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The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!
thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that time
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.
@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
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Hans ZimmerKlaus BadeltPatrick CassidyJim Dooley
ComposerAdditional MusicAdditional MusicAdditional Music
Hannibal
Label: Decca Records
Length: 54'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7703 votes)
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  1. Dear Clarice (6:02) +
    Hans Zimmer
  2. Aria Da Capo (1:48)
    J.S. Bach, performed by Glenn Gould
  3. The Capponi Library (1:14)
    Hans Zimmer
  4. Gourmet Valse Tartare (6:50)
    Klaus Badelt
  5. Avarice (3:54)
    Hans Zimmer
  6. For A Small Stipend (0:55)
    Hans Zimmer
  7. Firenze Di Notte (3:09)
    Martin Tillman, Mel Wesson
  8. Virtue (4:37)
    Hans Zimmer
  9. Let My Home Be My Gallows (10:00) +
    Hans Zimmer
  10. The Burning Heart (4:24) +
    Hans Zimmer
  11. To Every Captive Soul (6:55)
    Hans Zimmer
  12. Vide Cor Meum (4:20) +
    Patrick Cassidy
+Dialogue by Anthony Hopkins
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matthew reply Replies: 0 || 2014-12-10 22:40:24
I yust realized that alan silvestri or zemeckis used the end of let my home be my gallows in beowulf. anybody knows what the fuck happened? because if you watch the end credits, there's absolutely nothing there about this. no special thanks to HZ. no let my home be my gallows is from hannibal. nothing...
also beowulf is WB and paramount, hannibal is universal...

Eddard Stark reply Replies: 0 || 2014-10-27 20:06:22
If you listen carefully Firenze di notte, it is similar to Why so serious

Jeanbayljean reply Replies: 1 || 2014-10-10 19:43:14
Oh God, oh Hans, please, give us the reccording sessions ! Without Hopkins voice I beg you !
This score is one of the best of Hans by far, yet so underrated !


trent easton navarro2014-10-11 20:04:45
I hope La La Land or Intrada will release an expanded version of this one. And indeed without the voice-over. While I think it works somewhat on Dear Clarice it's annoying as hell on Let My Home Be My Gallows

Bioscope reply Replies: 1 || 2014-05-19 18:39:25
please add Clay Duncan's Gun Play to the audio if you guys have it!!

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Please enter number: 160 


Zack2014-09-30 10:37:59
Does anyone think we'll ever get a re-release without the god damned voice overs? It's a great score, and it does add some mood to it, but ugh, I wish it never happened.

scratch reply Replies: 5 || 2014-05-01 19:44:42
Does anyone know whether the instrumental for "Dear Clarice" exists without Anthony's dialogue dubbed over it? Would love to track that down... may well just recreate it otherwise!


Nyct2014-05-01 23:21:16
On the complete score perhaps, but that remains to be see.


Marc2014-05-02 12:51:30
What's the source of track ''Lecter Snatched'' ?


Bondo2014-05-02 13:24:19
It's by Steve Jablonsky, available on one of his old promos... and also my favorite track in the entire film! Has a definite "The Fan" vibe to it


Hybrid Soldier2014-05-02 13:33:48
Yes it's a BIG Fan ripoff actually... lol


scratch2014-05-02 17:28:36
I take it there is no release of the complete score anywhere? Incidentally, did any of you see Anthony's Waltz being premiered in 2011? Lovely piece...

dark prince reply Replies: 0 || 2014-02-01 01:47:05
A great score, a different horror style, than hides the evil behind beutiful and elegant melodies, that way is more sinister without stop to be wonderful. The best way to define Dr. Hannibal Lecter. Hans Zimmer and their pleople did it, a score may make you feel terrified and marveled in same time

Lasse reply Replies: 0 || 2010-04-11 00:00:00
1: Aria da Capo
2: Capponi Libary
3: Virtue
4: Come after you
5: Adjust to the Darkness/ Mason Verger meeting
6: An der Schonen
7: Eating the Nurse
8: Scen of Lecter
9: Investegation
10: Firenze di Notte
11: The Burning Heart
12: Let my home be my gallows
13: Lecter Hunt
14: The Abducting
15: Bring him home
16: Gourment Valse Tartare
17: Afthermath
18: Seat of Good Manners
19: to every Captive sould
20: Vide Cor Meum
21: Bang

i Also got a cue called "Rinaldo Pazzi", its the same as "Investegation" only shorter. And one called "Inferno" wich is the same as eating the nurse only longer.

8 reply Replies: 0 || 2013-04-07 06:14:05
Hey Hybrid, any news on a legit expanded/complete on Hannibal?

Takehiro reply Replies: 2 || 2011-08-01 06:41:12
Is there any kind of film order to this? I am sucker for having scores in film order lol


Lasse2011-08-01 23:21:47
no, it a little bit difficult to say since they use the same track several times


Takehiro2011-08-02 01:14:24
Ridley Scott re-editing the music again, eh? :)

Uga reply Replies: 9 || 2011-05-31 11:09:33
I'd love to see a complete score for this. Pazzi theme is lovely.
Everyone seems hopeful for another recording sessions leak of some other film. I of course just want to see Hannibal and Inception, but alas I'm just another beggar alone in his quest for these holy grails.


Takehiro2011-07-27 03:35:09
You're not alone bud, I want this too :)

From all the "expandeds" out there, which is best in terms of content?


uga2011-07-27 06:40:21
I would use the ost and the bonus tracks from magic music box and klaus badelt (in terms of sfx free).


Kusi2011-07-27 11:26:53
Magic Box Music did compose music for Hannibal? I don't see any tracks from them on their site..


Dawn2011-07-27 11:30:39
I don't think magicbox music ever composed cues for Hannibal...

Klaus Badelt cues are all heard in the official soundtrack CD (fully developped).

But Geoff Zanelli's website contains at least 2 or 3 unreleased cues, and there's a Steve Jablonsky promo with one unreleased cue.


Anonymous2011-07-27 22:19:50
Whats the name of the SJ promo??


uga2011-07-27 22:30:58
I'm sorry, I didn't mean magic music box, I meant geoff zanelli's website. my mistake


Dakota2011-07-27 22:33:26
I don't think it's a Jablonsky promo. If it is what I'm thinking of, then it's the 2-disc expanded score. It's a 9 minute piece called "Adagio"


Dawn2011-07-28 10:26:59
There are no "2CD expanded promo" for Hannibal. I mean, of course, there are a lot of fanmade "promos" around, but they are... fanmade.

I know both movie and score by heart, and I can confirm that all those "expanded editions" are fake. They combine music from the OST with another source that has nothing to do with Hannibal. Many years ago, some guys claimed to have an expanded score with some "Steve Jablonsky's rejected/alternate music" but the cues had nothing to do with the movie, and furthermore, they even had nothing to do with Jablonsky...

Dakota, getting unreleased music is always fun, but I think you should at least verify the new music is actually in the movie (or composed for it)... I don't see the point in collecting extended scores if you don't even know what's on them. Hannibal is all about those impatient guys that are ready to put pointless things on a CD in order to claim "I have more music". Adagio has nothing to do with the film score, nothing to do with SJ, nothing to do with any part of Zimmer's working process. It's like adding some Winnie the Pooh music in the middle of Steamboy and claiming it's expanded ! The SJ cue I was refering to, originally, is named "Lecter Kidnapped".

Trust me, film music promos from Geoff Zanelli, Steve Jablonsky and Klaus Badelt are the only sources that contain REAL HANNIBAL UNRELEASED MUSIC. Although all the music from Badelt is already featured on the OST.

Anonymous, minimum service would be at least to pick a name before asking questions here. About the promo, it was called SJ Film Music...


Dakota2011-07-29 03:21:13
Dawn, I never said I even have that. I've never seen Hannibal, I don't have the soundtrack, and therefore I have no idea what music is on it, or what it even sounds like. This cue you mentioned I thought might have possibly been that 9 minute track. I was just trying to help. Scores I do collect I have usually seen the film to, therefore knowing what music belongs on it or not.

Lukas reply Replies: 0 || 2011-03-08 00:00:00
Hey Hybrid Soldier Help me !


Why is not with Klaus on the cover of Hannibal on it?

Can you tell me other music where he is?

Lasse reply Replies: 0 || 2010-04-12 00:00:00
no im not. i dont know what it is xD

Anonymous reply Replies: 0 || 2010-04-12 00:00:00
@ Lasse
Are you on SoulSeek?

Lasse reply Replies: 0 || 2010-04-12 00:00:00
no. except from Let my home be my gallows and the burning heart

Anonymous reply Replies: 0 || 2010-04-12 00:00:00
are there any sound effects or anthony hopkins dialogue?

Mr Tweedy reply Replies: 0 || 2010-04-11 00:00:00
@Lasse
Do you have a complete tracklist, dude ?

Lasse reply Replies: 0 || 2010-04-09 00:00:00
well i dont have much information about it. but i got it from a friend.

and then i contacted Clay Duncan on myspace to hear what the soundtrack Gun PLay was, and he said it was the song wich was playing in the cars under the fish marked scene

Dawn reply Replies: 0 || 2010-04-09 00:00:00
Hi Lasse,
Do you have more informations about this bootleg (link) ?

It could be interesting... ---*could* because "Bring Him Home", "Eating the Nurse" or "The Abducting" were already released on various composers promos (Geoff Zanelli, Steve Jablonsky...)---

Lasse reply Replies: 0 || 2010-04-09 00:00:00
there is a new Hannibal bootleg soundtrack whit soundtracks like :

-Lecter hunt
-Bring him home
-Investegation
-Eating the Nurse
-An Der Schonen
-The Abducting
-Come After You
-Aftermath
-Adjust To The Darkenss

gok fei reply Replies: 0 || 2008-02-16 00:00:00
I agree with llwyt. That is a beautiful piece in such a disturbing film. I'm trying to find out if there is an opera being made avail.

llwyt reply Replies: 0 || 2008-02-08 00:00:00
"vide cor meum" is divine. Is the full opera available, being written or never going the see the light of the day?

arash aus iran reply Replies: 0 || 2007-03-30 00:00:00
hans zimmer is the greatest composer of all times
thanks hans
dank schon

Suicune reply Replies: 0 || 2007-03-20 00:00:00
A soundtrack that would have deserved a better movie.

Hybrid Soldier reply Replies: 0 || 2007-03-06 00:00:00
More informations :

1. Dear Clarice (Feat. Anthony Hopkins) (6:02)
2. Aria Da Capo - Written by Johann Sebastian Bach, performed by Glenn Gould (1:48)
3. The Capponi Library (1:14)
4. Gourmet Valse Tartare - Composed by Klaus Badelt (6:50)
5. Avarice (3:54)
6. For A Small Stipend (0:55)
7. Firenze Di Notte - Composed by Martin Tillman and Mel Wesson (3:09)
8. Virtue (4:37)
9. Let My Home Be My Gallows (Feat. Anthony Hopkins) (10:00)
10. The Burning Heart (Feat. Anthony Hopkins) (4:24)
11. The Every Captive Soul (6:53)
12. Vide Cor Meum (Feat. Anthony Hopkins) - Composed by Patrick Cassidy, Libretto from Dante's "La Vita Nuova" (4:20)

arash reply Replies: 0 || 2007-03-04 00:00:00
the greatest composer of the world for all times
induspatbaly is herr hans zimmer

08-12-06 reply Replies: 0 || 2006-12-08 00:00:00
Vide cor meum from Patrick Cassidy is a wonderfoul peace of music. THe line to Dante are great. Thanks Cassidy, thanks Hans.

Anonymous reply Replies: 0 || 2006-08-20 00:00:00
very very fantastic music .

Mikel Carmona S.i.W reply Replies: 0 || 2006-08-08 00:00:00
A fantastic music. I love this score more than the movie. But, the voice of Anthony Hopkins insert in the music i dont like, I preffer only the score, without voices. I´m waiting for a bootleg with the score isolated. an embreance!!!! Mikel ( Spain)

Hormone reply Replies: 0 || 2006-07-11 00:00:00
Vide Cor Meum is genius. Hans Zimmer is my one true love. Makes me spaf a little.

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