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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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John PowellNick Glennie-SmithGeoff ZanelliJames McKee Smith
ComposerAdditional MusicAdditional MusicAdditional Music
Just Visiting
Label: Varese Sarabande
Length: 36'15
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5405 votes)
  1. Thibault Goes To England (2:39)
    John Powell
  2. The Hag's Hut (2:28)
    John Powell
  3. Rosaline & Thibault (1:32)
    John Powell
  4. Hallucination & Execution (1:10)
    John Powell, Nick Glennie-Smith
  5. To Chicago (0:48)
    John Powell
  6. Kill The Car (2:00)
    John Powell
  7. Thibault Sees Julia (1:16)
    John Powell, Nick Glennie-Smith
  8. My Cousin‚ My Descendant (1:29)
    John Powell, Nick Glennie-Smith
  9. Ode De Toilet (0:27)
    John Powell
  10. Tub For Two (1:03)
    John Powell
  11. So Many Descendants (0:21)
    John Powell, Nick Glennie-Smith
  12. Kissing Cousins (0:39)
    John Powell, Nick Glennie-Smith
  13. Searching For A Wizard (0:50)
    John Powell
  14. Another Visitor (0:44)
    John Powell, Nick Glennie-Smith
  15. On The Bridge (1:55)
    John Powell
  16. Feel Like A Lady (1:04)
    John Powell, James McKee Smith
  17. Andre Can't Ask (0:35)
    John Powell, James McKee Smith
  18. The Wizard Pulls Himself Together (1:03)
    John Powell, Nick Glennie-Smith
  19. The Wizard Cooks (0:40)
    John Powell, Geoff Zanelli
  20. Andre Asks To Stay (0:57)
    John Powell, James McKee Smith
  21. Not A Bunny (1:04)
    John Powell
  22. The Big Chase (2:02)
    John Powell
  23. What Will I Do Without You (1:46)
    John Powell
  24. Thibault And The Wizard Return Home (1:56)
    John Powell, Nick Glennie-Smith
  25. In The IceHall (1:09)
    John Powell
  26. Hunter Gets It - Julia Sees The Castle (1:44)
    John Powell
  27. Your Time Will Come (2:57)
    John Powell, Gavin Greenaway, Jeff Pescetto, vocal by Kudson Kai
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Michael Poleschuck reply Replies: 1 || 2017-02-14 08:59:06
Why? Why Gavin Greenaway isn't there? He's write and produced a song "Your Time Will Come" with John Powell (which is awesome). Isn't that enough?


Michael Poleschuck2017-02-14 09:00:02
And also he's conducted a choir in this score!

Edmund Meinerts reply Replies: 2 || 2015-09-29 23:29:09
Huh, the credits on this one seem to have changed! I seem to recall a time when the NGS/McKee Smith/Zanelli cues were credited to those composers alone, now Powell also has a credit. Wonder when that happened...


Anonymous2015-09-30 07:49:55
Just like how those specialty record labels occasionally "unearth" stuff that no one previously thought existed in the first place, Hybrid here finds info that he previously didn't think was true (or existed!).

It must be really hard to know exactly who did what on these, even for composers themselves. JP might have a solo credit on cue, but that could have well been inspired by something, say, McKee-Smith was humming across the floor which JP overheard and went AHA!


Michael Poleschuk2017-02-14 08:57:09
It's very simple! In the cues, that Nick Glennie-Smith, James McKee Smith and Geoff Zanelli were credited, there are John Powell's themes in different arrangements and orchestrations.

Anonymous reply Replies: 0 || 2011-08-25 22:32:48
nice

netcomp reply Replies: 0 || 2008-07-27 00:00:00
very good

matteo from italy reply Replies: 0 || 2007-07-05 00:00:00
Beautiful score!

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Just Visiting soundtrack - John Powell 2001