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Yeah, this is the best RCP action score of the year so far. Much better than Balfe's efforts and Junkie's.@superultramega Itís funny you should say that about Rogue One because, even though I do like the themes, I will agree that it definitely is weaker than any Star Wars score and seems to lack the life Giacchino normally puts into his music.<br><br>Even weirder, his music for Jupiter Ascending (another big space opera) is far more aggressive and developed, and probably one of his best. It makes me wonder if the Star Wars team wanted the safe route....Ok, not restraint on drums, but I still don't really see how exactly his music for animated films comes even close to being an RC product. When I think of RC I think of the music for the Pirates movies, the early Bay and Bruckheimer films, etc. The work on Shrek, Antz, Ice Age, and How to Train Your Dragon is much closer to a traditional Williams score than any RC product. <br><br>Plus he's working on Star Wars so he's obviously going to try his damnedest to stick to that kind of music, and to avoid the Zimmer style. I just don't understand why you think Powell, of all people is going to be the one to dilute the Star Wars sound. <br><br>Hell, I think Giacchino's score for Rogue One was pretty much nothing more than an unmemorable, and bland version of Star Wars with very little going on besides broken down notes of the Star Wars theme playing and generic Williams copy. Just like Jurassic World. I don't know how Giacchino makes Williams' style bland but he finds a way. At least with Powell we'll get more style and memorability on top of a Williams imitation.Restraint on drums? <br><br>Have you listened to Green Zone? The Bourne movies? Hancock?<br><br>Cmon...Yeah he's not Zimmer, but this isn't a Williams product we are talking about. It's an RC product. This is what I am talking about.People like Harry Gregson, Jablonsky and Zanelli, despite their melodic tendinsies, would be people chosen for going the Zimmer route. I think Jablonsky's is the closest to Star Wars but even then there's a ton of power themes, and Zimmer hallmarks that keep him away from this sort of style. <br><br>Powell is the last person I would associate with Zimmer. His techniques are very much in vain with the Williams-like composers, like Alexandre Desplat and Michael Giacchino. The complex underscore, the rapid notes, the restraint on drums, instrument variety, the jazz techniques, etc. He's the perfect RCP composer for the job.
Of all RCP members, I think he is the one closest to Williams and Star Wars sound, so I think this score will be pure orchestral fun, like most of his scores usually are.<br><br>I cannot wait to listen to it!Well, I guess that is a matter of tastes and opinion, because for me scores like The Incredibles or Up, for saying some examples, are classics inside the animation field.<br><br>But is fine. We have our own preferences and that's okay.Me too! Very fun and ę†guilty pleasure†Ľ score<br>After listening to this one and Todo Mal, I think Andrew is a really versatile composer, both scores are really entertaining and yet have nothing to do with each otherI like this score, altough i think it will fly (get it) under the radar..<br>Hope Andrew continues making scores like thisIMO, though Powell was Hans'protegee 20 years ago, he always had his very own style. And this style evolved so much through these decades you can't really connect any more his mannerisms to those of people at RCP!
You can't call Powell "the Zimmer route". He's written some of the densest, flashiest orchestral film music of the last 10+ years!And how is that a bad thing? :-p<br>John Powell is an excellent choice to have both a big sounding and fun RCP score, and an orchestral one which would fit with the previously established style.Cant say Im 100% invested.....<br><br>This will be the first Star Wars score to go the Zimmer route...Well maybe you guys are right, to be honest i never cared much about this composer. All i know is that i almost never noticed any kind of theme when watching movies scored by him, while usually I'm the kind of audience who pays attention to the music. It can be that his way of writing or orchestrating or mixing doesnt match with my own taste, that's a possibility. Anyway I still maintain that none of his scores or themes has become a "classic", despite the ridiculous amount of major blockbusters he had the chance to score so far...home is very very soothing. (i sound like i have said it before lol) 
<br>
<br>itís the one cue i can listen to a zillion times and never get tired of. i hope upcoming movies will give Hans or whoever in remote control an opportunity to do similar cues. elisabeth in inferno is the closest but is so short.
<br>
<br>i have mellowed. i love these mellow cues.
John Powell stated on his Instagram that the album will have 19 tracks, and be over an hour!Its not a film, its an album. This was still during the days of Hans' involvement with 'The Buggles'.I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.<br><br>Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.<br><br>So I don't think Giacchino is out of the use of themes.I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :pFor me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...
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Lorne BalfeMax ArujQueenie LiJohannes Vogel
ComposerScore ProducerMusic Production CoordinatorConductor
Pacific Rim Uprising
Label: Milan Records
Length: 76'01 (Score: 67'06)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (626 votes)
  1. Pacific Rim Uprising (4:47)
  2. Born Into War (4:12)
  3. Rise Of The Jaegers (1:38)
  4. Go Big Or Go Extinct (Patrick Stump Remix) (2:10)
  5. Daddy Yo - Wizkid (2:39)
  6. Shatterdome Arrival (2:03)
  7. Sneaking In (3:07)
  8. Shao Industries (4:35)
  9. Scrapper Chase (3:56)
  10. Flashback (2:17)
  11. Nobody Speak Feat. Run The Jewels - DJ Shadow (3:15)
  12. Kaiju Brain (2:11)
  13. Combat (2:19)
  14. Obsidian Fury (3:31)
  15. Get It Done (3:24)
  16. Come Down - Anderson .Paak (2:59)
  17. Shatterdome Attacked (7:18)
  18. Amara (2:36)
  19. Coming Together (3:14)
  20. On The Move (2:21)
  21. Mega Kaiju (2:29)
  22. Battle Speech (2:39)
  23. End Game (2:00)
  24. Victory (2:18)
  25. The Revenge (1:52)
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Jack Afrogarrix 2018 reply Replies: 8 || 2018-04-02 03:46:38
Lorne Balfe Had Made the greateat score for pacific rim Uprising including a remix of "go big or go extinct By ramin Djawadi. It Worth it to hear this Score


Edmund Meinerts2018-04-02 10:23:46
Aw fuck, it's back.


PeterM2018-04-02 11:41:10
Edmund shut up .Just try and stop slagging anyone off who simply likes a composers music because it is boring now .


AndrewK2018-04-02 11:58:18
ďAw fuck, it's back.Ē what a stupid comment to make.i havenít seen the film yet but either way being negative about people liking something is stupid .


Edmund Meinerts2018-04-02 15:47:26
LOL, way to miss the point guys. Jack Afrogarrix is a noted shitposter.


superultramegaa2018-04-02 16:02:01
PeterM, AndrewK shut up. Just try and stop slagging off anyone who simply criticizes a composer's music because it is annoying now. Stop being negative about people with a different opinion on something. It's stupid.


PeterM2018-04-02 20:32:25
Edmund quite writing anything for a change in any of Balfes releases.We are not interested in your put down comments.we all clearly understand your feelings ......


Edmund Meinerts2018-04-02 21:03:33
This has nothing to do with Balfe, you absolute fuckwit!


superultramegaa2018-04-03 04:27:54
So Peter, on a scale of dense to completely brain dead, how low is your IQ?

Jean-Luc reply Replies: 3 || 2018-03-29 21:36:38
Everyone, I have a question for you about a Mission Impossible Fallout movie by who will score that film. Last time I saw Henry Jackman was removed from IMDB app. But I found out the news about confirmed about Lorne Balfe will score that movie because Lorne Balfe seem all over the pictures. But I kept waiting for a film music reporter website about who will score for the mission impossible fallout movie, but we will find out the update for next month I believe that.


Miguel2018-03-30 18:45:31
I facebooked Balfe and ask him but he said he was not doing it even though the music in the trailer is by him


AndyP2018-03-30 21:13:32
I thought Henry was doing it ?


Jean-Luc2018-03-30 23:35:40
Oh, it's interesting to me

ok reply Replies: 16 || 2018-03-23 14:35:19
This is feels like a very temped soundtrack, only that explains why the score is so generic. I wonder which movies music scenes producer-director used to make lorne do this.

Track 8 - is Tron legacy (dont know maybe he worked on it, powell was involved maybe he was too)


Mephariel2018-03-23 16:35:49
Is there a Balfe score that is not very temped? Every single Balfe score I listened to is basically giving an old score a fresh set of paint.


AndrewP2018-03-26 22:47:52
Mephariel - please educate us . Genius is what ? Blackwood is what ? Marcella is what ?


Mephariel2018-03-27 04:42:02
Genius? You mean like in the track "Forbidden Love" where he tempted the shit out of "Where We're Going" in Interstellar?


Edmund Meinerts2018-03-27 08:52:48
Mephariel, don't expect any sort of objectivity when it comes to the many-headed Balfe shill that is Andrew/Andreas/Andy. Although I note that even he has struggled to say anything nice about Hurricane Heist or PR: Uprising...some things are beyond the realm if the possible I suppose.


JamesT2018-03-27 19:40:39
@Mephariel

What score is the track Forbidden Love from?


Max Potcats2018-03-27 19:55:51
From Genius, I find some little similarities with Quantifiable Connection from interstellar complete score, but nothing shameful, if it's a temp this is not the worst we heard..


Micheal2018-03-28 16:21:13
Edmund has to me move on.you have an issue with Balfe .we know .Solo will be out soon enough for you and your tissues


Mike2018-03-28 16:26:40
Mephariel ( Edmund ) try and channel your negativity somewhere else please


Edmund Meinerts2018-03-28 23:58:43
...and the tone policing, right on schedule. We brook nothing but pure unadulterated praise for Lord Balfe around these parts!


SiMusic2018-03-29 00:21:42
Yet again Edmund canít help himself .


Zimmerfan2018-03-29 00:31:10
Iím not a big balfe fan but honestly Edmund you have issues.Balfe obviously knows what he is doing and people keep hiring him.we get it that you love John Powell but not everyone else does.So give it a rest with the balfe bashing because itís boring now .Night


superultramegaa2018-03-29 01:18:19
Once again the broken translation/punctuation regulars can't help themselves.


Mephariel2018-03-29 03:19:36
@Max

I'll be really specific. The entire first section of "Forbidden Love," the melodic baseline came directly from 6:03 of "Where We're Going."

It is actually pretty obvious.


Ian2018-03-29 06:28:00
Mephariel - I have no issue calling Lorne or anyone else for temping/recycling cues, but honestly those two cues seem incidentally similar if at all. And Forbidden Love is *drastically* superior, so even if there was temping involved, Lorne did genuinely good work there IMO


Edmund Meinerts2018-03-29 08:51:02
Why do you guys keep mentioning Powell? I'm not.


Olive2018-03-30 01:09:18
Meh

Andrew, Andreas, Andy, Mike, Michael, Peter, Pete, x name + music or x name + film. They are the same person.

Frank reply Replies: 0 || 2018-03-28 06:12:24
I got a friend who was an intern of Legendary Pictures and he said the reason there's only a remix of Ramin's original theme is because some copyright issues between Universal and Warner Bros. Anyone can confirm that? Hybrid?

Kingfannypack is the Milfcommander reply Replies: 0 || 2018-03-27 05:55:36
Congratulations to Lorne Balfe in his new child!

Anonymous reply Replies: 11 || 2018-03-22 18:03:31
It is out. Not bad but it doesn't sound very epic or memorable. Tomb Raider had better moments.

The orchestration is so empty.


MrZimmerFan2018-03-22 18:05:12
I will said this, is more enjoyable than Hurricane Heist.

But the first was more memorable


Anonymous2018-03-22 18:15:58
yeah but this movie would be better fit for a jablonsky score.


he has bigger themes and a richer sound


MrZimmerFan2018-03-22 18:36:27
The first movie has memorable theme and enjoyable action tracks, this one, has one or three actions cues i have enjoyed, more than than i expected, but the main theme is forgetteable.

Jablonsky would fit if is the Jablonsky, for example, for TF5 or first Transformers (and i am guilty pleasure fan for Battleship)

And now i lost respect in the whole internet :D


George2018-03-22 18:49:45
Agreed. Itís simply not that memorable. Out of Pacific Rim 2, a wrinkle in time, tomb raider, and hurricane heist I thought for sure at least ONE would be a hit. Unfortunately all four of them seem pretty forgettable. Really hoping Hans puts something memorable and iconic together for X Men Dark Phoenix.


MrZimmerFan2018-03-22 18:53:03
At least Tomb Raider and A Wrinkle of Time have a theme.


mpolonest1232018-03-22 19:46:03
There are some fun action cues and an interesting mix of electronics that sounds like a hybrid of Tron Legacy and Chappie but is honestly so forgettable outside of that. Why on earth did they opt out of using Ramin's themes?

It would be like if POTC2 came out and instead of using "He's a Pirate" or any of the other motifs, Disney hired a Hans Zimmer protege to come in and write their own take on the material. When I go to see Star Wars I expect Star Wars. With this I expected at least ties to the first one.


superultramegaa2018-03-22 20:04:00
The thematic continuity complaint is a problem with the movie industry in general now. Not just Pacific Rim. It's a problem with Marvel, DC, and hell, any movie series really. Even the new TMNT movies, as good as Jablonsky's score for the second one was, still couldn't keep the original themes.

The only ones that do keep the original thematic material lately have been Transformers, Star Wars, Star Trek (at least the first 2's scores I don't know about the 3rd's), Pirates of the Caribbean, a few animated film series, and Harry Potter.

Not sure if this is a director or composer fault (probably director/studio), but it's just something we're going to have to deal with for a while until the next phase of film score trends come along.


MrZimmerFan2018-03-22 20:10:47
@superultramega: The three Star Trek movies are compose by the same composer, and the producer is J.J Abrams.

And the theme is the same.


mpolonest1232018-03-22 20:44:18
@Superultramega

What's odd is that the PR theme was used in the marketing. Same with Zimmers material being used in the Justice League trailers, so obviously the studio liked it enough. Probably the directors choice.


mpolonest123 2018-03-23 13:34:22
I was also thinking about something; Lorne Balfe worked on Terminator Genisys, a score in which the original thematic material was used appropriately but also combined with his new material. How a sequel score SHOULD be. Obviously this was the directors choice. It seems like a lot of these newer directors have no clue how music works, something which should be one of the least difficult parts of making a film.


MrZimmerFan2018-03-23 14:19:27
The only themes in Terminator Genysis was the main theme and part of the Reese theme, i guess.

The rest is new material by Balfe.

Jean-Luc reply Replies: 0 || 2018-03-23 02:54:31
I like that soundtrack, I think that score is fun action, but I'm noticing Shao Industries are more like Tron Legacy music to me. My Opinion about Pacific Rim first one by Ramin Djawadi's score is better and his theme is perfect!

FaresTdkr reply Replies: 2 || 2018-03-22 19:09:29
I just said this before and I want to say it again:
Shao industries sound like Tron Legacy


MrZimmerFan2018-03-22 19:19:53
It is sound like that.

Multiple times in the score, there is sounds like Tron


....2018-03-23 01:24:20
The descending string line is almost completely ripped from CLU

FaresTdkr reply Replies: 0 || 2018-03-11 15:02:46
Shao Industries on Dezzer And Itunes. IT Sound like Daft Punk TRON LEGACY...

Andreas reply Replies: 0 || 2018-03-08 16:07:55
Hurricane Heist will be released tomorrow. Sounds like a mix of 12 Strong en Geostorm.

MrZimmerFan reply Replies: 0 || 2018-03-08 13:40:21
I have something cool: Hurricane Heist is going to be released tomorrow.

I curious about this score by Balfe

... reply Replies: 0 || 2018-03-04 16:37:23
"Sneaking in" soundtrack sounds srsly like Geostorm... and I kinda like it :D

Farestdkr reply Replies: 0 || 2018-03-04 16:02:12
@hybrid do you have any news about Daniel suett(2014 winner of Hans Zimmer want you..,Savage Kingdom Composer, Oak Island Composer). Why Hans didn't hire him in some of his movie he's a big talent. I love Savage Kingdom soundtrack it's absolutely Zimmer style.

FaresTdkr reply Replies: 0 || 2018-03-04 15:46:08
These two track are available on Deezer if you want listen...

Scorefan reply Replies: 2 || 2018-03-03 23:09:04
@Hybrid, is it true that Lorne sometimes have used the name Oswin Mackintosh?


Hybrid Soldier2018-03-03 23:12:28
Yes, nickname he used for Extreme Music mostly...


Scorefan2018-03-04 00:35:35
Thanks Hybrid

FaresTdkr reply Replies: 9 || 2018-03-01 17:59:41
Well I got two tracks from this soundtrack and it sounds as usual like a shit &#128169;.


ThePhantasm 2018-03-01 19:22:14
Haters gonna hate. I think Lorne's gonna give us a good soundtrack


MrZimmerFan2018-03-01 21:33:33
Actually, the first track is quite forgetteable and the second one is the only quite like.



Olive2018-03-01 21:51:27
I will find it!


FaresTdkr2018-03-01 22:06:09
Why just why for god sake Jablonski can give a big addition for this movie just why. Balfe I ask you to give back my money that I spent on theses two tracks...Even Joseph Trapanese can do better on this. Sorry for balfe fans but I'm really disappointed since I love this movie so much.


ThePhantasm 2018-03-01 22:13:01
where are you guys even listening to the samples? lorne hasn't posted anything about it


Olive2018-03-01 23:48:20
Yeah, where?


Andreas2018-03-01 23:52:31
Itís on itunes up for pre order. Digital release is friday 16th


ThePhantasm 2018-03-01 23:53:59
must be in other countries, cause there's nothing here in the iTunes us store


Block-Busted2018-03-03 23:55:34
Where did you listen to the soundtrack?

Andreas reply Replies: 5 || 2018-03-01 08:46:40
Anything on the release of The Hurricane Heist? Movie looks stupid as hell but Lorne is scoring it...


George2018-03-01 12:53:01
I was wondering that too yesterday, the director posted a video of Lorne's music last summer on Instagram and the music sounded pretty good, so hopefully we get a release!


Iamtommie2018-03-01 13:10:00
Click on details!! All the way at the bottom stands a releasedate. That is on every official release on this page


Anonymous2018-03-01 15:55:37
Why don't they just reuse the score for Geostorm lol


Andreas2018-03-01 23:54:31
They will also release of score for Marcella by Lorne balfe next week.


fs2018-03-03 12:28:47
Compared to the first score it is just generic... like every weekend output from lorne. It always sounds like he has no joy in composing... just spitw out some tracks, which only are accepted because he uses hans powerfull sample library, and job done. I am sure is able to do a lot better

Ds reply Replies: 2 || 2018-03-02 06:54:39
The first track just blew me away, very cool and powerful. Between this and Tomb Raider I think March will be a very good month for us!


Fares Tdkr2018-03-02 14:07:18
The First track... Well maybe you mean the first 2 min which sound like jablonski(merlin's Staff from TF5) then start the noise in the second two mins.


Ds2018-03-02 14:29:17
I like the whole track, but what you call "the noise" is actually the part that impressed me the most!

MrZimmerFan reply Replies: 12 || 2018-02-21 16:59:06
Three tracks from Milan Music

https ://www.youtube.com /watch?v=wSz1qRRsnyA

https:/ /www.youtube.com/watch? v=AWdVYV8OQb4

https: / /www.youtube.com/watch?v=IuDqLefLsMk

Weird, really weird


...2018-02-21 17:13:20
that second one, it looks like that some idiot put one tracks two times there so it sounds pretty bad


mpolonest1232018-02-21 17:31:43
Why does Shao Industries sound like CLU from Tron Legacy?


...2018-02-21 17:47:42
This sounds fan made tbh...


MrZimmerFan2018-02-21 17:56:11
Is strange, is fricking strange.

Dosen't sound like a score for a giant monster-robot movie, at all.

Now, i would love hear Paseano or Djawadi


George2018-02-21 18:31:55
Hybrid, do you know if these are legit? Shao Industries sounds okay but the "main title" track sounds... well.. weird, almost like something is wrong with the upload


Georg2018-02-21 18:48:10
If they messed up the upload, then I don't think it would sound quite as strange... the first 20 seconds sound intriguing until the off beat drums come in and it sounds like crap from then on


Iamtommie2018-02-21 19:52:25
I'm sorry to say. But it sounds awful. If the whole score is going to sound like that I won't buy it


Ian2018-02-21 21:36:51
Tracks are gone, so yeah, I'd guess they made a mistake somehow


Max Potcats2018-02-22 10:57:56
Is it real tracks? Because the YT channel deleted the 3 videos... I guess it must be a fake.


MrZimmerFan2018-02-22 11:48:50
I don't think a discography like Milan post fake tracks.

There is must something wrong


Balfe2018-02-22 14:54:09
I would not be surprised if this was done by Balfe finally trying out his real compositional skills outside of him just acting as Hans' copy assistant. Everything that Balfe has done on his own to date is abysmal (okay The Lego Batman movie had some flair but that was probably done by the next generation of assistants).

Please go back to Ironclad and listen to Balfe before he was HBalfe, to hear his skills. Not very good, right? The man is an arranger not a composer.

This score will be utterly crap or it will sound like Tron and Transformers.

Shame as Del Toro and Steven Knight work with real composers like Max Richter who would have excelled here.


rockhound2018-03-01 17:41:11
2 tracks are already available on itunes. on march 9th, there will be also a score release of lornes music for the television series MARCELLA.

Olive reply Replies: 2 || 2018-02-25 21:40:38
Well, the fact that Djawadi was not mentioned in the credits confirms that Balfe had not used the theme written by him, right?


Brian2018-02-25 22:07:55
Olive - wrong.Balfe has said it is used in the film on Twitter.


Olive2018-02-25 22:24:06
Okay, I'll wait for the more detailed credits in the release.

MrZimmerFan reply Replies: 6 || 2018-02-25 17:37:44
Where you get the tracklist?

;)


Tom2018-02-25 18:05:25
Where did you get the tracklist ???????


...2018-02-25 18:19:18
where got you did tracklist have been?


ThePhantasm 2018-02-25 18:30:00
Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)


Edmund Meinerts2018-02-25 18:40:10
"Shatterdome Attacked", at least we'll get one 7-minute action cue...

Also. TRACKLIST YOU GET DID WHERE???


ThePhantasm 2018-02-25 19:36:20
yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon.


Edmund Meinerts2018-02-25 20:48:24
A lot of the time when a score's final action/battle sequence is split up among several tracks I edit them together into one track myself in Audacity. The most recent example was Black Panther with "The Great Mound Battle/Glory to Bast/The Jabari, Pt II". And my edit of the final battle music from King Arthur runs nearly 15 minutes. Maybe something similar will be possible for the last few tracks of this score.

Lynk reply Replies: 3 || 2018-02-09 11:35:31
I am getting a stronger Power Rangers/Transformers vibe from this cover art than what I recall from the first Pacific Rim movie.


Anonymous2018-02-09 13:10:16
because it's a transformers knockoff


MrZimmerFan2018-02-09 14:12:44
And what makes you think that?


Everan2018-02-09 17:30:43
The Jaegers clearly transform into giant planes and cars. Duh

JBSO99 reply Replies: 2 || 2018-02-09 11:20:41
Wasn't John Paesano going to do this? Why he ended up not doing it? I think Balfe is a good choice for this movie but I would have loved to hear Paesano's work on this.

Anyway, I hope Balfe keeps the main theme from the previous movie because it was amazing. I think is one of Djawadi's best themes (at least in movie scores)


Edmund Meinerts2018-02-09 12:27:10
One positive development of the switch from Paesano to Balfe is that I think it's much likelier we hear more of Djawadi's themes from the first Pacific Rim. A fellow RCP member would be more inclined to keep it in the family, so to speak.


MrZimmerFan2018-02-09 12:48:12
Paseano recorded the score last fall in Vienna, the producers dropped out.

As much like Balfe, i would like hear the Paesano's score.

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Pacific Rim Uprising soundtrack - Lorne Balfe 2018