Score Produced by Harry Gregson-Williams Orchestra Conducted by Harry Gregson-Williams & Gavin Greenaway Supervising Music Editor: Jack Dolman Music Editor: Tony Lewis Additional Temp Music Editor: Graham Sutton Score Recorded And Mixed by Simon Rhodes Score Recorded & Mixed at Abbey Road Studios, London
Score Recordist: Toby Hulbert Assistant Score Engineers: Stefano Civetta & Connor Hughes Additional Engineer: Slamm Andrews Score Technical Support: Jose Parody, Stephanie Economou & Juan Cortes Orchestrations by David Butterworth & David Krystal Music Preparation: Jill Streater for Global Music Services Music Contractor: Amy Stewart for Isobel Griffiths Ltd Concert Master: Perry Montague Mason Choir: Apollo Voices Choir Master: Chris Foster Music Production Supervisor: Monica Zierhut
Featured Musicians Solo Woodwinds: Charles Adelphi Guitar: Vivian Vilichkoff Cello Seloists: Caroline Dale & Tim Gill Bass: Allen Walley Ethnic Flute: Andy Findon Choir Lyrics Arranged by Zlatina Sandalska
Harry & Tom would like to thank: Nick Park, Carla Shelley, Sim Evan Jones, Tom Barnes, Kelly Lappin, Jessie, Josh, Jude, Gracie, Hadley, Sophie, Oliver, Jack, Ella, all the musicians & Abbey Road Studios
Release date : 01/26/2018
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Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !
Anonymous
2018-10-20 22:08:31
Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.
Rafael
2018-10-21 01:56:53
Year, but seriously, these genres are where Harry Gregson-Williams always succeeded (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.
Comparing this to classics like Chicken Run makes me sad. Will we ever get scores like that again?
Olive
2018-01-30 01:39:48
Chicken Run is more Power than Williams, you know...
Olive
2018-01-30 01:40:08
Powell*
Morgan Joylighter
2018-01-30 14:31:16
I know, the comparison is more that they are both claymation films by the same director. It's sad that they wanted interesting fresh music 20 years ago and now they just ask for generic crap with no creativity or passion.
Edmund Meinerts
2018-01-31 10:04:28
I've only heard a few bits of this score but it sounded nice enough, no masterpiece but no generic crap either.
Andreas
2018-01-31 11:58:02
I thought it was great. The main theme is great and played throughout the score. Looking forward seeing the movie. No generic crap indeed.
Morgan Joylighter
2018-01-31 16:32:36
You can reject the specific phrase "generic crap," it was just a quick way to describe how I felt after listening to the score. If some of you actually enjoy it than I don't want to insist its worse than you think it is. I just didn't have the same experience.
But I would be very surprised if any long-time MV/RC fan could listen to Chicken Run and Early Man back-to-back and not feel a sense of sadness for what we've lost in the last 20 years. There are emotions that are almost totally missing from modern scores. Emotions that are the whole reason I and others fell in love with the Zimmer style of film music in the first place.
Edmund Meinerts
2018-01-31 20:11:33
You could also listen to Early Man and The Replacement Killers back to back and reflect on how far Harry Gregson-Williams has come. I don't know. A whole lot of scores would suffer by being compared with Chicken Run, regardless of when they were composed.
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