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Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112
You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze Rozman
Mondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/Mine arrived today and is definitely sped up.LOL klaus badelt hardly composed pirates 1You know what? I love the booklet credits! Klaus Badelt is the same guy who scored Pirates of the Caribbean: The Curse of the Black Pearl.Thanks Hybrid soldier for the good news<br>I can't wait to see the documental film and hear the score of lorne balfe & hans zimmer.
A score will be released.<br><br>You can always count on Lorne for that. It's in the works.What was the last Zimmer documentary score that they released outside of BBC? <br><br>I am still waiting for The Great Bear Rainforest.I hope they can the soundtrack release for "Rebuilding Paradise" composed by Hans zimmer & Lorne balfe, including an original song for the film. I hope there is a possibility that they will release the score.How to get this at all?Any news about Rebuilding Paradise soundtrack?
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Hans ZimmerSteve MazzaroSteven KofskyMartin Gellner
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The World Of Hans Zimmer - A Symphonic Celebration (Shows)
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THE WORLD OF HANS ZIMMER - A SYMPHONIC CELEBRATION








Tickets & Info at WorldofHansZimmer.com

THE SHOW


From April 2018 “The World of Hans Zimmer – A Symphonic Celebration“ goes on tour throughout Germany, accompanied by longstanding friends and colleagues of the rock star amongst film composers, with Hans Zimmer acting as curator and musical director, even though he himself will not perform at these concerts.

“The World of Hans Zimmer – A Symphonic Celebration” pulls out all the stops: In addition to visually striking projections of film sequences, a symphony orchestra under the direction of Hans Zimmer’s soundtrack conductor Gavin Greenaway creates an intense and unforgettable concert experience which – in contrast to “Hans Zimmer Live” – celebrates Zimmer’s compositions for large orchestra.

Together with a choir and top musicians from Hans Zimmer’s talent factory, such as Pedro Eustache, the flautist from the Pirates of the Caribbean series, and solo violinist Rusana Panfili, it creates a magical sound cosmos, with the hypnotic voice of Lisa Gerrard, whose hymn “Now We Are Free” from Gladiator remains unforgettable, floating above it all.

“The World of Hans Zimmer” – an unforgettable audio-visual concert experience.

Presented by Semmel Concerts, Tomek Productions & RCI Global, LLC.


28 April 2018 - Hamburg (Germany) - Barclaycard Arena
29 April 2018 - Berlin (Germany) - Mercedes-Benz Arena
30 April 2018 - Hannover (Germany) - TUI Arena
03 May 2018 - Leipzig (Germany) - Leipzig Arena
04 May 2018 - Nürnberg (Germany) - Arena Nürnberger Versicherung
05 May 2018 - Köln (Germany) - Lanxess Arena
06 May 2018 - Stuttgart (Germany) - Hanns-Martin-Schleyer-Halle
07 May 2018 - Zürich (Switzerland) - Hallenstadion
03 July 2018 - Madrid (Spain) - Teatro Real

07 November 2018 - Basel (Switzerland) - St. Jakobshalle
08 November 2018 - Geneve (Switzerland) - Arena Geneve
10 November 2018 - Oberhausen (Germany) - König-Pilsener-Arena
11 November 2018 - Munich (Germany) - Olympiahalle München
12 November 2018 - Mannheim (Germany) - SAP-Arena
13 November 2018 - Rotterdam (Netherlands) - Ahoy

17 March 2019 - Krakow (Poland) - Tauron Arena
20 March 2019 - Manchester (United Kingdom) - Manchester Arena
21 March 2019 - Birmingham (United Kingdom) - Arena
22 March 2019 - Glasgow (United Kingdom) - The SSE Hydro
23 March 2019 - London (United Kingdom) - The SSE Arena Wembley
25 March 2019 - Dublin (Ireland) - 3 Arena
27 March 2019 - Paris (France) - La Seine Musicale
29 March 2019 - Dortmund (Germany) - Westfalenhallen
30 March 2019 - Halle (Westfalen) (Germany) - Gerry Weber Stadion
31 March 2019 - Brussels (Belgium) - Palais 12
03 April 2019 - Lisbon (Portugal) - Altice Arena
05 April 2019 - Barcelona (Spain) - Palau Sant Jordi
07 April 2019 - Madrid (Spain) - WiZink Center
10 April 2019 - Munich (Germany) - Olympiahalle München
12 April 2019 - Vienna (Austria) - Wiener Stadthalle Halle D
13 April 2019 - Graz (Austria) - Stadthalle Graz
14 April 2019 - Prague (Czech Republic) - O2 Arena

03 November 2019 - Nuremberg (Germany) - Arena
04 November 2019 - Stuttgart (Germany) - Hanns-Martin-Schleyer-Halle
07 November 2019 - Zurich (Switzerland) - Hallenstadion
08 November 2019 - Frankfurt/Main (Germany) - Festhalle
09 November 2019 - Antwerp (Belgium) - Sportpaleis Antwerp
11 November 2019 - Amsterdam (Netherlands) - Ziggo Dome
13 November 2019 - Hamburg (Germany) - Barclaycard Arena
14 November 2019 - Herning (Denmark) - Jyske Bank Boxen
15 November 2019 - Göteborg (Sweden) - Scandinavium
16 November 2019 - Oslo (Norway) - Spectrum
17 November 2019 - Stockholm (Sweden) - Ericsson Globe
20 November 2019 - Gdansk (Poland) - Ergo Arena
22 November 2019 - Berlin (Germany) - Mercedes-Benz Arena
23 November 2019 - Dusseldorf (Germany) - ISS Dome
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Mephariel reply Replies: 24 || 2018-04-30 22:45:57
Based on YouTube videos, the program list confirmed so far:

Mission: Impossible 2
Gladiator
Spirit: Stallion of the Cimarron
Pirates of the Caribbean
King Arthur
The Holiday
Rush
The Lion King
The Da Vinci Code
Inception
Kung Fu Panda
Madagascar
Pearl Harbor

From what I read:

Crysis
Call of Duty: Modern Warfare 2

The program is nearly 3 hours long, so a lot must be missing.


Hybrid Soldier2018-04-30 23:19:57
The program is :

The Dark Knight
King Arthur
Mission: Impossible 2
Pearl Harbor
Rush
The Da Vinci Code

Madagascar
Spirit
Kung Fu Panda
The Holiday
Hannibal
The Lion King
Inception
POTC


Mephariel2018-04-30 23:31:02
Thanks Hybrid.

What is the opening introduction cue with all the animals? Did they just made that for the show or is it a Zimmer cue from a movie?


GR72018-05-01 02:05:09
Hybrid, it seems you forgot Gladiator in your program, as a youtube video shows a moment of the concert with The Battle.


Hybrid Soldier2018-05-01 10:02:51
In fact I did ! Gladiator indeed, beautiful suite !

The Wheat / Am I Not Merciful / Battle / Might Of Rome / Now We Are Free


Tim2018-05-01 12:01:42
where is Last Samurai? You've said so many times, that he wrote an epic suite for this event, and now they won't playing it again?


Mephariel2018-05-01 17:20:13
Yeah I was looking forward to The Last Samurai and I was disappointed that I it is not in the program.

But love everything that is on it. I enjoy this show much more than Hans Zimmer Live because with a real orchestra, Zimmer's music sounds so much better and more epic.


Olive2018-05-01 17:39:45
I do not know what the appeal of Madagascar, Kung Fu Panda, Prince of Egypt or Road to The El Dorado would be much better.


Mephariel2018-05-01 17:56:17
I would love Prince of Egypt as well or Beyond Rangoon. I think they didn't want to do two African animated score in a roll. But I really love Kung Fu Panda so I don't mind. The performance however was two short. It is basically just Oogway's Ascend.


Hybrid Soldier2018-05-01 18:05:07
Hans said he fucked The Last Samurai up ! :)

He made something too long and it didn't fit the show... My 2 cents is it'll show up in the next tour, instead ! ;)


Scorefan2018-05-01 21:48:19
@Hybrid, news about a DVD/Blu ray release?


Hybrid Soldier2018-05-01 21:55:22
I said it before, I don't know...


If I do, I'll let everyone know !


mpolonest123 2018-05-01 22:51:59
Hopefully we get a CD/MP3 release like the other tour. There are some pretty cool arrangements in here.


Mike (OTM)2018-05-02 01:52:52
Did Hans actually write new music and expand on the old ideas for these "suites" (almost like writing a sequel with the same themes) or was he mainly just doing transitions between cues?


Mephariel2018-05-02 06:34:39
From what I saw on YouTube, I think they are mostly just suites of the soundtracks. But I think Pearl Harbor had some new material, I could be wrong.


Frenchans2018-05-02 15:21:45
Hey Hybrid ! Do you know which tracks from King Arthur are played in the concert ? :)


Cyberpunk882018-05-02 21:56:13
Can't wait to hear M:I 2, Am I Not Merciful, the Might Of Rome and the track(s) from King Arthur live for the first time! Too bad I have to wait till November


Randy Watson2018-05-03 19:15:21
Watched some clips on Youtube and Pedro Eustache annoys the shit out of me. Would've been better if they ditched him.


Mephariel2018-05-03 20:46:00
Pedro Eustache annoyed the shit out of me when he was performing in Hans Zimmer Live, but I thought he was ok here. His Kung Fu Panda theme is beautiful. However, there are some parts of the Lion King performance where his contributions added an unwanted layer of music.


Dfault2018-05-03 21:01:04
Hi Hybrid, thanks again for the info, much appreciated.


fs2018-05-08 10:41:26
Have seen the concert and i can say it is amazing. Hans says that this time it is a more symphonic version of his pieces compare to last year. In Detail:

The Dark Knight: Short suite. In my opinion one of the few pieces which did work with symphonic only. Did not sound that well. But it was short anyway.
King Arthur: Surprised to hear that. Perfect for that orchestra. Wanted more (yes it was too short) :)
Mission: Impossible 2: Even more surprised to hear this one ! The "Injection" Part is amazing with Lisa's voice.
Pearl Harbor: I think this one was heavily modified. Basically a new version of the piano theme. Very nice.
Rush: The Main Theme. Perfect match with the movie clip in the background and played great.
The Da Vinci Code: That was a tough one. They played more than 15 minutes a sketchbook version from Hans. I liked it but i
guess for some people this might have been a challenge to listen. Not sure if this was on the album.

Madagascar: Not the Main Theme but the "Best Friends" theme which is nice too. Great start into the second half of the concert.
Spirit: A highlight. Orchestra played it epic.
Kung Fu Panda: Very short but beautiful.
The Holiday: I guess this one is unknown by the most but it is a upbeat and good feeling piece so i am sure for most a great surprise.
Hannibal: Love theme from Hannibal.
The Lion King: This time they played only the Hans pieces from it and i loved to hear the Stampede action music ! Lion King is always amazing.
Inception: Time. Played with Hans on piano on the video projection.
POTC: I thought i get tired of the pirates but this one has blown me away: "I dont think now is the best time" played in full epic scale.
Sound was perfect ! Drop Zone theme too ;)

So if you have seen the last years concert this one is different, with lots of new material and different style. Execution is perfect, the players are amazing.

Some minor possible improvements (basically same like last year): Strings and melody layers sometimes get swallowed by the percussion or by pedros flute (which was sometimes one layer too much).


fs2018-05-08 10:50:00
well.. forgot Gladiator lol but it should not be missed as it was with the first battle scenes on the screen. "Mighty rome" scenes were great to listen too.


Federica2019-04-09 13:49:44
No Interstellar??? Such a shame!!!


Eoin2019-05-20 18:56:01
Just wondering if this set is done in English or is it country dependent


Antoine2019-12-30 21:56:02
So it's mean that all Interstellar's song won't be played at the next representations? :(

Kenda reply Replies: 0 || 2019-11-15 14:11:59
I was at the concert yesterday in Denmark, words can't describe what i felt, it's something that has to be experienced in person, truly amazing.

Music is one thing, but the lights and video along the show was awsome, that can't be described, you have to be there.

I hope for a bluray version of a concert, I will gladly be the first to buy it.

Anonymous reply Replies: 0 || 2019-09-12 14:19:40
Happy Birthday Maestro

Omri reply Replies: 1 || 2019-06-29 11:19:54
will be a show in Tel Aviv (Israel)??
Please!!!


Ori2019-09-09 09:43:34
Yes! Please come!

Mari reply Replies: 2 || 2019-07-23 20:57:06
Please come to brazil!


Thalis2019-08-09 00:20:33
Yes!! I agree with you Mari... Please wonderful Mr.Hans Zimmer, come to Brazil!!


Jonathas2019-09-01 03:21:43
Yes, come to Brasil!

Nico reply Replies: 0 || 2019-08-05 05:06:04
BUENOS AIRES!!

zizi reply Replies: 0 || 2019-06-07 23:17:31
Hans Zimmer Live

Australia, we're returning for three shows this October! &#8236;

Oct 3rd Brisbane Entertainment Centre, Brisbane&#8236;
&#8234;Oct 5th Qudos Bank Arena, Sydney&#8236;
&#8234;Oct 7th Rod Laver Arena, Melbourne&#8236;

Chris reply Replies: 1 || 2019-04-04 22:13:02
Hi! Does someone know how long is the concert? I am attending this weekend and I would like to know in order to buy my transport. Thank you so much!!


mpf2019-04-04 22:25:17
about 2h30, with 20min interval and the encore
great show

Ramona reply Replies: 0 || 2019-03-30 15:25:01
Hello Mr Zimmer,
please come to Quebec CANADA!
We love you and your brilliant music!

Arjun reply Replies: 0 || 2019-03-24 14:36:20
I just saw the show last night in London and loved the visual integration of the movies into the show .

Overall I reckon I preferred his show last time in London as he did not do interstellar which was really disappointing for me :( I also wish he did more tracks from the dark knight series as they were my faves at his last show.


weaponeer reply Replies: 1 || 2019-03-17 15:51:38
why not bring that show to China?


Trump2019-03-18 09:34:50
Because China.

Michael reply Replies: 2 || 2018-09-15 22:50:46
Please bring this show to the United States. Dallas, Austin, San Antonio, or Houston would be great!

  Your name :   

Please enter number: 1631 


Elise 2018-09-21 10:13:09
Apparently we’re in the wrong country :( If I could afford it, I’d travel just to experience this.


Michael2019-03-06 23:44:27
Yes, it's all about money, isn't it? I'd be there too, if the money was at hand.

Bibi8 reply Replies: 0 || 2019-02-02 16:25:07
New date in Paris : November 24 2019 at AccorHotels Arena

Cyberpunk reply Replies: 0 || 2019-01-16 12:19:26
Please add some Interstellar, Man of Steel or Batman Begins to the 2019 tour..

Luis Gustavo reply Replies: 0 || 2018-12-04 15:55:18
Please, come to Brazil! We Love u!

Michael reply Replies: 0 || 2018-11-19 22:51:45
Any chance this show is coming to the USA?

Pascalwb reply Replies: 0 || 2018-11-11 11:20:19
Come to Bratislava, Slovakia too.

alice reply Replies: 1 || 2018-11-09 04:10:11
come to Sacremento,california!!!


Mephariel2018-11-09 08:00:16
I wish. I live like 15 miles away from Golden 1 Center.

yba reply Replies: 0 || 2018-10-30 23:11:25
Hey guys,

So I am going to see the concert in Munich on the 11th of November. A friend was supposed to join but cannot make it due to work issues. Is anyone interested? The extra ticket I have is in section F1, row 19. Let me know if you are interested. That day is also my birthday, and I don't want to spend it alone, so maybe we can do something nice around that

... reply Replies: 6 || 2018-10-20 01:26:56
Hollywood in Vienna: Hans Zimmer was amazing! One of the best concerts I’ve ever been to! I ended up meeting the man himself after the concert! Amazing programme!

Btw Tom cruise said (in a recorded message that was shown at the concert) that he’d be working on Top Gun 2 with Hans! Pretty cool news!


Dimitris Krommidas2018-10-20 02:24:40
Yes!


Mike2018-10-20 03:00:09
Cool that you met Hans! As for Hans doing Top Gun 2, well there's some pleasantly surprising news!


Mephariel2018-10-20 03:23:03
Great news! Can't wait to see the concert online or Blu-Ray.


Hybrid Soldier2018-10-20 17:37:41
Hans will cowrite the score together with Faltermeyer... :) ;)


Anonymous2018-10-21 23:36:01
Is Hans no longer married to Suzanne Zimmer? I saw articles from Hollywood in Vienna that he’s now married to Dina De Luca.


Agent2018-10-22 02:29:45
That's sad if it is true. I remember her from videos back in the 90's and in many photos with Zimmer himself.

Mephariel reply Replies: 0 || 2018-10-15 23:39:32
For those you who live in the UK:

March 20 2019 – MANCHESTER Arena
March 21 2019 – BIRMINGHAM Arena Birmingham
March 22 2019 – GLASGOW SSE Hydro
March 23 2019 – LONDON SSE Arena Wembley
March 25 2019 – DUBLIN 3Arena

Bibi reply Replies: 0 || 2018-10-09 16:51:31
New date in Paris : March 27 2019 !!

Chaitrali reply Replies: 1 || 2018-09-15 11:59:45
Someone please tell me if they would include Interstellar track? I’m planning to travel from India for the show. Thanks.


Banu Claudiu2018-10-05 06:30:32
No interstellar soundtrack or Man of Steel.. :(

Legacy reply Replies: 0 || 2018-09-06 23:34:33
Too bad there's no Interstellar soundtrack.

Yet it is one of his best performances

Geoffrey reply Replies: 0 || 2018-09-06 20:15:39
31st of March : Brussels ( Belgium )

YEAAAAAH !

Lionel reply Replies: 0 || 2018-08-28 20:48:39
Come back to France please...

Gilvane Cezar reply Replies: 0 || 2018-08-26 01:35:52
Please, come to Brazil!

Cristiane reply Replies: 0 || 2018-08-25 07:04:37
Please, come to Brasil !!!

Marcos reply Replies: 0 || 2018-08-25 07:03:50
Please, come to Brasil!!!

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The World Of Hans Zimmer - A Symphonic Celebration (Shows) soundtrack - Hans Zimmer 2018