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I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
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Hans ZimmerJacob SheaDavid FlemingJasha Klebe
ComposerComposerComposerAdditional Music
Blue Planet II (TV Series Documentary)
Label: Silva Screen
Length: 71'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (124 votes)
  1. The Blue Planet (3:17)
  2. Family Theme (2:38)
  3. Surfing Dolphins (2:22)
  4. Abyssal Plain (3:08)
  5. Mobula Rays (2:44)
  6. Race To Feed (5:11)
  7. Albatross Flight (5:39)
  8. Big Blue (4:25)
  9. Turtle Spa (2:28)
  10. Ducks And Currents (2:21)
  11. Humboldt Squid (3:36)
  12. A Forest Awakens (3:26)
  13. Scavengers Of The Deep (2:27)
  14. Kobudai Transformation (5:40)
  15. Clownfish (3:53)
  16. Baby Turtle (3:44)
  17. Weedy Sea Dragon (3:49)
  18. Portuguese Man Of War (4:55)
  19. Walrus : The Right Piece Of Ice (5:45)
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Patrick reply Replies: 0 || 2017-11-12 16:19:05
Beautiful explanation of the development of Ocean Bloom Song: https://www.youtube.com/watch?v=cIsewG2g-1g

Marts reply Replies: 2 || 2017-11-01 06:27:26
Beautiful score, perfectly fitting. Reminds me a little of 'The Land Before Time' feeling. Really like the theme, subtle but lovely. I also like how there is less tracks and the tracks are longer than PEII with a bit more weight. Too many short cues in the PEII soundtrack to really get into as a whole.


Anonymous2017-11-10 20:05:52
the shorter presentation here was better, surprisingly


Max Potcats2017-11-10 21:59:26
Any news for an official release of the 'Ocean Bloom' song?

Mike (OTM) reply Replies: 7 || 2017-10-30 21:44:15
This score, I have to say, moves me more than Planet Earth II did. Planet Earth II really pushed the "let's have an epic theme," which was fine, but said epic theme was kind of...generic. This theme sounds like more thought was put into it, and it sounds like Zimmer had a bit more of an imprint on this score, too. It's nice to hear some unabashedly melodic stuff from him in an era where experimenting with soundscapes seems to have become his thing.*

*yes, I'm waiting for disagreement on that last sentence... ;)


NM2017-10-30 22:11:32
Surfing Dolphins = Celebrate The Oscars v3? lol

This is a really fun, big thoughtful score and the orchestrations are beautiful.


George 2017-10-30 22:58:52
I'm just curious to know just how involved he was this time. He was pretty busy this year so its hard for me to imagine that he had a lot of time to have serious involvement. Although I hope I'm wrong haha, it'd be a nice to get a melodic movie score from him again. This is great!


Mephariel2017-10-31 00:36:15
It is also worth noting that Jasha Klebe wrote additional music for this score.

I think Zimmer did more this time than last time. Last time, it specifically stated that he only did the main theme. But with that said, I have a feeling most of it was him guiding rather than actually writing much.


Mike (OTM)2017-10-31 00:38:25
George, well, he no doubt did "The Blue Planet." (Watch me be wrong...)

He also, at least, co-wrote a track with Radiohead. But notice that, unlike Planet Earth II, it says, "Score by Hans Zimmer, Jacob Shea, and David Fleming." Planet Earth II had "theme by Hans Zimmer" as a separate heading.


Mephariel2017-10-31 03:55:51
Zimmer definitely wrote "The Blue Planet." In BBC's behind the scenes video, only Zimmer's name was on the cuesheet.


PG2017-10-31 07:27:33
Agreed that this is a lovely score. However, some parts of it sound very Edward Scissorhands to me. The Family Theme in particular.


Marts2017-11-01 04:56:34
Yeah, love hearing some orchestral melodic stuff again - still pretty minimal but I like that. I think the PEII theme fit that perfectly, and this theme does too. Puts you right into the big blue.

Gilvane Cezar reply Replies: 0 || 2017-10-31 02:23:28
Beautiful score but... any idea when (ocean) Bloom will be released?

Mephariel reply Replies: 2 || 2017-10-30 08:33:56
Just finished listening to the whole score. It is mostly fantastic. Epic, powerful, and dynamic.

The main theme not as addicting and powerful as Planet Earth II, but better written, a bit more sophisticated, and just feels right for the subject matter.

Besides that, some of the best cues are the ones with vocals like "Surfing Dolphins," "A Forest Awakens," and "Ducks And Currents."

If you are looking for the more of a Zimmeresque cue, check out "Walrus: The Right Piece of Ice," which reminds me of many Zimmer solemn ending pieces like "Home" from The Lone Ranger.

Just as I suspect, the best Zimmer score this year.


Kekec2017-10-30 15:29:57
How much of it is actually Zinmmer's work? Just the main or end title, or did he compose more tracks this time?


...2017-10-30 16:44:46
He did more this time!

David reply Replies: 0 || 2017-10-30 02:51:09
It's fantastic!

... reply Replies: 3 || 2017-10-29 09:22:45
It's strange that this isn't on iTunes and Spotify yet, it's supposed to come out today.


Phil2017-10-29 13:33:37
Yep, IĎm also waiting....


...2017-10-29 14:09:48
Apparently it's available on Spotify UK but nowhere else


Silent2017-10-30 01:38:35
It's available on iTunes France, now.

Mephariel reply Replies: 0 || 2017-10-28 20:38:52
90% sure this will be my favorite score with Zimmer's name attached to it this year.

... reply Replies: 0 || 2017-10-28 11:18:08
Really looking forward to this! I saw a shared Facebook video from the recording in London and it sounded really nice!

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Blue Planet II (TV Series Documentary) soundtrack - Hans Zimmer - Jacob Shea - David Fleming 2017