NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerSteve MazzaroSteven KofskyBruce Fowler
ComposerAdditional ArrangementsMusic ProducerOrchestrator
The World Of Hans Zimmer - A Symphonic Celebration (Shows)
Label:
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1693 votes)
THE WORLD OF HANS ZIMMER - A SYMPHONIC CELEBRATION








Tickets & Info at WorldofHansZimmer.com

THE SHOW


From April 2018 “The World of Hans Zimmer – A Symphonic Celebration“ goes on tour throughout Germany, accompanied by longstanding friends and colleagues of the rock star amongst film composers, with Hans Zimmer acting as curator and musical director, even though he himself will not perform at these concerts.

“The World of Hans Zimmer – A Symphonic Celebration” pulls out all the stops: In addition to visually striking projections of film sequences, a symphony orchestra under the direction of Hans Zimmer’s soundtrack conductor Gavin Greenaway creates an intense and unforgettable concert experience which – in contrast to “Hans Zimmer Live” – celebrates Zimmer’s compositions for large orchestra.

Together with a choir and top musicians from Hans Zimmer’s talent factory, such as Pedro Eustache, the flautist from the Pirates of the Caribbean series, and solo violinist Rusana Panfili, it creates a magical sound cosmos, with the hypnotic voice of Lisa Gerrard, whose hymn “Now We Are Free” from Gladiator remains unforgettable, floating above it all.

“The World of Hans Zimmer” – an unforgettable audio-visual concert experience.

Presented by Semmel Concerts, Tomek Productions & RCI Global, LLC.


28 April 2018 - Hamburg (Germany) - Barclaycard Arena
29 April 2018 - Berlin (Germany) - Mercedes-Benz Arena
30 April 2018 - Hannover (Germany) - TUI Arena
03 May 2018 - Leipzig (Germany) - Leipzig Arena
04 May 2018 - Nürnberg (Germany) - Arena Nürnberger Versicherung
05 May 2018 - Köln (Germany) - Lanxess Arena
06 May 2018 - Stuttgart (Germany) - Hanns-Martin-Schleyer-Halle
07 May 2018 - Zürich (Switzerland) - Hallenstadion
03 July 2018 - Madrid (Spain) - Teatro Real

07 November 2018 - Basel (Switzerland) - St. Jakobshalle
08 November 2018 - Geneve (Switzerland) - Arena Geneve
10 November 2018 - Oberhausen (Germany) - König-Pilsener-Arena
11 November 2018 - Munich (Germany) - Olympiahalle München
12 November 2018 - Mannheim (Germany) - SAP-Arena
13 November 2018 - Rotterdam (Netherlands) - Ahoy

17 March 2019 - Krakow (Poland) - Tauron Arena
20 March 2019 - Manchester (United Kingdom) - Manchester Arena
21 March 2019 - Birmingham (United Kingdom) - Arena
22 March 2019 - Glasgow (United Kingdom) - The SSE Hydro
23 March 2019 - London (United Kingdom) - The SSE Arena Wembley
25 March 2019 - Dublin (Ireland) - 3 Arena
27 March 2019 - Paris (France) - La Seine Musicale
29 March 2019 - Dortmund (Germany) - Westfalenhallen
30 March 2019 - Halle (Westfalen) (Germany) - Gerry Weber Stadion
31 March 2019 - Brussels (Belgium) - Palais 12
03 April 2019 - Lisbon (Portugal) - Altice Arena
05 April 2019 - Barcelona (Spain) - Palau Sant Jordi
07 April 2019 - Madrid (Spain) - WiZink Center
10 April 2019 - Munich (Germany) - Olympiahalle München
12 April 2019 - Vienna (Austria) - Wiener Stadthalle Halle D
13 April 2019 - Graz (Austria) - Stadthalle Graz
14 April 2019 - Prague (Czech Republic) - O2 Arena

03 November 2019 - Nuremberg (Germany) - Arena
04 November 2019 - Stuttgart (Germany) - Hanns-Martin-Schleyer-Halle
07 November 2019 - Zurich (Switzerland) - Hallenstadion
08 November 2019 - Frankfurt/Main (Germany) - Festhalle
09 November 2019 - Antwerp (Belgium) - Sportpaleis Antwerp
11 November 2019 - Amsterdam (Netherlands) - Ziggo Dome
13 November 2019 - Hamburg (Germany) - Barclaycard Arena
14 November 2019 - Herning (Denmark) - Jyske Bank Boxen
15 November 2019 - Göteborg (Sweden) - Scandinavium
16 November 2019 - Oslo (Norway) - Spectrum
17 November 2019 - Stockholm (Sweden) - Ericsson Globe
20 November 2019 - Gdansk (Poland) - Ergo Arena
22 November 2019 - Berlin (Germany) - Mercedes-Benz Arena
23 November 2019 - Dusseldorf (Germany) - ISS Dome
Create Topic

Pages << 1 2 >>

Hybrid Soldier reply Replies: 8 || 2018-04-13 15:28:05
So, since people have asked questions about this.

Yes, it is different from the tour, no Hans & his band are not on stage (some of the musicians are back, though).

And YES it's a HZ show, Hans curated, rebuilt & selected the music for it. Hans was part of it from day 1, supervising it.


Scorefan2018-04-13 16:11:12
Thanks for the information Hybrid
Plans for a DVD/BLu Ray Release in the future?


Hybrid Soldier2018-04-13 16:23:14
Isn't that a bit... early ? lol


Mephariel2018-04-13 16:42:38
Hi Hybrid,

I asked this before, but is there a confirm list of soundtracks they will be playing? I read that The Last Samurai, The Da Vinci Code, Pearl Harbor, The Lion King, Gladiator, Inception, and Kung Fu Panda are part of the show.


Hybrid Soldier2018-04-13 16:53:26
No, there's not... And knowing how this works, they'd prefer to keep some of the program hidden as a surprise for the show itself.


Klaus2018-04-14 14:07:39
Hi! There is a confirmed a show in Madrid (Spain), 3 of July in Teatro Real (Royal Theater). See it in his official of the Teatro Real. :)


Dfault2018-04-14 17:12:25
Thanks Hybrid for the work. Keep us posted if any news!


pureocean2018-04-14 19:19:30
I hope, this time will be interpreted at least two track from Spirit: Stallion of the Cimarron.


Cyberpunk882018-04-15 11:51:19
I did read in a description of a German trailer for this show that they are gonna play themes from MW2 and Crysis 2 live for the first time, so I think those are kinda confirmed

Pages << 1 2 >>

 HANS-ZIMMER.com© 2001-2018 OST 
The World Of Hans Zimmer - A Symphonic Celebration (Shows) soundtrack - Hans Zimmer 2018