Original Music by Hans Zimmer, Jacob Shea & David Fleming
Score Producers: Hans Zimmer & Russell Emanuel Score Supervisor: Monica Sonand Music Production Services: Steve Kofsky Orchestra: Synchron Stage Orchestra Vienna Score Recorded by Geoff Foster Orchestrator: Oscar Senen Conductor: Johannes Vogel Copyist: Vienna Music Angels Additional Music: Jasha Klebe Additional Arrangements: David Naroth Music Editors: Jake Schaefer & Paul Salerno Technical Score Engineers: Hannah Parrot & Chris La Rue Horton Score Mixer: John Chapman Assistant Score Mixer: Alfredo Pasquel Additional Instrument Design: David Naroth & Jake Schaefer
Los Angeles Overdubs Recorded by John Chapman Score Recorded at Synchron Scoring Stage & Remote Control Productions Tidal Orchestra Recorded & Sampled by Spitfire Audio & British Grove Studios, London
Soundtrack Mixed by John Chapman Soundtrack Produced by Monica Sonand Score & Soundtrack Mixed at Remote Control Productions, Santa Monica, CA
Executive Producers for Silva Screen Records Ltd. : Reynold D'Silva & David Stoner Album Mastering: Rick Clark Release Co-ordination: Pete Compton
Thanks Mark Brownlow, James Honeyborne, Graham Wild, Katie Hall, John Ruthven, Jonathan Smith, Kathryn Jeffs, Orla Doherty, Miles Barton, Will Ridgeon, Catherine Grimes, Natasha Pullin, Mike Gunton, George, Chris, John, Lara, Charlene,
Claudio Olachea, Stephanie Hall, Chuck Choi, Ryan Ouchida, Shalini Singh, Megan Lynch, Gillian Taugher, Sarah Emanuel, Lindsay, Eli & Isaac Shea, Mac & Maxine Shea, Dale & Judy Cooper, Russ, Kathy, Natalie & Maggie Fleming, Joyce Bregman & Ruby Sonand, Dominic Walker, Nicholas Baxter, Suzi Scott, Monica Hayes & Hayley Moore
Release date : 10/29/2017
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Has the Radiohead-Song "Bloom" with Hans Zimmer been released somewhere in the meanwhile? I just can find the trailer version with background noise and voices
Mephariel
2018-06-07 23:15:49
I gave up waiting for it. I think it is never going to be released.
Just finished listening to the whole score. It is mostly fantastic. Epic, powerful, and dynamic.
The main theme not as addicting and powerful as Planet Earth II, but better written, a bit more sophisticated, and just feels right for the subject matter.
Besides that, some of the best cues are the ones with vocals like "Surfing Dolphins," "A Forest Awakens," and "Ducks And Currents."
If you are looking for the more of a Zimmeresque cue, check out "Walrus: The Right Piece of Ice," which reminds me of many Zimmer solemn ending pieces like "Home" from The Lone Ranger.
Just as I suspect, the best Zimmer score this year.
Kekec
2017-10-30 15:29:57
How much of it is actually Zinmmer's work? Just the main or end title, or did he compose more tracks this time?
...
2017-10-30 16:44:46
He did more this time!
Sektor
2018-04-04 02:19:23
Any idea what the deep didgeridoo-like instrument is in A Forest Awakens?
Just finished watching the serie today and I'm really sad since there is alot of great material not released in the soundtrack I wish one day the complete soundtrack released for this " the greatest documentary ever" for me.
badbu
2018-02-20 11:15:57
it's always the same with hans ;-)
Oscarilbo
2018-02-20 17:48:29
I bought a 2CD version. It's, to my experience, very complete.
rockhound
2018-02-20 18:02:34
Planet Earth II has a 2CD release, but Blue Planet II?
Balfe
2018-02-23 14:58:22
Some good music here but would be so much better if Zimmer hadn't had to homogenize it all again. He is a shameful corporation.
Beautiful score, perfectly fitting. Reminds me a little of 'The Land Before Time' feeling. Really like the theme, subtle but lovely. I also like how there is less tracks and the tracks are longer than PEII with a bit more weight. Too many short cues in the PEII soundtrack to really get into as a whole.
Anonymous
2017-11-10 20:05:52
the shorter presentation here was better, surprisingly
Max Potcats
2017-11-10 21:59:26
Any news for an official release of the 'Ocean Bloom' song?
This score, I have to say, moves me more than Planet Earth II did. Planet Earth II really pushed the "let's have an epic theme," which was fine, but said epic theme was kind of...generic. This theme sounds like more thought was put into it, and it sounds like Zimmer had a bit more of an imprint on this score, too. It's nice to hear some unabashedly melodic stuff from him in an era where experimenting with soundscapes seems to have become his thing.*
*yes, I'm waiting for disagreement on that last sentence... ;)
NM
2017-10-30 22:11:32
Surfing Dolphins = Celebrate The Oscars v3? lol
This is a really fun, big thoughtful score and the orchestrations are beautiful.
George
2017-10-30 22:58:52
I'm just curious to know just how involved he was this time. He was pretty busy this year so its hard for me to imagine that he had a lot of time to have serious involvement. Although I hope I'm wrong haha, it'd be a nice to get a melodic movie score from him again. This is great!
Mephariel
2017-10-31 00:36:15
It is also worth noting that Jasha Klebe wrote additional music for this score.
I think Zimmer did more this time than last time. Last time, it specifically stated that he only did the main theme. But with that said, I have a feeling most of it was him guiding rather than actually writing much.
Mike (OTM)
2017-10-31 00:38:25
George, well, he no doubt did "The Blue Planet." (Watch me be wrong...)
He also, at least, co-wrote a track with Radiohead. But notice that, unlike Planet Earth II, it says, "Score by Hans Zimmer, Jacob Shea, and David Fleming." Planet Earth II had "theme by Hans Zimmer" as a separate heading.
Mephariel
2017-10-31 03:55:51
Zimmer definitely wrote "The Blue Planet." In BBC's behind the scenes video, only Zimmer's name was on the cuesheet.
PG
2017-10-31 07:27:33
Agreed that this is a lovely score. However, some parts of it sound very Edward Scissorhands to me. The Family Theme in particular.
Marts
2017-11-01 04:56:34
Yeah, love hearing some orchestral melodic stuff again - still pretty minimal but I like that. I think the PEII theme fit that perfectly, and this theme does too. Puts you right into the big blue.
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