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I confirm I'm back from it, there's quite a bit of unreleased score.Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.<br><br>I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).Saw the film today, there is a LOT of music missing.As stupid as this film is, you can tell Tom probably had fun working on it. The music is so over the top, it just goes nuts all the way through.
This is one of those scores that I have really warmed up to since it’s release. The emotional stuff for Alita works really well in context and her “Hero Theme” gets some great development (the way it culminates in “Epilogue” is incredible). Also really love the “Motorball” stuff. <br><br>After seeing the film I think the only substantial music not on the album is “Motorball Plan” and “Alita’s Revenge Pt. 1”. The end credits piece I’m guessing is edited from the Full Motorball Suite.Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film. <br><br>Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.<br><br>Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"Hahahahaha well I’m glad he got the credit then :DI absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.
Actually, I think he only gets credits cause he is the guy... whistling ! :PElectric violinJust out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!And I’m guessing Neill Blomkamp contributed somehow to the “We Own This Sky” theme that pops up throughout...NM
Jeff & Alex & Evan Goldman are regular Jackman team now. Alex scored a bunch of projects, hence his absence here.<br><br>Then you have Halli, Anthony Willis or Mounsey doing all sorts of things when available.Request the king of pride rock with circle of lifeAmon wrote some music before Hans took over (he has cues on his soundcloud I think), but I think he got credited (and just like 1 or 2% of the cues) more for specific sounds than music writing.Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.<br><br>But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or ChappieThe fact that his name is in brackets makes me think he didn't work directly on the score but rather is credited because something of his was used. Maybe it was some of his production music rather than Elysium specifically.
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Geoff ZanelliPaul MounseyBryce JacobsZak McNeil
ComposerAdditional MusicAdditional MusicAdditional Music
Christopher Robin
Label: Walt Disney Records
Length: 56'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (763 votes)
  1. Storybook (1:23)
    Geoff Zanelli
  2. Goodbye, Farewell - Cast (1:19)
    Richard M. Sherman
  3. Not Doing Nothing Anymore (2:49)
    Jon Brion
  4. I Would Have Liked It To Go On For A While Longer (2:04)
    Geoff Zanelli, Zak McNeil
  5. Chapters (2:59)
    Geoff Zanelli
  6. Evelyn Goes It Alone (2:33)
    Geoff Zanelli, Zak McNeil
  7. Easy To Lose Your Way On A Foggy Day (2:40)
    Geoff Zanelli
  8. Through The Tree (1:25)
    Geoff Zanelli, Zak McNeil
  9. It's Not Stress, It's Pooh (1:28)
    Geoff Zanelli
  10. Train Station (2:28)
    Jon Brion
  11. Sussex (1:12)
    Geoff Zanelli
  12. Returning To The Hundred Acre Wood (4:27)
    Geoff Zanelli, Zak McNeil
  13. Did You Let Me Go? (3:37)
    Geoff Zanelli, Zak McNeil
  14. Swimmer Or Sinker (2:11)
    Geoff Zanelli, Zak McNeil
  15. Heffalump Battle (1:30)
    Jon Brion
  16. Is It Christopher Robin? (1:54)
    Geoff Zanelli, Bryce Jacobs, Zak McNeil
  17. But I Found You, Didn't I? (2:35)
    Jon Brion, Geoff Zanelli, Bryce Jacobs
  18. Madeline's Red Balloon (0:54)
    Geoff Zanelli
  19. Expotition To London (4:14)
    Jon Brion, Geoff Zanelli, Paul Mounsey
  20. Nothing Ever Bad Came From Bouncing (1:40)
    Jon Brion, Geoff Zanelli, Paul Mounsey
  21. A Father Of Very Little Brain (3:34)
    Geoff Zanelli, Zak McNeil
  22. My Favorite Day (2:43)
    Jon Brion, Geoff Zanelli, Philip Klein
  23. I Do Nothing Every Day (2:57)
    Geoff Zanelli
  24. Busy Doing Nothing (0:45)
    Richard M. Sherman
  25. Christopher Robin (1:18)
    Richard M. Sherman
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Knight reply Replies: 1 || 2019-03-11 16:37:07
Christopher Robin album cuesheet credits (Zanelli/Brion and additional lads):

STORYBOOK
GEOFF ZANELLI

NOT DOING NOTHING ANYMORE
JON BRION

I WOULD HAVE LIKED IT TO GO ON FOR A WHILE LONGER
GEOFF ZANELLI
ZAK MCNEIL

CHAPTERS
GEOFF ZANELLI

EVELYN GOES IT ALONE
GEOFF ZANELLI
ZAK MCNEIL

EASY TO LOSE YOUR WAY ON A FOGGY DAY
GEOFF ZANELLI

THROUGH THE TREE
GEOFF ZANELLI
ZAK MCNEIL

ITS NOT STRESS, ITS POOH
GEOFF ZANELLI

TRAIN STATION
JON BRION

SUSSEX
GEOFF ZANELLI

RETURNING TO THE HUNDRED ACRE WOOD
GEOFF ZANELLI
ZAK MCNEIL

DID YOU LET ME GO?
GEOFF ZANELLI
ZAK MCNEIL

SWIMMER OR SINKER
GEOFF ZANELLI
ZAK MCNEIL

HEFFALUMP BATTLE
JON BRION

IS IT CHRISTOPHER ROBIN?
GEOFF ZANELLI
BRYCE JACOBS
ZAK MCNEIL

BUT I FOUND YOU, DIDN'T I?
GEOFF ZANELLI
JON BRION
BRYCE JACOBS

MADELINE'S RED BALLOON
GEOFF ZANELLI

EXPOTITION TO LONDON
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

NOTHING EVER BAD CAME FROM BOUNCING
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

A FATHER OF VERY LITTLE BRAIN
GEOFF ZANELLI
ZAK MCNEIL

MY FAVORITE DAY
GEOFF ZANELLI
JON BRION
PHILIP KLEIN

I DO NOTHING EVERY DAY
GEOFF ZANELLI


Knight2019-03-11 16:41:21
All credits taken from ASCAP

Gretchen reply Replies: 0 || 2018-08-23 04:18:42
Took my 11 year old niece and my 81 year old Mom to see this movie and was quite happily surprised and thrilled to see the Geoff composed a lot of this!! Was thrilled when my Mom said how much she enjoyed the music and then I got to tell her I knew him! Great job!

p reply Replies: 0 || 2018-08-18 14:58:18
Does Paul Mounsey secretly compose everything??? He seems to be involved in so many scores.

tilibro reply Replies: 0 || 2018-08-18 11:30:23
General Kenobi!

JohnF reply Replies: 0 || 2018-08-17 05:16:29
Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelli’s stamp on the score...

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Peter reply Replies: 3 || 2018-08-07 13:45:27
Another box office failure for Disney company after han solo and wrinkle in time although music is fine but it wont spread to cinemas a lot !!


Anonymous2018-08-07 19:12:54
what are you talking about? people loved this movie. the viewer reviews on all the sites I've seen give it at least an 80%


Peter2018-08-08 11:01:33
It is not about rating of the movie dude ! It is all about money macking for a company like disney !! At the weekend movie reach 25 million $ from box office!! In person i expected a huge opening weekend for this movie. Something like Disney’s Jungle book !! Mission impossible beat this movie although FALLOUT was on its second week.


Mephariel2018-08-08 17:03:24
Definitely not successful as it could have been. But I don't think anyone was expecting Jungle Book numbers.

Iamtommie reply Replies: 4 || 2018-07-18 00:17:59
Why is Zanelli credited as composer. Jon Brion is doing to the music, right?

I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?


Hybrid Soldier2018-07-18 00:20:11
The official credit is now "Music by Geoff Zanelli & Jon Brion"...

Geoff wrote a good chunk of the score.


Ro2018-08-04 21:23:50
What brought the studio to Geoff for this last minute re-score anyway? This is not a genre he is best known for.


Hybrid Soldier2018-08-04 21:37:17
Thimoty Green ?


Ro2018-08-05 06:32:12
With Timothy Green in mind, I suppose one should also wonder why they didn't get Geoff in the first place.

Iamtommie reply Replies: 4 || 2018-08-03 08:31:24
I am absolutley 100% loving this score. It's a beautiful, fun and very Disney-like sort of music. Jon Brion & Geoff Zanelli did an amazing job!!


MrZimmerFan2018-08-04 10:12:51
Agreed.

A beautiful score, indeed


Hybrid Soldier2018-08-04 14:26:26
I detailed a bit who did what (though not with Geoff's team).


Iamtommie2018-08-04 14:37:03
Thanks, Hybrid Soldier


Mephariel2018-08-04 20:53:20
The score felt a bit too slow for me. But I haven't watch the film, so maybe that is just on album.

ThePhantasm reply Replies: 1 || 2018-07-27 23:01:28
Damn, i like Geoff but I really wish Klaus Badelt was indeed picked as the composer. Yes i know it was gonna be the late Johann (RIP) but man, give Klaus his big break again, i miss his music


Mephariel2018-07-28 07:16:12
I think Hybrid said a while back that Klaus stabbed himself in the foot. I am wondering if he always gets into conflicts with people.

Michael Fields reply Replies: 0 || 2018-07-27 10:08:52
MOVIE CREDITS:

Music By
JON BRION
GEOFF ZANELLI

Supervising Music Editor And Score Supervisor
JON MOONEY

Music Editors
RAMIRO BELGARDT
ERIC CAUDIEUX

Additional Music By
PAUL MOUNSEY
ZAC McNEIL
BRYCE JACOBS
PHILIP KLEIN

Score Orchestrated By
BRUCE FOWLER
YVONNE S. MORIARTY
RICK GIOVINAZZO
PHILIP KLEIN
JENNIFER HAMMOND
KEVIN KASKA
STEVE BARTEK
EDGARDO SIMONE
DAVID SLONAKER
ED TRYBEK

Orchestra Conducted By
PETER ROTTER
TIM WILLIAMS

Score Recorded And Mixed By
DENNIS SANDS
GREG KOLLER

Orchestra Contracted By
PETER ROTTER
GINA ZIMMITTI

Assistant Orchestra Contractors
EMMA VIVIAN
WHITNEY MARTIN

Music Preparation
BOOKER WHITE (WALT DISNEY MUSIC LIBRARY)
JOSEF ZIMMERMANN (JoANN KANE MUSIC SERVICE)

Score Recordists
KEITH UKRISNA
KEVIN GLOBERMAN
ADAM OLMSTEAD

MIDI Transcription
DARREN McKENZIE

Technical Music Assistants
NICOLAS SALINARDI
AISYAH ZULKARAIN

Score Recorded At
BARBRA STREISAND SCORING STAGE
SONY PICTURES STUDIOS

Special Instrument
MAGNETIC RESONATOR PIANO
(ANDREW McPHERSON: Consultant And Creator)

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Christopher Robin soundtrack - Geoff Zanelli 2018