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Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from WallfischOne-worded track titles! Reminds me of early days of Media Ventures!<br><br>They sure tried real hard to keep spoilers out of these, didn't they? I suppose I'd take this approach over Latin or irrelevant names, though a little bit of pun and flavor wouldn't have hurt.
So you can't wait to hear the score but you already say it's a great score ?<br><br><br>#inceptionAnother great score from Benjamin Wallfisch can't wait to hear the score & see the movie <br><br>Music By Benjamin Wallfisch<br>Additional Music By John Paesano & Adam Hochstatter<br>Orchestra Conducted By Tim Williams<br>Orchestrations By Peter Bateman & David J. KrystalWhy is people saying that Balfe kept some original music from Kraemer? I have listened to the whole score and I didn't found any quotes. Maybe in The Syndicate there is some kind of reference to Kraemer's theme but I don't really know.<br><br>And I have to say that I was expecting Balfe to shine on this one, but I ended up disappointed. There are some great action cues, and I like some things he does with the main theme like the use of choir, but the score as a whole feels like a reuse of many things I have already heard and ends up feeling repetitive and a bit boring. <br>And note that this is my opinion so don't jump into my neck saying this is the best score in the saga, because I think Rogue Nation is a really big step above this. I hope that at least it works in the context of the movie, which I suppose it does really well...Re-listening the score again...….Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...…..I was wondering that is there a Hans Zimmer library you need to license from Remote Control.<br><br>I kinda saw a composer's Cubase setup and he labeled one of his folders, HZ STR, HZ BRS, and HZ Choir.<br><br>Does Zimmer have a brass and choir sample library you need to have a license for?
Easy now Mr. Anonymous, no need to be so superior. <br>I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene.   <br><br>But I'll try to get a hold of that complete version somehow, looks super interesting.Its just three short bursts of sound, really.Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a while
Flight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hans’ New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.
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Benjamin WallfischAntonio AndradeJohn Witt Chapman
ComposerSynth ProgrammerAdditional Engineering
It
Label: WaterTower Music
Length: 87'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1040 votes)
  1. Every 27 Years (2:36)
  2. Paper Boat (1:55)
  3. Georgie, Meet Pennywise (3:38)
  4. Derry (2:24)
  5. River Chase (2:09)
  6. Egg Boy (2:44)
  7. Beverly (1:20)
  8. Come Join The Clown, Eds (1:20)
  9. You'll Float Too (3:20)
  10. Shape Shifter (1:42)
  11. Hockstetter Attack (2:15)
  12. Haircut (4:14)
  13. Derry History (2:48)
  14. January Embers (1:05)
  15. Saving Mike (1:15)
  16. This Is Not A Dream (2:08)
  17. Slideshow (2:01)
  18. Georgie's Theme (1:42)
  19. He Didn't Stutter Once (1:33)
  20. Neibolt Street (4:17)
  21. Time To Float (3:04)
  22. It's What It Wants (1:19)
  23. You'll Die If You Try (4:38)
  24. Return To Neibolt (2:31)
  25. Into The Well (2:05)
  26. Pennywise's Tower (1:48)
  27. Deadlights (2:04)
  28. Searching For Stanley (2:28)
  29. Saving Beverly (3:36)
  30. Georgie Found (1:53)
  31. Transformation (0:58)
  32. Feed On Your Fear (2:34)
  33. Welcome To The Losers Club (3:05)
  34. Yellow Raincoat (1:43)
  35. Blood Oath (3:11)
  36. Kiss (0:54)
  37. Every 27 Years (Reprise) (2:07)
  38. Epilogue - The Pennywise Dance (0:36)
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Iamtommie reply Replies: 0 || 2018-06-28 23:41:16
Wallfisch is scoring the new Hellboy movie. Very curious what that will be!!

DT-2017 reply Replies: 1 || 2018-02-03 00:21:30
Assembling my own edit for IT, I've found at least seven cues that are different in the film:

-Georgie, Meet Pennywise (the children's choir sings "Oranges and Lemons" instead of whispering it)
-Egg Boy (Different choir performance when Ben is rifling through the book, there's less strings when Ben is chased by the headless boy)
-Mike's Fear (Seems to drop some of the orchestra and synths at the end)
-"Judith" (or "Painting Lady" if you prefer) (When Judith appears before Stan, the children's choir sings "Oranges and Lemons", before the shouting girl comes in like on the OST version. The end of the cue is choir-free)
-Slideshow (Cuts out some of the synth just before Pennywise actually comes out of the projector)
-Time To Float (Stronger percussion as Pennywise emerges from the freezer)
-Return to Niebolt (Adds in a synthetic timpani drum)
-The end credits includes another version of "Georgie, Meet Pennywise" that ends at the point where Georgie reaches into the grate.


JBSO992018-02-03 13:29:13
And in the movie, in the opening titles, after the singing kid, plays "Every 27 Years (Reprise)" and in the end credits is when "Every 27 Years" plays, but without the "Oranges and Lemons" bit.

Also, I'm interest in what your edit is? I mean, are you creating film version of some tracks, or are you mixing them together or something like that?

DT-2017 reply Replies: 2 || 2018-01-12 00:26:58
Interestingly, though this score is being submitted for consideration in Awards Season, I haven't seen an FYC floating about for this one. Anybody in the know and is able to say whether the FYC is just this OST, or whether it's different in any way?


Anonymous2018-01-12 02:22:53
For years now WB has been jewing out and using the soundtrack as the FYC. Go figure that the same studio who re-releases and re-releases a harry potter collection year after year pulls this


DT-20172018-01-12 15:57:33
I guess it would depend entirely on what sort of award WB is going after. I'm told if they submit it for an Oscar, they have to present it as is heard in the film, and the OST presentation would definitely disqualify it if that's the case. (The point came up when I asked why The Last Jedi was cues taken from the film stems when somebody else suggested it wasn't because of the ease given how the film was scored)

badbu reply Replies: 2 || 2017-10-23 07:52:16
Time To Float is sooo strong :-) And a nice Scene btw :-)


CT-11382017-10-23 09:37:10
Skarsgard really nailed that scene, it was the scene which made it clear how different his Pennywise is from Tim Curry's.


badbu2017-10-23 11:06:00
yeah!!! He was amazing!!! After Dunkrik the best movie in 2017 (for me)

mpolonest123 reply Replies: 3 || 2017-09-08 15:58:36
Finished with my first listen and I'm loving what I heard. Normally 80+ minutes tend to drag for me... not here. The music is consistently strong and Wallfisch is able to do something most horror composers fail at; keep the horror underscore interesting. I tend to normally get bored with horror scores when they pull the same tricks, but I found myself genuinely unnerved with the vocal effects he throws in.

As for the themes, while there are definitely no competitors for ACFW they all work extremely well. Especially when they allow for big moments of wonder or softer emotion. I'm really loving this one, not quite as much as Wellness but definitely in the same ballpark.


mpolonest123 2017-09-08 16:03:47
And am I crazy or is that Richard Bellis' theme from the miniseries in "Its What It Wants"?


Medigo2017-09-09 13:46:06
I like it'
but sweet god
dont listen to this with headphones


CT-11382017-10-22 23:34:29
mpolonest123 - definitely sounds like it might be inspired by it. I heard the "glockenspiel roll" employed by Bellis used in the track "Deadlights" as well. If these things are intentional nods, then it's pretty cool that the score at least acknowledges the past.

JBSO99 reply Replies: 1 || 2017-10-22 14:16:01
Does anyone know what tracks appear in the end credits of the movie (in case there is music, that I think it is). I think the credits open with Every 27 Years (Reprise), but I don't know what's next.
Thanks in advance for the help!


CT-11382017-10-22 23:32:47
I don't know if anybody stayed behind long enough to find out given that the only thing waiting at the end of the credits is one last Pennywise laugh and "IT: Chapter 1". I'd assume "Georgie's Theme" played next.

CT-1138 reply Replies: 5 || 2017-09-28 00:04:58
Pretty good score that fits the film very well (which, by the way, is a great film). I don't think the OST misses anything off of any significance... but it doesn't seem to be in chronological order either.


Hybrid Soldier2017-09-28 00:23:45
Well Ben wrote more than a hundred cues for it ! Lots of very very short pieces... The OST has got everything needed indeed. As for chronlogical order, the second half is, but the first is kinda all over the place with lots of combined cues so hard to really place them, but here's what I came up with (if you don't want to start butchering every track lol) :

Every 27 Years (2:36)
Paper Boat (1:55)
Georgie, Meet Pennywise (3:38)
Derry (2:24)
Shape Shifter (1:42)
Egg Boy (2:44)
River Chase (2:09)
Hockstetter Attack (2:15)
Beverly (1:20)
Derry History (2:48)
Come Join The Clown, Eds (1:20)
Haircut (4:14)
You'll Float Too (3:20)
January Embers (1:05)
Saving Mike (1:15)
This Is Not A Dream (2:08)
Slideshow (2:01)
He Didn't Stutter Once (1:33)
Neibolt Street (4:17)
Time To Float (3:04)
It's What It Wants (1:19)
You'll Die If You Try (4:38)
Return To Neibolt (2:31)
Into The Well (2:05)
Pennywise's Tower (1:48)
The Pennywise Dance (0:36)
Deadlights (2:04)
Searching For Stanley (2:28)
Saving Beverly (3:36)
Georgie Found (1:53)
Transformation (0:58)
Feed On Your Fear (2:34)
Welcome To The Losers Club (3:05)
Yellow Raincoat (1:43)
Blood Oath (3:11)
Kiss (0:54)
Every 27 Years (Reprise) (2:07)
Georgie's Theme (1:42)

Aaaaand if you STILL want a super detailed breakdown of the beginning :

Every 27 Years
Paper Boat
Georgie, Meet Pennywise
Derry (0:20 to 1:02)
Derry (1:41 to end)
Derry (1:02 to 1:41)
Shape Shifter
Derry (0:00 to 0:21)
Egg Boy
River Chase
Hockstetter Attack
January Embers (0:00 to 0:25)
Haircut (0:00 to 0:51)
Beverly
Derry History
Come Join The Clown, Eds
Haircut (0:51 to end)
You'll Float Too
January Embers (0:25 to end)
Saving Mike
This Is Not A Dream
Slideshow
He Didn't Stutter Once (0:31 to end)
He Didn't Stutter Once (0:00 to 0:31)
21 Neibolt Street
Time To Float
It's What It Wants
You'll Die If You Try (0:51 to end)
You'll Die If You Try (0:00 to 0:51)
Return To Neibolt
Etc.


JBSO992017-09-28 09:21:45
Hundred cues! Wow! That's s lot of work on his part. I kind of like the horror pays but I would have love if he had created more tracks like Paper Boat, Beverly or Blood Oath, but I guess the movie didn't needed more. Also I hope will be brought back to score the second chapter so he can use some of his themes and develop them.

PS: Hybrid, thanks for the chrono tracklist!


CT-11382017-09-28 11:24:26
Thanks for the breakdown :)

It's nice to know the second half is in order, though I think "The Pennywise Dance" should go before "Deadlights" since it plays as Pennywise does the 'old man jig'.


Hybrid Soldier2017-09-28 11:58:54
That... is what I wrote ! lol


CT-11382017-09-28 12:02:54
Oops, you already chronologically placed "The Pennywise Dance"! My bad!

Waymann reply Replies: 0 || 2017-09-07 16:10:43
The samples sound great. Blood Oath's going be a favorite. Sounds like an emotional score.

mpolonest123 reply Replies: 1 || 2017-08-24 18:31:35
So excited for this!!!! :D

If it's anything on the same level as A Cure For Wellness then bring it on!


David2017-08-25 02:21:43
Me too! A Cure For Wellness was great!

Mikes reply Replies: 0 || 2017-08-25 00:39:04
Yawn

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