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No no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!
Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!
She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
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Henry JackmanMatthew MargesonHalli CautheryAlex Belcher
ComposerAdditional MusicAdditional MusicAdditional Music
The Predator
Label: Lakeshore Records
Length: 54'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2034 votes)
  1. Arrival (2:59)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  2. Discovery (3:05)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  3. Rory (1:32)
    Henry Jackman
  4. Project Stargazer (2:01)
    Henry Jackman, Matthew Margeson, Halli Cauthery (Alan Silvestri)
  5. Beautiful Specimen (1:37)
    Henry Jackman (Alan Silvestri)
  6. Playing With Fire (1:11)
    Henry Jackman (Alan Silvestri)
  7. Out Of The Cage (2:40)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  8. The Loonies (0:53)
    Henry Jackman
  9. On The Loose (2:58)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  10. Another World (2:25)
    Henry Jackman (Alan Silvestri)
  11. Rescue (1:55)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  12. Apex Predator (3:15)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  13. Damage Control (1:01)
    Henry Jackman, Matthew Margeson
  14. The Good Soldier (2:52)
    Henry Jackman
  15. Team McKenna (1:31)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  16. The Ark Ship (2:18)
    Henry Jackman
  17. Onslaught (1:22)
    Henry Jackman, Matthew Margeson, Evan Goldman (Alan Silvestri)
  18. Contact (2:07)
    Henry Jackman, Alex Belcher
  19. The Hunt (3:36)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
  20. The Sacrifice (1:35)
    Henry Jackman
  21. Alien Abduction (1:27)
    Henry Jackman
  22. The Last Stand (3:27)
    Henry Jackman, Evan Goldman
  23. Man Vs. Predator (2:19)
    Henry Jackman, Halli Cauthery
  24. Remembrance (1:36)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
  25. The Predator's Gift (3:02)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
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Knight reply Replies: 3 || 2020-03-16 15:41:41
> Orchestra Leader: Henry Jackman

What?? Is this another weird booklet credit or was Henry actually a part of the orchestra for this score?


Hybrid Soldier2020-03-16 18:34:49
Is that so unbelievable ? Henry's a good player !


Knight2020-03-16 19:01:41
I've just never seen Henry credited playing anything outside of the piano area before now, so it's a bit of a surprise.


Leo2020-03-17 03:32:29
What are his instruments of choice? Now I wanna see him in action!

Hybrid Soldier reply Replies: 7 || 2018-09-29 09:44:27
Henry has this big tendency on every single OST release to remix everything and remove a big deal of electronic layers & percussions (which is a very bad decision in my book, it's like Backdraft OST which has half of HZ's electronics removed)...

Keep the EP of that score, it has the cues "untouched". Have fun comparing them with the final OST tracks, you'll notice all that got removed in the process...


Meta2018-09-29 11:49:09
He took out his electronics? What? That's kinda what made his scores so good....They had a tempo and shit.


Edmund Meinerts2018-09-29 12:11:05
I actually kinda prefer the OST version of the cues for Backdraft...

Has Jackman done that on previous scores? I have to say I never noticed that before.


Hybrid Soldier2018-09-29 12:34:39
Pretty every single OST release since 2014...


John F2018-09-29 16:18:15
Wait Dirty Dozen is only on the EP as well?? Jeez why would they do that?


mpolonest123 2018-09-29 16:54:11
And that’s why you don’t take criticisms to heart. Winter Soldier was a genuinely good score that used its electronics effectively. That would be like Lorne Balfe ditching his writing style because some “purists” got upset at Mission Impossible.


Edmund Meinerts2018-09-29 18:13:16
I highly doubt that has anything to do with it. If anything, the lesson from that should have been "don't leave the best cue off the album" (the Dom Lewis arrangement of the main theme from the end credits)

(also that score is still terrible and the Winter Soldier theme is a disgrace)


mpolonest123 2019-07-12 18:04:51
Finally got around to seeing this film and I was shocked at how campy it really is. There is some genuinely funny writing courtesy of Shane Black, but all of that is undercut by some terrible CGI and that horrible ending. Pretty disappointed as someone who enjoyed the first two Predator films.

Henry Jackman’s score is functional, and I really admire that he kept the Silvestri flavor. That being said, much of the “hero” music actually took me out of the film. It’s one of those cases where the music on album flows really well but doesn’t always work 100% on screen. Another issue for me was the mixing. Whereas Debney’s score is mixed harsher with a more brutal, percussive edge,
this felt flat to me for some reason.

And going off of what Hybrid mentioned, there definitely were some cool electronic layers that were removed from the album. (The alpha predator motif for example)

Tomasz reply Replies: 1 || 2019-02-21 12:58:20
Anyone here listened "The Predator" FYC score?
Any chance to compare tracklist and running time with official release?


Tomasz2019-02-28 20:58:17
Okej. Here some details about FYC:

01. Crash Arrival Pt. 1 (1:38)
02. Crash Arrival Pt. 2 (1:56)
03. Crash Arrival Pt. 3 (2:31)
04. Crash Arrival Pt. 4 (2:22)
05. Threats (1:30)
06. Meet Rory (0:38)
07. Ass Burger (1:02)
08. Grow Up (1:02)
09. Alien Tech (1:40)
10. Project Stargazer (2:16)
11. Beautiful MoFo (1:44)
12. Upgrade Arriving (1:12)
13. He's Awake (3:30)
14. Pred's On The Move (1:32)
15. Dirty 1_2 Dozen (0:55)
16. Chase Escaping Pred (3:58)
17. Trigger Happy (0:13)
18. Rory's New Mask (1:01)
19. Scare Bullies_Alien Bitches (1:01)
20. Upgrade Vs. Pred (3:24)
21. Damage Control (4:40)
22. Spectrum PTSD (1:02)
23. Spectrum DNA (0:57)
24. Traeger Arrives (1:11)
25. Acquisitions (1:12)
26. Follow Rory's Maps (2:14)
27. A Head (2:09)
28. We're Survivors (1:51)
29. Ark Ship (2:21)
30. Upgrade Joins Party (2:35)
31. Communication (0:51)
32. Join Forces (1:31)
33. Upgrade Hunts Pt. 1 (3:46)
34. Upgrade Hunts Pt. 2 (1:55)
35. Upgrade Takes Prize (1:32)
36. Forcefield Coming Online (3:35)
37. Final Fight (2:34)
38. Remembrance (1:22)
39. Reveal (3:34)

Total time: 76:19

Seems it's almost complete score. Anyone to confirm that?

Michael Fields reply Replies: 0 || 2019-02-09 10:07:51
MOVIE CREDITS:

Music By
HENRY JACKMAN

Music Supervisors
DAVE JORDAN
TRYGGE TOVEN

Music Editors
PETER OSO SNELL
WILL KAPLAN

Assistant Music Editor
DeVAUGHN WATTS

Orchestra Conducted By
GAVIN GREENAWAY
STEPHEN COLEMAN
EDWARD TRYBEK

Orchestrated By
STEPHEN COLEMAN
EDWARD TRYBEK
HENRI WILKINSON

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS, INC.)

Orchestra Contracted By
PETER ROTTER

Choir Contracted & Conducted By
JASPER RANDALL

Score Recorded & Mixed By
ALAN MEYERSON

Digital Score Recordist
KEVIN GLOBERMAN

Additional Music By
MATTHEW MARGESON
ALEX BELCHER
EVAN GOLDMAN
HALLI CAUTHERY

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
GAGE BOOZAN
FABIO MARKS

Music Production Services
MATTHEW K. JUSTMANN

Assistant To Henry Jackman
JOHN PAUL LEFEBVRE

Score Recorded At
THE NEWMAN SCORING STAGE, 20th CENTURY FOX POST PRODUCTION SERVICES

Newman Stage Engineer
ERIN MICHAEL RETTIG

Newman Recordist
TIM LAUBER

Newman Stage Managers
DAMON TEDESCO
CHRISTINE SIROIS
PETER NELSON

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Score Mix Assistant
ALFREDO PASQUEL

Iamtommie reply Replies: 12 || 2018-09-13 18:34:26
I just watched the movie!! I heard a lot of Silvestri & I thought the music was awesome. It's, from what I could hear, in the same scoring style as Kong & Jumanji. I personally, really love his new kind of scoring. Awesome music!


ThePhantasm2018-09-14 06:12:04
Lakeshore records released an EP not an actual album. I'm so pissed. Should of been La-Land records releasing this. the EP literally has no more than 6 mins of music. I was so excited for this score


Mephariel2018-09-14 07:33:50
I just listened to "The Arrival." Awesome track. It totally captures the tone of the original score. I can't wait to hear the rest of the score.


Russel2018-09-14 09:47:42
Yeah, not sure why they're doing this, but a full album is supposedly releasing at the end of this month.

September 27th.


Meta2018-09-26 19:56:59
SO far everything I have heard from the EP pales in comparison to John Debneys efforts in "Predators".

Maybe they haven't released Jackman's insane genius queues yet....Here's hoping.


Anonymous2018-09-26 20:07:16
Remember... Debney's score was critized for be only ''copy and paste'' of the Silvestri's material.

Such underrated score, and The Predator is not exception


MrZimmerFan2018-09-26 20:12:46
Ugh, the last comment was me, i forget put the name in it :)


mpolonest123 2018-09-26 21:40:44
Debney’s score was definitely much more than a rehash of the original, although I can understand some of the criticisms that he didn’t necessarily bring much “new” material to the table. Still a kickass score though.

Based on the EP material it sounds like Jackman is putting more of his voice than what Debney did. And the “Dirty Dozen” material sounds fun, I’m hoping the rest holds up.


MrZimmerFan2018-09-27 11:05:11
When saw the movie the last week (was just fun), and there is a lot of Silvestri's mamerisms, and themes from the original Predator


MrZimmerFan2018-09-27 14:41:49
Out in New Zealand, different cover and posted tracklist

https:// itunes.apple.com/nz/album/the-predator- original-motion-picture- soundtrack/1437468436


MrZimmerFan2018-09-27 19:26:12
Well, now you can choose the artwork cover :)


mpolonest123 2018-09-28 15:20:30
Just took a listen and I’m liking the end result. It’s as if Jackman took the “flavor” of Alan Silvestri, but still kept his own writing style. I definitely hear a lot of Kong: Skull Island and the Captain America scores. One big surprise is the minimal use of electronics, especially compared to Debney.


Anonymous2018-09-28 20:29:49
@mpolonest123
I won't be surprised if he cut electronic stuff for the album versions. He's been doing that to his albums for almost everything since after Winter Soldier.

meho reply Replies: 0 || 2018-09-28 14:54:21
John Debney`s Score was the Best!

MrZimmerFan reply Replies: 1 || 2018-09-26 12:45:12
01. Arrival
02. Traegar
03. Meet Rory
04. Project Stargazer
05. Beautiful Creature
06. Awakening
07. Predator on the Move
08. Dirty Dozen
09. Escape
10. Rory’s Mask
11. Where’s Rory?
12. Good Soldier
13. Spook the Bullies
14. Upgrade vs. Predator
15. Damage Control
16. DNA
17. Traegar Arrives
18. Acquisitions
19. Faceoff
20. We’re Survivors
21. Ark Ship
22. The Upgrade
23. Communication
24. Coming Online
25. Final Fight
26. Remembrance


Russel2018-09-27 20:10:58
Interesting, must have been an early version of the OST or something.

MrZimmerFan reply Replies: 1 || 2018-09-18 17:44:23
Now there is rumours, the score can be released in 23th September


ThePhantasm2018-09-18 18:19:56
i thought it was gonna be the 28th

mpolonest123 reply Replies: 8 || 2018-09-08 20:21:22
While Henry Jackman isn’t my favorite composer out there I’m excited to
hear what he does with this. He’s proven that he can write similar to Silvestri with portions of the Captain America scores, and there is a clip on YouTube which features some of the score. It basically sounds like “Predator” with some electronics overlaid.


ThePhantasm2018-09-08 21:59:50
Yo for real, I've been dying for some info but damn nothing so far. I hope the cover album is good too


Anonymous2018-09-09 01:08:45
it’s orobably gonna be the one with the orange background and the bigger predator holding the smaller predators skull


ThePhantasm2018-09-09 06:46:02
I hope you're right cause that one looks good as hell


Anonymous2018-09-11 01:02:46
called it


mpolonest123 2018-09-11 01:04:43
Lol good call! That’s a pretty cool cover.


ThePhantasm2018-09-13 06:20:21
HOLY SHIT!!! I just heard the first track from the soundtrack called The Arrival wow just wow. It's a different type of Jackman. Sounds incredible now I'm really hyped. It's on soundcloud if you guys want to hear it as well


MrZimmerFan2018-09-13 08:39:26
The score won't be released until 28th September, tomorrow is a EP


The Phantom2018-09-13 09:35:43
@the phantasm

calm urself. I mean it’s ok at best.

Jean-Luc reply Replies: 0 || 2018-09-10 15:47:25
I heard the predator will have 16 or 25 tracks in the soundtrack like Logan soundtrack, but that's how Lakeshore Records did like right now. In my opinion, I think the predator 2018 is better fit for La-La Land Records & Var&#232;se Sarabande for limited edition like last time with original predator, predator 2 and predators too.

Mephariel reply Replies: 0 || 2018-09-09 22:00:11
Interesting description of the score:

"A playful score by Henry Jackman (X-Men: First Class) maintains a playful tone while making a few nods to the original."

-Hollywood Reporter

So maybe Silvestri's theme will appear in some capacity. But playful is not how I imagined the score to be. This might be a good thing.


Anonymous reply Replies: 0 || 2018-09-08 19:58:15
What’s the status on his when is it getting released. Movie comes out in 6 days.

Jean-Luc reply Replies: 2 || 2018-08-31 15:58:41
Haven't you found out about the predator final trailer online on YouTube today? It's really good & brutal trailer and did you hear background music by Henry Jackson or different music.


MrZimmerFan2018-08-31 17:26:17
Nop, i don't think the musuc in that is part of the score


Jean-Luc 2018-08-31 21:45:57
Ok, thank you let me know about it! that trailer music sound like battlefield 4 or rock music

Anonymous reply Replies: 2 || 2018-08-10 18:50:12
jackman better include silvestri’s original themes


ThePhantasm2018-08-10 20:21:37
He's a fan of Silvestris score for Predator 2 I'm sure he'll use it. this and MI Fallout are my most anticipated scores this year


da2018-08-27 21:08:00
actually i dont like Jackman music, i am played Uncharted 4 his music is not good. He compose legendary game but he doesnt not hard working. I guess he accept the job '' okey lets do something'' and he crap music.. This is my perspective of Henry.

tilibro reply Replies: 0 || 2018-08-27 06:27:48
Really looking forward to this movie and score.

MrZimmerFan reply Replies: 0 || 2018-07-24 23:24:30
Between The Darkest Minds and The Meg, one of the my most anticipate scores

 HANS-ZIMMER.com© 2001-2018 OST 
The Predator soundtrack - Henry Jackman 2018