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why no cd release?Haha!  Wear the mask. how fitting.yap. and all of the alternates :PI want that "Final Confrontation" cue so much!Most of them are done actually and should have been released a while ago !
Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.The first one was quite pretty good.
We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.
Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>
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Matthew MargesonFabio MarksJason SoudahAndrew Kawczynski
ComposerAdditional MusicAdditional MusicAmbient Music Design
Truth Or Dare
Label: Back Lot Music (Digital Download Only)
Length: 39'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1309 votes)
  1. I Don’t Want To Play (1:06)
  2. Spring Break Packing (0:53)
  3. The Game (1:57)
  4. Follow The Rules (0:52)
  5. Break Olivia’s Hand (3:15)
  6. Markie’s Dad (1:40)
  7. Tyson’s Interview (3:29)
  8. Rooftop Truth Or Dare (5:44)
  9. Intruder (3:13)
  10. Olivia & Lucas (2:14)
  11. Inez (4:04)
  12. Olivia’s Secret (3:34)
  13. Return To Mission (4:37)
  14. The Game Will Never End (2:31)
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Knight reply Replies: 1 || 2019-04-24 14:33:31
Truth or Dare additional credits:

I DON'T WANT TO PLAY

Matthew Margeson, Daniel James

SPRING BREAK PACKING

Matthew Margeson, Jason Soudah

THE GAME

Matthew Margeson

FOLLOW THE RULES

Matthew Margeson

BREAK OLIVIA'S HAND

Matthew Margeson, Daniel James

MARKIE'S DAD

Matthew Margeson

TYSON'S INTERVIEW

Matthew Margeson, Andrew Kawczynski, Daniel James

ROOFTOP TRUTH OR DARE

Matthew Margeson

INTRUDER

Matthew Margeson, Daniel James

OLIVIA AND LUCAS

Matthew Margeson

INEZ

Matthew Margeson

OLIVIA'S SECRET

Matthew Margeson

RETURN TO MISSION

Matthew Margeson

THE GAME WILL NEVER END

Matthew Margeson

Credits taken from GEMA


Edmund Meinerts2019-04-29 08:06:43
GEMA was actually useful for something other than blocking a billion YouTube videos for once? I can't believe it.

Michael Fields reply Replies: 0 || 2018-08-09 13:29:03
MOVIE CREDITS:

Music By
MATTHEW MARGESON

Music Supervisor
SESSING MUSIC SERVICES

Music Editor
CATHERINE WILSON

Additional Music And Arrangements By
DANIEL JAMES
FABIO MARKS
JASON SOUDAH

Orchestra Conducted By
PETER PEJTSIK

Orchestra Recorded By
GABOR BUZCKO

Score Mixed By
ALAN MEYERSON

Score Mix Assistants
EVA REISTAD
DYLAN SHYKA

Score Technical Engineer
FABIO MARKS

Supervising Orchestrator
TIM DAVIES

Orchestrated By
JEREMY LEVY
JORDAN SIEGEL
SARAH LUTZ

Music Preparation
MARK CALLY

Orchestra Contractor
MIKLOS LUKACS

Librarian
ADRIENN LORINCZ

ProTools Engineer
MIKLOS LUKACS SR.

Score Recorded By
BUDAPEST ART ORCHESTRA
(EAST CONNECTION MUSIC RECORDING CO.)

Score Mixed At
REMOTE CONTROL PRODUCTIONS
SANTA MONICA, CA

Jack Afrogarrix 2018 reply Replies: 2 || 2018-04-15 15:15:57
Great Score from Matthew Margeson for his second horror film for blumhouse's Truth Or Dare directed by jeff Wadlow.
This score is very intense and keep you waiting for what Happened next.


MrZimmerFan2018-04-15 15:31:30
Bah, it was ok, nothing more.

I keeping listening Peter Rabbit, Rampage or Lost in Space


Edmund Meinerts2018-04-15 19:50:22
Afrogarrix has learned to not capitalize every single word in a sentence. Does this mean the machines are taking over??? I'm scared...

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Truth Or Dare soundtrack - Matthew Margeson 2018