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I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
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Hans ZimmerBenjamin WallfischSteven KofskyAlan Meyerson
ComposerComposerMusic Production ServicesMusic Scoring Mixer
Blade Runner 2049
Label: Epic Records
Length: 93'22 (Score: 75'21)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (656 votes)
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  1. 2049 (3:37)
  2. Sapperís Tree (1:36)
  3. Flight To LAPD (1:47)
  4. Summer Wind - Frank Sinatra (2:54)
  5. Rain (2:26)
  6. Wallace (5:23)
  7. Memory (2:32)
  8. Mesa (3:10)
  9. Orphanage (1:13)
  10. Furnace (3:41)
  11. Someone Lived This (3:13)
  12. Joi (3:51)
  13. Pilot (2:17)
  14. Suspicious Minds - Elvis Presley (4:22)
  15. Can't Help Falling In Love - Elvis Presley (3:02)
  16. One For My Baby (And One More For The Road) - Frank Sinatra (4:24)
  17. Hijack (5:32)
  18. That's Why We Believe (3:36)
  19. Her Eyes Were Green (6:17)
  20. Sea Wall (9:52)
  21. All The Best Memories Are Hers (3:22)
  22. Tears In The Rain (2:10)
  23. Blade Runner (10:05)
  24. Almost Human - Lauren Daigle (3:22)
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Anonymous reply Replies: 14 || 2017-09-18 22:13:17
Apparently Hans should be stopped from scoring too many movies and he should let others have it. Let us unite and say #StopHansZimmer

https: //www.theguardian.com/film/filmblog/2017/sep/18/hans-zimmer- blade-runner-2049-film-composer


Hybrid Soldier2017-09-18 22:42:57
"Let us unite"


lol


Good luck fighting Hollywood ! You'll tell me about it ! lol


Frank2017-09-19 08:30:50
I'll quote Daniel Pemberton's Tweet here "It's like some one has taken the Film Score Monthly message board and printed it in a national newspaper.."


Waymann2017-09-19 08:35:25
StopHansZimmer ?? That does also mean stop Lorne Balfe, Benjamin Wallfisch, Steve Jablonksy, Geoff Zanelli, Henry Jackman, Dominic Lewis, etc... They are Hans Zimmer now.



Waymann2017-09-19 10:02:00
Also, even before the score is released for Blade Runner 2049 they all say it's going to be bad because Zimmer is scoring it instead of a composer who, let's be honest never proved he could do a movie with this kind of scale. Let's wait for the score the released maybe it's going to be great.


Edmund Meinerts2017-09-19 13:03:01
This is a pretty dumb article. Zimmer isn't who needs to be stopped, it's the Hollywood execs who ask composers to copy him rather than develop their own original voices. We've heard from Steamboy what someone like Jablonsky can do, but 90% of the time when he gets hired it's to be a cheaper version of Zimmer. That's what needs to be stopped, not Zimmer himself.


Peter2017-09-19 14:04:02
Hans delivers, and often goes beyond the directors imagination.
however, a bad movie can't have a very good score.
Give Hans something new, and he will deliver something new.
Successful people are often being ask to repeat their previous succes, limiting their creativity. #stopthestophanszimmerpeople


meta2017-09-19 14:10:05
His music is considered cost-effective and popular for the times...Honestly for Zimmer to go away the times would have to go away. Also factor in progress in technology which is slowly making regular instruments obsolete...


Edmund Meinerts2017-09-19 14:12:05
"a bad movie can't have a very good score."

Bullshit!


Max Potcats2017-09-19 18:59:16
Tron 2.


Macejko2017-09-19 21:08:53
TRON 2 isn't a bad movie by any means, but I digress. I whole-heartedly agree with Edmund here; I could name dozens of bad movies with wonderful scores, and I'd say that the vast majority of them comes related to RCP.


Max Potcats2017-09-19 22:12:29
oh yes! my bad... I understood the opposite of what Edmund was saying...
And, yes, Tron 2 is not such a bad movie (partially thanks to the score :P )


Hans2017-09-20 19:52:29
Daniel Pemberton seems like a twat.


Backbiter2017-09-20 23:36:03
King Arthur is the perfect example. A terrible script but a great score


SPECTER2017-09-22 04:25:12
I thoroughly enjoyed King Arthur. Good acting, Good Story, Incredible Score, perhaps underrated.

SPECTER reply Replies: 0 || 2017-09-20 01:50:36
Please make this a melodic memorable score. I understand due the context of the film their will most likely be sound design. All I want is one or two beautiful melodical electronic themes like the original Vangelis theme for BR. Hope to hear an epic emotional action sound similar to CHAPPiEs action themes. Please don't make another Dunkirk type score.

Hybrid Soldier reply Replies: 4 || 2017-09-14 00:14:29
The release isn't confirmed yet, but I take my chance !


Mephariel2017-09-14 05:15:33
Hybrid, is Zimmer/Wallfisch actually done with the score or are they still working on it?


Saurabh2017-09-14 05:56:16
Hopefully we'll get some details by next week or so. I'm more curious to see what Wallfisch has done here coz I haven't heard his purely electronic sensibilities (if any).


Hybrid Soldier2017-09-14 18:49:24
I can't say much because I don't know much... I think everyone involved has some crazy NDA so they can't talk about it.

But about what I know, the score has definitely been completed a while back. Hans & Ben started working on somewhere between april & june. Hans was on tour, but he spent his 15 days break in July 100% on it, and probably continued at the end of the tour in august. For the second LA HZ show, Denis Villeneuve was actually there.

So rescore ? Yes definitely... Last min rush job ? Nope.


David2017-09-15 01:44:34
Oh, sh!t! Well that's great to hear! I'm now even more excited for the score! I absolutely cannot wait!

Do you know if JJ is still in there at all??

Ian reply Replies: 3 || 2017-09-14 07:50:41
I *really* hope the inclusion of Wallfisch on this means it doesn't just go in the direction of BvS/Inferno/Dunkirk sound design.


Edmund Meinerts2017-09-14 13:13:08
I doubt it. Wallfisch is not a sound design guy, he's more classically inclined. In Dunkirk he was mostly in charge of the Elgar stuff, right?


James2017-09-14 13:53:29
Yes.


JBSO992017-09-14 14:19:49
But the thing that Wallfisch is in this it does not mean that it is goin to be different because he was also in Dunkirk and BvS. Okay, he was more in charge of more melodic parts but that does not mean that there won't be any sound design.

Anyway, I also prefer synths with amore emotional and melodical feel than the sound design, and in this movie fits better the mlodic parts, I think.

Mephariel reply Replies: 2 || 2017-09-14 05:03:19
There has to be release. Hans Zimmer and epic sci-fi but no release? I can't believe that.

The only thing I can think of is if there are some legal issues with Johannson.


KurosawaFan2017-09-14 05:41:42
so, is Johannson completely out of the picture?! I was SO looking forward to hearing what he'd come-up with...


JBSO992017-09-14 07:07:58
KurosawaFan Johannsson is definitely out of the project, but I'm not sure if Zimmer and Wallfisch will keep some of his score or his themes or if they are restoring completely.
I was also looking forward what he could bring to this movie, but Zimmer and Wallfisch are surely creating an amazing score.

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Blade Runner 2049 soundtrack - Hans Zimmer - Benjamin Wallfisch 2017