    Rupert Gregson-Williams
  4. Cliff View - Plane Crash (3:43)
    Rupert Gregson-Williams (Hans Zimmer)
  5. You're A Man (0:53)
    Rupert Gregson-Williams
  6. Beach Battle (3:18)
    Rupert Gregson-Williams
  7. Death Of Antiope (1:36)
    Rupert Gregson-Williams
  8. Interrogation (5:10)
    Rupert Gregson-Williams
  9. Steve & Diana (1:44)
    Rupert Gregson-Williams, Evan Jolly
  10. Steve Questions Diana (1:36)
    Rupert Gregson-Williams, Evan Jolly
  11. Diana Tests Her Strength (2:38)
    Rupert Gregson-Williams, David Buckley
  12. Leaving The Island (2:34)
    Rupert Gregson-Williams
  13. Sleeping On The Boat (3:33)
    Rupert Gregson-Williams, Evan Jolly
  14. Ludendorff (2:37)
    Rupert Gregson-Williams
  15. London (0:49)
    Rupert Gregson-Williams
  16. A Baby (0:17)
    Rupert Gregson-Williams
  17. Selfridges (3:44)
    Rupert Gregson-Williams, David Buckley
  18. Bad Guys (1:23)
    Rupert Gregson-Williams, Paul Mounsey
  19. Alley Shootout (1:02)
    Rupert Gregson-Williams, Paul Mounsey
  20. Gas Test (0:55)
    Rupert Gregson-Williams
  21. Reading The Notebook (2:12)
    Rupert Gregson-Williams, Paul Mounsey
  22. Diana Tosses Bar Guy (0:24)
    Rupert Gregson-Williams, Tom Howe
  23. Steve Tells Of His Plan (1:33)
    Rupert Gregson-Williams, Tom Howe
  24. Wounded Soldiers (1:05)
    Rupert Gregson-Williams, Tom Howe
  25. Gassing The Officers (1:42)
    Rupert Gregson-Williams
  26. Charlie's Nightmare (1:23)
    Rupert Gregson-Williams, Tom Howe
  27. No Man's Land (5:41)
    Rupert Gregson-Williams
  28. Fighting In Veld (5:44)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  29. He Cannot Shoot (0:37)
    Rupert Gregson-Williams
  30. Diana's Realization (0:31)
    Rupert Gregson-Williams
  31. First Kiss (0:31)
    Rupert Gregson-Williams
  32. Approaching The Castle (2:49)
    Rupert Gregson-Williams, Paul Mounsey
  33. Lady In The Blue Dress (0:30)
    Rupert Gregson-Williams
  34. Diana Enters The Ballroom (3:30)
    Rupert Gregson-Williams
  35. Gassed Village (2:02)
    Rupert Gregson-Williams
  36. Killing Ludendorff (4:34)
    Rupert Gregson-Williams, Andrew Kawczynski (Hans Zimmer)
  37. Steve Leaves (3:17)
    Rupert Gregson-Williams
  38. Ares (5:38)
    Rupert Gregson-Williams
  39. Tower Explosion (2:51)
    Rupert Gregson-Williams, Andrew Kawczynski
  40. Steve Says Goodbye (3:17)
    Rupert Gregson-Williams, Andrew Kawczynski
  41. Showdown (1:44)
    Rupert Gregson-Williams, Evan Jolly
  42. Rage (2:28)
    Rupert Gregson-Williams, Evan Jolly
  43. Hearing (1:21)
    Rupert Gregson-Williams
  44. Diana Wins (2:14)
    Rupert Gregson-Williams, Thomas Farnon
  45. Aftermath (1:33)
    Rupert Gregson-Williams
  46. Victory Celebration (2:38)
    Rupert Gregson-Williams
  47. Only Love (0:35)
    Rupert Gregson-Williams, Halli Cauthery
  48. Wonder Woman (0:37)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
  49. Action Reaction (5:52)
    Rupert Gregson-Williams, Andrew Kawczynski
  50. DC Logos (Alternate) (1:21)
    Rupert Gregson-Williams (Hans Zimmer)
  51. Bedtime Story - Training Diana (Alternate) (5:21)
    Rupert Gregson-Williams
  52. Fighting Antiope (Alternate) (1:06)
    Rupert Gregson-Williams
  53. Cliff View (Alternate) (1:07)
    Rupert Gregson-Williams
  54. Plane Crash (Alternate) (0:50)
    Rupert Gregson-Williams
  55. Beach Battle (Alternate) (0:49)
    Rupert Gregson-Williams
  56. Diana Tests Her Strength (Alternate) (0:21)
    Rupert Gregson-Williams, David Buckley
  57. No Man's Land (Alternate I) (3:26)
    Rupert Gregson-Williams
  58. No Man's Land (Alternate II) (0:51)
    Rupert Gregson-Williams
  59. Fighting In Veld (Alternate) (4:40)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  60. Lady In The Blue Dress (Alternate) (0:30)
    Rupert Gregson-Williams
  61. Gassed Village (Alternate) (1:26)
    Rupert Gregson-Williams
  62. Hearing (Alternate) (1:21)
    Rupert Gregson-Williams
  63. Diana Wins (Alternate) (0:36)
    Rupert Gregson-Williams, Thomas Farnon
  64. Aftermath - Victory Celebration - Only Love - Wonder Woman (Alternate) (4:50)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
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tilibro reply Replies: 0 || 2018-10-12 03:58:10
Shame that "Cliff View - Plane Crash" and "Diana Tests Her Strength" weren't on the OST, they're very good.

Felix reply Replies: 6 || 2018-08-30 19:38:19
Not any Suite on the CS??


T-Mann0362018-08-30 23:13:31
The search for the suites now begin.


Hybrid Soldier2018-08-30 23:16:34
Not every composer works like HZ with theme suites.


The only suite here is Action Reaction and it's Andrew.


em2018-09-03 20:34:09
I know you've probably been asked this before, Hybrid. But does Hans write suites for all of his scores? Even ones that aren't released/recorded?


Hybrid Soldier2018-09-03 21:19:46
Mostly, yes...

But I'll take an example, Rush, he wrote the main theme to picture directly with Ron Howard & Peter Morgan in the room.

Bryce Jacobs did develop a suite "Guitar F1", but that's a score Hans really attacked "to picture". Did he however have a file on his computer somewhere called "Rush Theme Demo v1.1", well probably too !


David2018-09-03 22:21:20
How many films has Hans scored to picture? Do you know which ones?


em2018-09-05 19:21:02
Every film is scored to picture surely.

I was just asking about the themes. Thanks Hybrid.

T-Mann036 reply Replies: 0 || 2018-09-03 04:07:05
After listening to this complete film score, there are two tracks that I personally enjoy the best-- Fighting In Veld and Killing Ludendorff. And I thought adding Wonder Woman and Action Reaction were the ultimate icing on the cake at the conclusion of the entire picture!

T-Mann036 reply Replies: 0 || 2018-08-30 04:21:34
The Wonder Woman complete score is ultimately one of the best film soundtracks ever made. Rupert Gregson-Williams is the truth!

Overall: 5 stars!

mpolonest123 reply Replies: 5 || 2018-08-30 00:11:21
Glad this is finally out!

Hybrid, any idea why Hans is only credited on certain cues for the WW theme? The rhythmic portion is used throughout. (Training Diana, Alley Shootout, etc.)


Hybrid Soldier2018-08-30 00:17:41
It's the cuesheet, I guess they thought Hans (and Junkie, who's credited for being BvS co-compo) didn't deserve money for those... lol


bill2018-08-30 00:19:09
you are right. It’s in those too.


mpolonest1232018-08-30 00:27:28
Lol wow, I guess a good way to save a buck.

A few others where the theme appears: Diana Tests Her Strength, He Cannot Shoot, Diana Wins, Only Love, Diana Enters Ballroom.


Hybrid Soldier2018-08-30 00:29:38
Well crediting a composer for using a... baseline ?


Credit Hans where you want, no one will mind !


mpolonest1232018-08-30 00:36:48
All in all this is a really solid score, with quite a bit unreleased. You have the London material which takes a page from Sherlock Holmes, the “Selfridges” cue (which is so bizarre but fun), the beach battle, and the “Steve Says Goodbye” track which should have been included on the OST.

Russel reply Replies: 1 || 2018-08-29 23:40:58
Wow

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Anonymous2018-08-30 00:10:29
The hans zimmer theme is definitely in more than those tracks!

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Wonder Woman (Complete Score) soundtrack - Rupert Gregson-Williams 2017