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While John Powell is usually far more melodic and classical than your usual RCP composer, I don't see the Williams similarity. His music doesn't really sounds like Williams' scores. But I think he is perfect for Star Wars. I am much more excited about this than Giacchino's Rogue One.Yeah, this is the best RCP action score of the year so far. Much better than Balfe's efforts and Junkie's.@superultramega It’s funny you should say that about Rogue One because, even though I do like the themes, I will agree that it definitely is weaker than any Star Wars score and seems to lack the life Giacchino normally puts into his music.<br><br>Even weirder, his music for Jupiter Ascending (another big space opera) is far more aggressive and developed, and probably one of his best. It makes me wonder if the Star Wars team wanted the safe route....Ok, not restraint on drums, but I still don't really see how exactly his music for animated films comes even close to being an RC product. When I think of RC I think of the music for the Pirates movies, the early Bay and Bruckheimer films, etc. The work on Shrek, Antz, Ice Age, and How to Train Your Dragon is much closer to a traditional Williams score than any RC product. <br><br>Plus he's working on Star Wars so he's obviously going to try his damnedest to stick to that kind of music, and to avoid the Zimmer style. I just don't understand why you think Powell, of all people is going to be the one to dilute the Star Wars sound. <br><br>Hell, I think Giacchino's score for Rogue One was pretty much nothing more than an unmemorable, and bland version of Star Wars with very little going on besides broken down notes of the Star Wars theme playing and generic Williams copy. Just like Jurassic World. I don't know how Giacchino makes Williams' style bland but he finds a way. At least with Powell we'll get more style and memorability on top of a Williams imitation.Restraint on drums? <br><br>Have you listened to Green Zone? The Bourne movies? Hancock?<br><br>Cmon...Yeah he's not Zimmer, but this isn't a Williams product we are talking about. It's an RC product. This is what I am talking about.
People like Harry Gregson, Jablonsky and Zanelli, despite their melodic tendinsies, would be people chosen for going the Zimmer route. I think Jablonsky's is the closest to Star Wars but even then there's a ton of power themes, and Zimmer hallmarks that keep him away from this sort of style. <br><br>Powell is the last person I would associate with Zimmer. His techniques are very much in vain with the Williams-like composers, like Alexandre Desplat and Michael Giacchino. The complex underscore, the rapid notes, the restraint on drums, instrument variety, the jazz techniques, etc. He's the perfect RCP composer for the job.Of all RCP members, I think he is the one closest to Williams and Star Wars sound, so I think this score will be pure orchestral fun, like most of his scores usually are.<br><br>I cannot wait to listen to it!Well, I guess that is a matter of tastes and opinion, because for me scores like The Incredibles or Up, for saying some examples, are classics inside the animation field.<br><br>But is fine. We have our own preferences and that's okay.Me too! Very fun and « guilty pleasure » score<br>After listening to this one and Todo Mal, I think Andrew is a really versatile composer, both scores are really entertaining and yet have nothing to do with each otherI like this score, altough i think it will fly (get it) under the radar..<br>Hope Andrew continues making scores like this
IMO, though Powell was Hans'protegee 20 years ago, he always had his very own style. And this style evolved so much through these decades you can't really connect any more his mannerisms to those of people at RCP!You can't call Powell "the Zimmer route". He's written some of the densest, flashiest orchestral film music of the last 10+ years!And how is that a bad thing? :-p<br>John Powell is an excellent choice to have both a big sounding and fun RCP score, and an orchestral one which would fit with the previously established style.Cant say Im 100% invested.....<br><br>This will be the first Star Wars score to go the Zimmer route...Well maybe you guys are right, to be honest i never cared much about this composer. All i know is that i almost never noticed any kind of theme when watching movies scored by him, while usually I'm the kind of audience who pays attention to the music. It can be that his way of writing or orchestrating or mixing doesnt match with my own taste, that's a possibility. Anyway I still maintain that none of his scores or themes has become a "classic", despite the ridiculous amount of major blockbusters he had the chance to score so far...
home is very very soothing. (i sound like i have said it before lol) 
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<br>it’s the one cue i can listen to a zillion times and never get tired of. i hope upcoming movies will give Hans or whoever in remote control an opportunity to do similar cues. elisabeth in inferno is the closest but is so short.
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<br>i have mellowed. i love these mellow cues.John Powell stated on his Instagram that the album will have 19 tracks, and be over an hour!Its not a film, its an album. This was still during the days of Hans' involvement with 'The Buggles'.I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.<br><br>Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.<br><br>So I don't think Giacchino is out of the use of themes.I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p
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Ramin DjawadiStephen ColemanWilliam MarriottJohn Witt Chapman
ComposerOrchestratorTechnical Score AdvisorAssistant Music Mixer
The Mountain Between Us
Label: Lakeshore Records
Length: 49'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (890 votes)
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  1. The Mountain Between Us (6:10)
  2. Don't Say Anything (2:18)
  3. I'm Sorry (1:39)
  4. Rule Of Three (3:27)
  5. Finding The Cabin (3:57)
  6. I'm Scared (1:14)
  7. They Can't Hear You (0:45)
  8. 1% Of Something (2:14)
  9. Trust Your Instinct (1:30)
  10. The Photograph (1:46)
  11. Flare Gun (2:04)
  12. Little Recorder (2:10)
  13. The Mountains (3:07)
  14. Separation (3:24)
  15. Not Today (2:15)
  16. I Feel Alive (2:39)
  17. Where Is The Dog? (1:28)
  18. Just Me And You (2:11)
  19. The Heart Is Just A Muscle (1:07)
  20. Meaning Of Life (3:46)
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JBSO99 reply Replies: 0 || 2017-10-07 20:19:51
I've just listened to the full album and I have to say, it's both very suprising and very good music. I really like what Ramin has created in this one, even if it's not his usual style, it's a wonderful and beautiful score. I'm loving the main theme!

Ds reply Replies: 0 || 2017-10-07 15:21:22
Very surprising score from Ramin, I'll say a rather pleasant surprise. First time I hear something like that from him!

Pk reply Replies: 0 || 2017-10-07 01:56:32
This is a beautiful score, one of the best works of ramin, this and got, ramin is on fire

Waymann reply Replies: 4 || 2017-10-06 08:57:56
Anyone else happing trouble downloading track 1,3,4 and 5 from the itunes store. It says not available...


Waymann2017-10-06 09:38:42
Also Djawadi suprises again with a sound we haven't heard from him. I see this score ending up high on my best of the year list. It's fantastic.


JBSO992017-10-06 12:18:19
Does anybody know if this is available on Spotify or something like that? I want to fully hear it first, and then I decide if I buy it or not. Thanks in advance!


Waymann2017-10-06 13:11:29
Maybe it will be on youtube in the next few days. But this score is definitely worth your money. This is theme based score with no atmospheric tracks.


JBSO992017-10-06 14:41:47
Wow, that's very good news. This looks like it's gonna be one of my favourites of the year. I cannot wait to hear it!

Waymann reply Replies: 3 || 2017-10-03 08:41:01
Digital release is this friday as expected... pre-order up on itunes, no samples.


JBSO992017-10-03 14:05:36
Well, no samples but there is the suite to give you an idea of how it will sound like.
Even if this Friday is thr release of Blade Runner 2049 and that will grab the majority of attention (probably including mine), I'm really looking forward to hear this score to discover how Djawadi complexes music outside the Game of Thrones/Warcraft/Pacific Rim style and so, that are the one I know of him (and also The Great Wall and Westworld).


Waymann2017-10-03 15:17:24
Saw a feature this morning about the score on this film. https://www.youtube.com/watch?v=pQxcIcah2pQ Sounds great.


JBSO992017-10-03 17:30:04
Yeah, I watched it too. It looks like it's going to be something new in Djawadi's scores. I hope the rest of the score is as good as the suite.

Frank reply Replies: 1 || 2017-08-30 05:05:14
So here's a suite for this film. Sounds really good! soundcloud.com/ lakeshore-records/mountain-between-us-suite-mountain-between -us-soundtrack/s-4dxhj


Waymann2017-08-30 08:40:55
Thanks for posting this! This sounds indeed amazing, very different in style from typical Djawadi scores.

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The Mountain Between Us soundtrack - Ramin Djawadi 2017