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I watched the movie and tried to put the cuesheet that Hybrid posted into chronological order... This is what I was able to gather from watching the movie:<br><br>1. Opening Pt. 1 - HZ<br>2. Opening Pt. 2 - HZ, SM<br>3. The Beach Pt. 1 - HZ<br>4. The Beach Pt. 2 - HZ, AK<br>5. The Air - HZ<br>6. Stretcher Carry - HZ, AK<br>7. Approaching Trawler - HZ<br> 8. Bandit 11 OíClock / Off You Go - HZ<br>9. One Bandit Down - HZ<br>10. Meeting Rear Admiral - HZ<br> 11. Shivering Soldier - HZ<br> 12. Fortis Leader Down - HZ<br> 13. Stuka Bombing Medical Ship - HZ, Andy Page<br> 14. U-Boat - HZ<br> 15. Boarding Destroyer/Below Deck - HZ, Andy Page<br> 16. Iím Not Going Back to Dunkirk - HZ<br> 17. Heinkel 11 OíClock - HZ, Satnam Ramgotra <br> 18. Torpedo - HZ, Satnam Ramgotra <br> 19. Soldier Locked Below Deck - HZ<br> 20. Collins Water Landing - HZ<br> 21. Torpedo Aftermath - HZ<br> 22. Wait for Another Lifeboat - HZ<br> 23. Turn it Around! - HZ<br> 24. George Falls - HZ<br> 25. Farrier Attacks Heinkel - HZ, LB<br> 26. The Bodies Come Back - HZ<br> 27. I Canít See - HZ, Alex Gibson <br> 28. Farrier Turns Back - HZ<br> 29. Activate Small Vessels Pool - HZ<br> 30. Waiting for the Tide - HZ<br> 31. Should We Turn Back - HZ<br> 32. Smoke From the Spitfire - HZ<br> 33. Dutch Sailor Comes Back - HZ<br> 34. Collins Crash Landing - HZ<br> 35. There Was No Chute - HZ<br> 36. Target Practice - HZ<br> 37. Collins Struggles / Ditch Ballast - HZ<br> 38. Sauerkraut Sauce - HZ<br> 39. Collins Underwater HZ<br> 40. Minesweeper Bombed / Trawler Floats - HZ, AK<br> 41. Plug the Hole - HZ<br> 42. Nimrod - HZ, BW<br> 43. Covered in Oil / Abandon Ship - HZ, AK<br> 44. Where Are You From - HZ<br> 45. 109 Approaching - HZ<br> 46. Engineless Flight - HZ, BW<br> 47. Rail Yard - HZ<br> 48. Variation 15 - HZ, BW<br> 49. End Credits / 5MEC1 - HZ, BW, LB<br> 50. End Credits Long Note Harmonics v.12.7 - HZ<br> 51. End Credits Air - HZ v.31.07<br> 52. End Credits Tommy v8.00<br><br>I'm missing the following in this list: Attack Aftermath / Navy Requisition, Decent Altitude, Destroyer By, Farrier Chasing 109, Farrier Chased by 109, and Little Boats. Anyone know where those go?<br>@Knight<br>Yeah I really canít argue there. As much as I love Mortal Engines even I have to admit that recording was kind of awful, particularly with the studio noise filtering through.Ditto on the recordings, Mortal Engines was awful in this regard with the harsh mix and on top of that, an unforgiveable amount of session noise/chatter.Iíve been giving this score a few more shakes lately, if only to see if my initial opinion had changed. The biggest issue for me is the lack of a strong set of themes. Alitaís Theme, for example, works well enough in context but hasnít really left any impression on me. Mortal Engines has about 7 primary themes, all of which are really strong. <br><br>Where I will praise Tom the most is the recording. Everything sounds crisp and clear, as opposed to his usual overmixed style. Hereís hoping that he sticks with this type of recording from now on. <br>And one other plus, the woodwinds! Itís so refreshing to hear the woodwinds play a prominent role here, especially in the almost classical way they are utilized.It seems the Japanese exclusive tracks are available on deezer, but not on any other platform. And weirdly enough, I couldn't find any download link anywhere.
Lieber Herr Zimmer,<br><br>wŁrde Łber Ihre kurze Meldung Łber mein StŁck freuen.<br><br>Liebe GrŁŖe<br>Irakli Shermazanashvili<br><br>https://www.youtube.com/watch?v=a-FWQaMm4p8"BBC Studios has announced that Hans Zimmer, Jacob Shea and Jasha Klebe will compose the theme and score for the upcoming BBC Earth natural history series One Planet, Seven Worlds. The show is presented and executive produced by Sir David Attenborough and will reveal how each distinct continent has shaped the unique animal life found there. Each of the seriesí seven episodes will transport viewers to a single continent and tell the story of its spectacular wildlife and iconic landscapes. Zimmer, Shea and Klebe have previously composed music for BBCís Planet Earth II and Blue Planet II (for Bleeding Fingers Music). One Planet, Seven Worlds will premiere later this year on BBC One in the UK and on BBC America in the U.S."<br><br>From filmmusicreporter.com<br><br>I wonder if its like no way its ever going to be released or there is a small chance we will see it one day.<br><br>Can anyone recall any scores for directors cut being released?Hello!<br>Have you any Informations for a Relaease to "PAGAN PEAK"? German TV Series "Der Pass" from Jacob Shea, Produced by Hans Zimmer?also was really good fantastic score IMHO his best since Mad Max.
Just saw the film Music was hitting on point in all the right spots.Don't know where else to put this... How much music did Hans + co. write for The Last Face? I know the movie flopped so it will probably never get released, but the 15 or so minutes that I've heard between YouTube and Andrew K's soundcloud is really pretty good. It's like Interstellar + The Lion King + Woman in Gold.Dear Hans Zimmer.<br><br>I have no idea if you ever read this, but i just want to thank you for all the amazing music you have create through the years.<br>You are truly a gifted man.<br>I hope you along your life had time to teach young talents so they will be able to create such amazing music as you in the future.<br>I dont know you, but i think you have a love for music and to experiment with music and be the best you can be.<br>I enjoy your music for movies and impressed how you created the music for "interstellar" with old fashion church ovel/pipes. I think this show you are great and special when you think out of the box and play and experiement with music due to creative talent.<br>( ps.. i cant even play an instrument my self, but i love your music ).<br><br>I wish you the very best, and peace and quiet during old age and hope you will continue to create music as long as you live. Please teach other talented young people to step in your place.<br><br>Thank you for everyting amazing work.<br><br>A fan  ;-)7m4!!! The BEST cue from Hans since years!!!Whoa, that's right, I forgot a Gladiator sequel was being made. But I feel like something would have to shake Heaven and Earth before Hans worked on a Ridley Scott movie again. But then, Powell reunited with Greengrass for Jason Bourne (however uninspired that score was). So I guess anything's possible.
I got them from a japanse store after an hour going through hoops VPN paypal and google translate.<br><br>Very strange cause this are one of the best tracks of the entire score<br><br>Very weird the score or the movie havent attracted much attention at all.Hope Zimmer comes back to do Gladiator 2.Currently the only way I know to get it from is Japanese iTunes.well arenít u special. itís gonna leak so on account of so many ppl having it. myself included.Where can I listen to I see church?<br><br>I cannot find it anywhere and even YouTube doesn't have it.<br>
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Benjamin Wallfisch
Composer
The Darkest Minds
Label: Milan Records
Length: 47'25
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (595 votes)
  1. The Darkest Minds (7:04)
  2. Ruby's Theme (2:18)
  3. Lady Jane (2:30)
  4. Escape (3:35)
  5. Cate (1:26)
  6. Runaway (1:06)
  7. Picnic (1:21)
  8. Zu's Dream (1:46)
  9. E.D.O. (1:34)
  10. Home (4:39)
  11. The Slip Kid (1:44)
  12. Mind Control (3:37)
  13. Memories (3:48)
  14. Red (5:44)
  15. Liam (3:37)
  16. The Children's League (1:36)
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Knight reply Replies: 2 || 2019-02-09 11:49:06
Thank you for posting all these booklets. Do you get the info from CD booklets?


Michael Fields2019-02-09 12:35:19
No, Knight. Usually i watch movies till the credits and find all information in end titles.


Michael Fields2019-02-09 12:36:50
But sometimes i find in Internet booklets of soundtracks. It's really helps!

Michael Fields reply Replies: 0 || 2019-02-09 10:32:13
MOVIE CREDITS:

Music By
BENJAMIN WALLFISCH

Music Supervisor
DEVA ANDERSON

Music Editor
AMANDA GOODPASTER

Orchestrated By
DAVID J. KRYSTAL
PETER BATEMAN
CHRIS RYAN

Orchestra Conducted By
TIM WILLIAMS
BENJAMIN WALLFISCH

Music Preparation By
BOOKER WHITE

Orchestra Contracted By
PETER ROTTER

Score Recorded & Mixed By
JOEL IWATAKI

Additional Programming By
ALEX LU
OWEN GURRY

Guitars
OWEN GURRY

Solo Vocals
HOLLY SEDILLOS

Vocal Contractor
JASPER RANDALL

Score Technical Assistants
MAX SANDLER
MICHAEL DEAN PARSONS
NATE UNDERKUFFLER

Digital Score Recordists
VINCENT CIRILLI
LARRY MAH
ALICE WOOD

Score Recorded At
THE NEWMAN STAGE, 20th CENTURY FOX POST PRODUCTION SERVICES

Newman Stage Engineer
DENIS ST. AMAND

Newman Recordist
TIM LAUBER

Newman Stage Managers
PETER NELSON
DAMON TEDESCO

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Score Mix Assistant
ALFREDO PASQUEL

Music Coordinator
RACHEL LAUTZENHEISER

MrBammbody reply Replies: 2 || 2018-10-06 08:46:34
What's the song in the beginning when they're transporting the black girl to the camp?


MrBammbody2018-10-20 15:10:48
Hello?


Adele2018-10-20 17:15:48
It's me

Ro reply Replies: 0 || 2018-09-05 17:15:45
That pounding sound of cellos and violins that kick in about 90 seconds into "Escape" is absolutely fantastic. I like it even more once the violins start to overtake the cue a little while later. Had this minute-long passage on repeat like crazy since I discovered it. Sure do hope to hear stuff like this in scores more often.

mpolonest123 reply Replies: 6 || 2018-08-03 13:28:17
Meh. It really isnít a bad score, but it is probably one of the most cliche things Iíve heard in a while. You have the female vocals for the lead (havenít heard that before) with the same stock action music from every other YA score. Even the main theme sounds vaguely similar to RGWís Wonder Woman theme.

Itís funny that they apparently use music from Divergent in the film, because much of this sounds like a lesser version. And considering how talented Wallfisch is, I honestly donít understand why they would hire him to write something like this. #confused


superultramegaa2018-08-03 16:08:02
Yeah, it's probably just the problem with these cookie cutter YA films that all have the same tone and the same theme of "adults just don't understand our struggle, man." To be honest I didn't even like James Newton Howard's Hunger Games scores. I think the blandness of the films just translates over to the music. E

ven something like Ender's Game where you'd think sci fi would give Jablonsky plenty of opportunities, ended up being a combo of bland ambiance and stock Game of Thrones-esque cello music. Wallfisch's score sounds cliched and stock because this movie is probably cliched and stock (judging from the trailers).


Hybrid Soldier2018-08-03 16:12:15
The irony is probably that the score to Divergent, itself, was absolutely butchered & half rejected in the film ! lol


mpolonest1232018-08-03 16:29:02
Lol that really was a crime, JXLís score for that was probably one of his best.

And wasnít this directed by the same lady who did KFP2 and 3? Which could explain the temp issues, going by what happened on KFP2...


MrZimmerFan2018-08-03 21:01:34
Actually, I like Ender's Game, even if the main theme is something like Game of Thrones (altough, I think has more in common with the main theme from A Nightmare on Elm Street).

As for The Darkest Minds, if is not of the best works by Wallfisch, i like it, a lot, his more emotional tracks are the best (the action tracks are the expected, but more engaging than the actual kind of stuff of this YA movies), and i have to say, i don't consider Divergent Junkie's best, is kinda enyojable, as for my taste (i prefer The Dark Tower or the recent Tomb Raider, even Black Mass more)


Mephariel2018-08-04 06:02:04
If Tomb Raider is your best work, you are in trouble as a composer.

IMO, Mad Max is by far his best work.


MrZimmerFan2018-08-04 10:02:12
As for my taste, Mephariel, I have more enjoyement with Tomb Raider than Mad Max, IMO.

Gotham Rogue reply Replies: 1 || 2018-08-03 07:05:46
2 cues from Junkie XLís Divergent Score are used towards the end of this film. Does stuff like that bother anyone else? It was supposed to be an emotional scene but all I could do was think about how the music was being reused.


...2018-08-03 08:02:00
Iím disappointed that Wallfish wrote a score like this that sounds like Junkie XL

Jack Afrogarrix 2018 reply Replies: 3 || 2018-07-19 18:23:36
Another great score from Benjamin Wallfisch can't wait to hear the score & see the movie

Music By Benjamin Wallfisch
Additional Music By John Paesano & Adam Hochstatter
Orchestra Conducted By Tim Williams
Orchestrations By Peter Bateman & David J. Krystal


Hybrid Soldier2018-07-19 18:58:17
So you can't wait to hear the score but you already say it's a great score ?


#inception


Jack Afrogarrix 20182018-07-19 22:32:20
I Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch


Evenstar2018-08-01 11:40:22
but you didn't even know how it sounds

MrZimmerFan reply Replies: 1 || 2018-07-31 19:58:32
Lady Jane track

https: / /m.soundcloud.com/milanrecords/benjamin-wallfisch-lady-jane- from-the-darkest-minds-ost


...2018-07-31 22:04:34
This sounds so disappointing. I didnít think weíd hear this kind of stuff from Wallfosh who seemed to be such a great writer. This sounds like everything else and not like Wallfish.

Ro reply Replies: 0 || 2018-07-19 19:58:49
One-worded track titles! Reminds me of early days of Media Ventures!

They sure tried real hard to keep spoilers out of these, didn't they? I suppose I'd take this approach over Latin or irrelevant names, though a little bit of pun and flavor wouldn't have hurt.

MrZimmerFan reply Replies: 0 || 2018-07-18 19:09:37
Yeah

BTW, John Paesano is credited as additional music

 HANS-ZIMMER.com© 2001-2018 OST 
The Darkest Minds soundtrack - Benjamin Wallfisch 2018