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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Hans ZimmerAndrew KawczynskiDavid FlemingSteven Kofsky
ComposerAdditional MusicAdditional MusicMusic Production Services
Believer (Documentary) (Single)
Label: Kid Ina Korner / Interscope (Digital Download Only)
Length: 4'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (721 votes)
  1. Skipping Stones - Dan Reynolds & Hans Zimmer (4:12)
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David reply Replies: 10 || 2018-06-27 20:50:57
Why this year hans zimmer dosent compose music for a great or box office hit movie ? I think before lion king we wont have any great composition from him. I really miss 2013 all the projects were cool like MOS , rush , lone ranger or even the bible.


Mephariel2018-06-27 22:48:09
He has at least two blockbuster potential films next year:

Dark Phoenix
The Lion King



Iamtommie2018-06-28 00:06:38
I'm sorry, but since when do only great of box offixe hit movies have good compositions in there scores?

He's doing Widows this year. Who knows what a surprise that might be??!!


David2018-06-28 12:00:10
Tommie , without a doubt most ( not all of them ) ot the hans zimmer great composition belong to blockbusters movies , such as christopher nolan movies , Gladiator , POTC Series , Lion king and etc. widows as you said i think the same faith of 12 years a slave will be happening for it. In 12 years a slave we just have one 3 minutes tracke name solomon which was the main theme. I really miss emotional scores such as last samurai , Epic scores like Gladiator , Dark knight trilogy , MOS and rush. These kind of scores needs epic scenes with graet budget and creative directors like nolan and howard. ( i truely like steve McQueen and appreciate his works but not a huge fan ). Another example of huge budget and hit movies have great score ( Most of the time ) is infinity war. Alan Silvestri Score is amazing for this bluckboster movie. Just listen to the track name “ Forge “ it is amazing. And as i said most of the times ( like 90%) high grossing movies and box office hites have Fantastic scores. Thank you


Mephariel2018-06-28 17:18:34
I have to disagree with Infinity War. I think that is one of the more average Silvestri scores. Too slow and dull at the beginning and the action cues are good but not great. Compared to his other action film scores like The Mummy Returns and Predator, Infinity War is a downer,


MrZimmerFan2018-06-28 17:43:25
Infinity War was good, but not near from Ready Player One.


mr2018-09-30 07:00:56
I dont even how can people consider infinity war as a great film and that too with good score. that kinda score is even worse than the worst of zimmer.


Edmund Meinerts2018-09-30 10:50:33
What are you talking about, the Infinity War score is perfectly fine


Meta2018-09-30 13:13:11
Well, Im only agreeing with the Zimmer fan because to be honest I never saw Silvestri's scores to be fitting with the movies...Infinity War only really has one theme, and it's just Thanos theme which you cant really do much with - or Silvestri had no reason to develop much outside the slow progression and the end titles, which used some kind of tempo, but little else. The score wasn't very punchy or catchy, let's say.

Honestly I preferred Jackman or someone from RC.


superultramegaa2018-09-30 14:07:30
While I haven't paid much attention to his action scores, Back To The Future, Stuart Little, and Polar Express prove to me Silvestri is capable of making amazing and iconic work. The problem is recently, he's kinda become part of the group of composers so desperate for melody, that they end up making little more than complex orchestral noise. I didn't even finish Ready Player One because I just couldn't grasp any of the themes, and frankly wasn't interested in doing so.


MrZimmerFan2018-09-30 14:56:08
And Predator, The Abyss or What Lies Beneath?

That are terrific scores by Silvestri

... reply Replies: 2 || 2018-06-27 13:41:02
I really hope they release the documentary score and not only this song which sounds pretty by the books.


Mephariel2018-06-27 17:54:51
I don't think they will because I skimmed through the documentary and I don't think there is enough music in there to justify a release.


...2018-06-27 19:39:04
Is the music any good?

Max Potcats reply Replies: 0 || 2018-06-27 13:28:31
Maybe I deserve to die but I really don't like this music. It just sound to similar to all the "guitar / feel good" radio songs shit, and, seriously, do you ear something that sound like Zimmer in there? But it's nice to know that he scores the documentary.

Mephariel reply Replies: 1 || 2018-06-27 03:25:17
Does Zimmer still have time to score another movie in 2018? It is highly unusual that he only has one film score in a year, but I can't see what it could be.


Josiah2018-06-27 07:26:43
I believe Hans Zimmer is kind of taking a bit of a break from scoring. If I am not mistaken I think I heard him say that in his interviews.

Jack Afrogarrix 2018 reply Replies: 0 || 2018-06-26 02:47:08
Well, that not a 100% sure, but if he Release the score at interscope records with the original song with dan reynolds(Imagine Dragons). But we had to wait what happens.

Jack Afrogarrix 2018 reply Replies: 2 || 2018-06-23 02:59:50
Nice new song from hans zimmer & the frontman imagine Dragons Dan Reynolds. I got a question just to know if hans zimmer will make a score for this documental hbo movie including the song with dan Reynolds?


Mephariel2018-06-23 20:48:44
He scored the documentary. The question is, are they going to release the whole score.


Josiah2018-06-25 03:29:18
Something tells me they're not going to.

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Believer (Documentary) (Single) soundtrack - Hans Zimmer 2018