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Okay, I want this. Where, how much? lol<br><br>And I'm willing to bet that even those Jablonsky fans who didn't like the score wanna hear the complete album.@Ahmad i think end credits :PDo you know the chronological order for this one Hybrid? I had quick glance at the complete here and the OST album seems massively out of order16 hours of music?<br>Can we hear those 16 hours of music one day?I saw the film today. It's amazing and wonderful. The feeling and emotions of the 1994 film keep untouchables. The score is simply breathtaking. The songs are incredible. The stampede scene is so intense just like the 1994. Hans has made an intense, epic and beautiful score.
Additional arrangements instead of additional music? Even part of the score not on album?Because if the film is an american production, it has no choice but be recorded in the US... That's the rule...<br><br>When the film is a UK co-production, and/or partly shot in the UK etc... (like, for instance, every Nolan film, or King Arthur), it can be recorded in the UK... That's why it's way easier to get an expanded set of The Dark Knight or Interstellar than... the POTC saga...<br><br>I remember the AFM (American Federation of Musicians) wasn't pleased when Interstellar got recorded at Air Studios in London, claiming it had to be US Recorded... But Nolan's a brit, Syncopy is a British operation based in London...> You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>> If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>Wow, I didn't know that. So, why not record every movie in the UK/Europe then? Not sure how long it will take but I think this re-use fee will drop once they record every score outside the US.<br>However, how much money did the movie make in the Boxoffice and Home Entertainment? I'm sure that money can't be an issue here.<br><br>How cool would it be to officially buy the sessions in a collectors box (in general for all movies), signed by the composer and director and maybe cast members... I'm sure that could be sold for $200+. The studios are wasting an opportunity here... Sure, you can copy music but you can't copy the signatures.That's exactley what I thought.<br><br>There was one other thing I thought was great.<br><br>I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.<br>They said, the thematic content, the bombast of it, it is just pure Zimmer.<br><br>Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!
No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...This is great news.Maybe Balfe’s scores to Ghost in the Shell now can get released.<br>Over 6000 people have signed the petition for Ghost.yea, that should be enough for meIt's comforting to get a reconfirmation that it's coming. <br>Now we'll just have to cross our fingers that the process doesn't take months like that one other release ;) <br><br>Which one will be out first: End Credits or X-Periments? :Pyes!yes!yes!<br>i can't wait!!!!!!!
And I can tell you Hans brought the matter to the very head of Disney Music... Everyone seems game to release it, just need to work out some technicalities...He mentions the Dark Phoenix second CD here. 20:33 onwards.<br><br>https: //www.youtube.com/watch? v=mHmKZbUZiIA<br><br>"I did a film recently that got away, but we wrote 16 hours of music. We're actually fighting to get another CD released because the film didn't do anything, just to have it out there. Because you can't use again in something else, so it'd be nice to have it out there. So that it doesn't disappear into a rubbish bin".Life's Not Fair first part is similar > Tears of the Sun - Yekeleni Part 1 lolAny idea on the name of the song from the trailer?Honestly the biggest problem with this new version for me is the lack of new variants of the themes. They mostly just repeat verbatim Hans' original ideas with little to no innovation or changes made most of the time. <br><br>It also doesn't help that cues that did have wonderful variations such as "Nala Attacks", and "Nala & Simba" have been shortened to mostly cut them out. The worst cut being  for the ending to "Mufasa's Ghost" which originally peaked the emotion with that lovely variation of Simba/The One True King theme transitioning into the Pride Rock theme, all of which is absent now.
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Hans ZimmerJay Rifkin
ComposerMusic Engineer
Driving Miss Daisy
Label: Varese Sarabande
Length: 35'31 (Score: 23'12)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5947 votes)
  1. Kiss Of Fire - Louis Armstrong (3:04)
  2. Santa Baby - Eartha Kitt (3:23)
  3. Driving (6:50)
  4. Home (3:23)
  5. Georgia (7:55)
  6. End Titles (4:51)
  7. Song To The Moon - Antonin Dvorak (6:05)
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MacArthur reply Replies: 4 || 2013-09-17 01:53:01
Just Bought this score. Love it!


Mike2013-09-17 01:54:28
I really like the concert version of it in "Wings of a Film".


MacArthur2013-09-17 01:55:18
Yeah! is it better than this one


MacArthur2013-09-17 01:56:19
Although I like the Rain Man version in the film soundtrack better than the on wings of a film one


Mike2013-09-17 01:56:59
I don't know. They're all good. You'd have to hear it for yourself. I do like the 70s/80s rock style electric guitar in the concert version though. Plus the concert version uses real instruments. The score here is just Zimmer working with his synthesizer.

Mike reply Replies: 1 || 2013-06-03 02:22:57
So interesting to hear how Zimmer evolved. His late 80s/early 90s scores were really heavy on the synthesizer, then his mid-90s and early 2000s scores had a lot of big and grand stuff, and then now he's moved away from that into a more "intellectual" style of writing, if you wanna call it that.


Anonymous2013-06-03 02:24:34
Yeah and this was back before he had billions of additional arrangers...

Anonymous reply Replies: 0 || 2009-02-26 00:00:00
is the best song!!!!

misterblue (Paris, France) reply Replies: 0 || 2008-07-03 00:00:00
A jazzy , moving soundtrack. Strangely, the limitations of a fully "sampled" orchestration doesn't spoil the "old times "feeling . Superb soundtrack. I still listen to this one very often.

batman5 reply Replies: 0 || 2007-04-23 00:00:00
clearly shows zimmers ability to compose music. alot of people say he writes only evil. here is proof that zimmer is capable of writing for any mood and tone of music

Hybrid Soldier reply Replies: 0 || 2007-03-06 00:00:00
More informations :

1. Kiss Of Fire - Performed by Louis Armstrong (3:04)
2. Santa Baby - Performed by Eartha Kitt (3:23)
3. Driving (6:50)
4. Home (3:23)
5. Georgia (7:55)
6. End Titles (4:51)
7. Song To The Moon - Excerpt from opera "Rusalka" by Antonin Dvorak, performed by Gabriela Benackova and Vaclav Neumann (6:05)

Suicune reply Replies: 0 || 2007-02-24 00:00:00
Truly, one of the best early Zimmer soundtracks. The music is very lively and it really moves you. Altough it does not contain many score tracks, it is still very enjoyable. With this soundtrack, Zimmer cemented his position as one of the most promising movie score composers at ter late of the 80's and the beginning of the 90's. The End Titles is the best both score and CD track. I recommend this to every Zimmer fan and soundtrack fan alike.

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Driving Miss Daisy soundtrack - Hans Zimmer 1989