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This is a seriously good score....but the temptracking is rather problematic. The love theme is directly from Braveheart, a lot of the action in No Going Back is Mount Doom from LOTR etc....but still better than some of that synth nonsense peddled by the Junkmeister elsewhere.Am I correct that the music used in the long flashback sc&#232;ne with Hester and Shrike is only sort of present in the final track "Alive and Together" ?So the complete score is now available on YouTube and it’s AWSOME. Particularly Escape through ParisDoes anyone have the chronological order yet?? That would be great!@MrZimmerFan<br><br>Gotta agree with you, I definitely think WW is a far stronger score. That’s not to say I think Aquaman is bad, but none of the themes have really impressed me at all. The orchestral/synth hybrid is pretty cool, but once again I think it was done far better with Thor: Ragnarok. <br><br>(Will say this though; “Black Manta” is a badass track)
First Impressions:<br><br>This might be one of the most “traditional” scores that Tom has scored at this point in his career. The strings/brass still have the signature JXL sound to them, but the music feels more mature when compared to something like Mad Max or even his most recent outings. <br><br>I’m still picking up on the themes as of now (the most obvious being the main fanfare and Hester’s tune) but the idea for Shrike is definitely a clear standout. Especially when it gets an emotional spin later on. The use of woodwinds and the operatic female solo vocals also are a nice addition.<br><br>Overall this has to be the biggest surprise of the year for me. Having sorta given up on Junkie after being disappointed by his output in the past few years I never expected him to write a fantasy score on this level (while still keeping one foot in his comfort zone of course). Hopefully more producers actually demand quality music from him, as opposed to the shit we got from<br>Tomb Raider and Deadpool.Great work. <br><br>I love Tom's aggressive and extreme way of mixing and bold use of percussion.<br><br>Glad to see him linked to Alita: Battle Angel tooI imagine iTunes and Spotify by Friday. The people commenting on it have likely heard a leaked version.Where can we listen this score ?It's a good score, nice blend between orchestra and synths.<br><br>But, i think WW is more interesting score
I'm listening right now, one of the best works by Tom, by far.<br><br>Beautiful choir, great action tracks (even there is a great renditions of the themes, Windflower with that version of Shrike's theme is gorgeous) and multiples themes.I'm guessing CONFESSIONS & REGRETS is Tom Sells out his Clone?I have done this for... so many things ! :PThanks so much!01 - THE ISLAND AWAITS YOU => 1M1 MAIN TITLES + 1M2 NIGHTMARE #1<br>02 - WHERE DO THESE TUBES GO? => 1M2 MISSING A SHOE + 4M24 ROUTE 39<br>03 - SECTOR 6 => 4M19C CENSOR CHASE PT 3 + 4M19D THE OUTSIDE WORLD<br>04 - STARKWEATHER => NOT IN MIXES (Album idea or suite idea ?) + 6M33H MVC PT 6 THE BIG R<br>05 - AGNATE UKULELES => 2M10 AGNATE UKULELES + 2M10B UKULELES 2 - ELECTRIC B<br>06 - YOU HAVE A SPECIAL PURPOSE IN LIFE => 3M14A RELEASING THE MOTH + 3M14B LIMA'S DEMISE<br>07 - MASS VEHICULAR CARNAGE => 1MD HEALTH CLUB (ALBUM SONG VERSION)<br>08 - RENOVATIO => 5M32B TRACKING THE CLONES<br>09 - I'M NOT READY TO DIE => 3M15 STARKWEATHER'S DEMISE (EDITED)<br>10 - THIS TONGUE THING'S AMAZING => 7M43 THIS TONGUE THING'S AMAZING + 6M38 CONFESSIONS & REGRETS<br>11 - MASS WINNINGS => 7M44 MASS WINNINGS + 7M45 RETURN TO INSTITUTE + 7M45 RETURN TO INSTITURE PT 2<br>12 - THE CRAZIEST MESS I'VE EVER SEEN => 3M16-17 A PRODUCT ON THE LOOSE + 3M18A CENSOR CHASE PT 1<br>13 - SEND IN THE CLONES => 5M29 TRAIN STATION CHASE + 5M31-32 IN LA - CALVIN KLEIN<br>14 - MY NAME IS LINCOLN => 8M52 THE END OF MERRICK<br><br>;)
Hybrid is it possible that you could do a crossreference of what cues here = the ones on album like you did for King Arthur and Transformers 4?And maybe there's too much synth work in both cause... Andrew K worked on both ?! lolMothersbaugh isn't the only person out there to use 80s synth, you know. You are after all, on the website named after perhaps the greatest pioneer of it in terms of film music. <br><br>Also, there is nothing about this film that screams "Thor Ragnarok" ripoff. If anything, the appropriate place to compare is Black Panther- however, as Aquaman and his mythology predates Black Panther by several years, that argument is rendered moot.<br><br> Sure, we have regal similarities (king, set in kingdom, evil half brother) but it literally ends there. The story is quite basic, but nowhere like Ragnarok in its entirety. Ragnarok was about two brothers putting aside their differences to stop their evil sister from unleashing Ragnarok itself, whilst Aquaman is about Arthur Curry being forced to reconnect with his Atlantean heritage, and it's explicitly a quest for him to clear Atlantis from a corrupt, purist ruler who wants to hurt the surface world because of how the humans have been mistreating the seas. Aquaman is very much its own thing, and it doesn't need any such comparisons. And I bet, it will stomp past Ragnarok at the box office overall. <br><br>the main theme is quite similar to Jackman's Kingsman ( the first three note)<br><br>andd..<br><br>I assume it is the studio's mandate for RGW to go (and adapt..or imitate?) Mothersbaugh's Ragnarok with its 80s synth. <br><br>----<br><br>Having seen the movie, i understand why RGW chose the 80s style, because basically, Aquaman is Thor Ragnarok underwater. <br>Dont get me wrong, the visual spectacle is amazing and colorful ( in a good way), some of the cinematography is downright breathtaking,but i really did have a hardtime enjoying this movie in its fullness beacuse the blatant Ragnarok ripping-off here and there.., and dont get me started on the story...<br>Really, the visual did the heavy lifting in this movie ( and it succeeded in overcoming the weak storyline)Um, is there a freaking Pitbull remix of Africa on here? What the heck?
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Rupert Gregson-WilliamsAndrew KawczynskiPaul MounseyTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
Wonder Woman (Complete Score)
Label: Unofficial Release
Length: 148'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (270 votes)
  1. DC Logos - Opening - Amazons Of Themyscira (4:20)
    Rupert Gregson-Williams (Hans Zimmer)
  2. Bedtime Story - Training Diana (5:16)
    Rupert Gregson-Williams
  3. Fighting Antiope (3:14)
    Rupert Gregson-Williams
  4. Cliff View - Plane Crash (3:43)
    Rupert Gregson-Williams (Hans Zimmer)
  5. You're A Man (0:53)
    Rupert Gregson-Williams
  6. Beach Battle (3:18)
    Rupert Gregson-Williams
  7. Death Of Antiope (1:36)
    Rupert Gregson-Williams
  8. Interrogation (5:10)
    Rupert Gregson-Williams
  9. Steve & Diana (1:44)
    Rupert Gregson-Williams, Evan Jolly
  10. Steve Questions Diana (1:36)
    Rupert Gregson-Williams, Evan Jolly
  11. Diana Tests Her Strength (2:38)
    Rupert Gregson-Williams, David Buckley
  12. Leaving The Island (2:34)
    Rupert Gregson-Williams
  13. Sleeping On The Boat (3:33)
    Rupert Gregson-Williams, Evan Jolly
  14. Ludendorff (2:37)
    Rupert Gregson-Williams
  15. London (0:49)
    Rupert Gregson-Williams
  16. A Baby (0:17)
    Rupert Gregson-Williams
  17. Selfridges (3:44)
    Rupert Gregson-Williams, David Buckley
  18. Bad Guys (1:23)
    Rupert Gregson-Williams, Paul Mounsey
  19. Alley Shootout (1:02)
    Rupert Gregson-Williams, Paul Mounsey
  20. Gas Test (0:55)
    Rupert Gregson-Williams
  21. Reading The Notebook (2:12)
    Rupert Gregson-Williams, Paul Mounsey
  22. Diana Tosses Bar Guy (0:24)
    Rupert Gregson-Williams, Tom Howe
  23. Steve Tells Of His Plan (1:33)
    Rupert Gregson-Williams, Tom Howe
  24. Wounded Soldiers (1:05)
    Rupert Gregson-Williams, Tom Howe
  25. Gassing The Officers (1:42)
    Rupert Gregson-Williams
  26. Charlie's Nightmare (1:23)
    Rupert Gregson-Williams, Tom Howe
  27. No Man's Land (5:41)
    Rupert Gregson-Williams
  28. Fighting In Veld (5:44)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  29. He Cannot Shoot (0:37)
    Rupert Gregson-Williams
  30. Diana's Realization (0:31)
    Rupert Gregson-Williams
  31. First Kiss (0:31)
    Rupert Gregson-Williams
  32. Approaching The Castle (2:49)
    Rupert Gregson-Williams, Paul Mounsey
  33. Lady In The Blue Dress (0:30)
    Rupert Gregson-Williams
  34. Diana Enters The Ballroom (3:30)
    Rupert Gregson-Williams
  35. Gassed Village (2:02)
    Rupert Gregson-Williams
  36. Killing Ludendorff (4:34)
    Rupert Gregson-Williams, Andrew Kawczynski (Hans Zimmer)
  37. Steve Leaves (3:17)
    Rupert Gregson-Williams
  38. Ares (5:38)
    Rupert Gregson-Williams
  39. Tower Explosion (2:51)
    Rupert Gregson-Williams, Andrew Kawczynski
  40. Steve Says Goodbye (3:17)
    Rupert Gregson-Williams, Andrew Kawczynski
  41. Showdown (1:44)
    Rupert Gregson-Williams, Evan Jolly
  42. Rage (2:28)
    Rupert Gregson-Williams, Evan Jolly
  43. Hearing (1:21)
    Rupert Gregson-Williams
  44. Diana Wins (2:14)
    Rupert Gregson-Williams, Thomas Farnon
  45. Aftermath (1:33)
    Rupert Gregson-Williams
  46. Victory Celebration (2:38)
    Rupert Gregson-Williams
  47. Only Love (0:35)
    Rupert Gregson-Williams, Halli Cauthery
  48. Wonder Woman (0:37)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
  49. Action Reaction (5:52)
    Rupert Gregson-Williams, Andrew Kawczynski
  50. DC Logos (Alternate) (1:21)
    Rupert Gregson-Williams (Hans Zimmer)
  51. Bedtime Story - Training Diana (Alternate) (5:21)
    Rupert Gregson-Williams
  52. Fighting Antiope (Alternate) (1:06)
    Rupert Gregson-Williams
  53. Cliff View (Alternate) (1:07)
    Rupert Gregson-Williams
  54. Plane Crash (Alternate) (0:50)
    Rupert Gregson-Williams
  55. Beach Battle (Alternate) (0:49)
    Rupert Gregson-Williams
  56. Diana Tests Her Strength (Alternate) (0:21)
    Rupert Gregson-Williams, David Buckley
  57. No Man's Land (Alternate I) (3:26)
    Rupert Gregson-Williams
  58. No Man's Land (Alternate II) (0:51)
    Rupert Gregson-Williams
  59. Fighting In Veld (Alternate) (4:40)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  60. Lady In The Blue Dress (Alternate) (0:30)
    Rupert Gregson-Williams
  61. Gassed Village (Alternate) (1:26)
    Rupert Gregson-Williams
  62. Hearing (Alternate) (1:21)
    Rupert Gregson-Williams
  63. Diana Wins (Alternate) (0:36)
    Rupert Gregson-Williams, Thomas Farnon
  64. Aftermath - Victory Celebration - Only Love - Wonder Woman (Alternate) (4:50)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
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tilibro reply Replies: 0 || 2018-10-12 03:58:10
Shame that "Cliff View - Plane Crash" and "Diana Tests Her Strength" weren't on the OST, they're very good.

Felix reply Replies: 6 || 2018-08-30 19:38:19
Not any Suite on the CS??


T-Mann0362018-08-30 23:13:31
The search for the suites now begin.


Hybrid Soldier2018-08-30 23:16:34
Not every composer works like HZ with theme suites.


The only suite here is Action Reaction and it's Andrew.


em2018-09-03 20:34:09
I know you've probably been asked this before, Hybrid. But does Hans write suites for all of his scores? Even ones that aren't released/recorded?


Hybrid Soldier2018-09-03 21:19:46
Mostly, yes...

But I'll take an example, Rush, he wrote the main theme to picture directly with Ron Howard & Peter Morgan in the room.

Bryce Jacobs did develop a suite "Guitar F1", but that's a score Hans really attacked "to picture". Did he however have a file on his computer somewhere called "Rush Theme Demo v1.1", well probably too !


David2018-09-03 22:21:20
How many films has Hans scored to picture? Do you know which ones?


em2018-09-05 19:21:02
Every film is scored to picture surely.

I was just asking about the themes. Thanks Hybrid.

T-Mann036 reply Replies: 0 || 2018-09-03 04:07:05
After listening to this complete film score, there are two tracks that I personally enjoy the best-- Fighting In Veld and Killing Ludendorff. And I thought adding Wonder Woman and Action Reaction were the ultimate icing on the cake at the conclusion of the entire picture!

T-Mann036 reply Replies: 0 || 2018-08-30 04:21:34
The Wonder Woman complete score is ultimately one of the best film soundtracks ever made. Rupert Gregson-Williams is the truth!

Overall: 5 stars!

mpolonest123 reply Replies: 5 || 2018-08-30 00:11:21
Glad this is finally out!

Hybrid, any idea why Hans is only credited on certain cues for the WW theme? The rhythmic portion is used throughout. (Training Diana, Alley Shootout, etc.)


Hybrid Soldier2018-08-30 00:17:41
It's the cuesheet, I guess they thought Hans (and Junkie, who's credited for being BvS co-compo) didn't deserve money for those... lol


bill2018-08-30 00:19:09
you are right. It’s in those too.


mpolonest1232018-08-30 00:27:28
Lol wow, I guess a good way to save a buck.

A few others where the theme appears: Diana Tests Her Strength, He Cannot Shoot, Diana Wins, Only Love, Diana Enters Ballroom.


Hybrid Soldier2018-08-30 00:29:38
Well crediting a composer for using a... baseline ?


Credit Hans where you want, no one will mind !


mpolonest1232018-08-30 00:36:48
All in all this is a really solid score, with quite a bit unreleased. You have the London material which takes a page from Sherlock Holmes, the “Selfridges” cue (which is so bizarre but fun), the beach battle, and the “Steve Says Goodbye” track which should have been included on the OST.

Russel reply Replies: 1 || 2018-08-29 23:40:58
Wow


Anonymous2018-08-30 00:10:29
The hans zimmer theme is definitely in more than those tracks!

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Wonder Woman (Complete Score) soundtrack - Rupert Gregson-Williams 2017