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I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldn’t help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ‘Terence Malick-y’, “Thin Red Line” feel throughout.<br><br>I’m definitely not familiar with Max Richter so I can’t comment on what he might have written, but Balfe’s broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.
So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cueLorne says it will be released and insists it’s not a GITS situation.
That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how it’s gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channel
Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?That’s literally the best part of the score though. But it’s typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
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Benjamin WallfischJohn Witt ChapmanJohn Traunwieser
ComposerAdditional EngineeringAssistant Music Mixer
Annabelle - Creation
Label: WaterTower Music
Length: 48'27 (Score: 45'36)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1519 votes)
  1. Creation (3:42)
  2. The Mullins Family (0:43)
  3. A New Home (1:28)
  4. Bee's Room (3:01)
  5. Annabelle Awakened (2:17)
  6. Bunkmates (1:01)
  7. Shadows And Sheets (1:25)
  8. Bee's Photo (1:21)
  9. Puppets And Mischief (1:16)
  10. Your Soul (2:48)
  11. Avatars (1:48)
  12. Demon Fishing (2:47)
  13. The Possession (1:44)
  14. Linda's Suspicion (0:45)
  15. Samuel's Death (2:25)
  16. Our Beloved Bee (3:51)
  17. Jannabelle (2:58)
  18. Transformation (1:29)
  19. Demonquake (2:36)
  20. Police (1:37)
  21. The House Is Blessed (1:42)
  22. Adoption (1:08)
  23. Conduit (1:44)
  24. You Are My Sunshine - Charles McDonald (2:51)
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Waymann reply Replies: 0 || 2017-08-24 16:30:22
Wallfisch his score for IT is available for pre-order on itunes. It's 38 tracks! tomorrow track 9 will be available.

Trashy XL reply Replies: 13 || 2017-08-08 09:48:00
Benjamin Wallfisch is HZ's new Lorne Balfe right?


badbu2017-08-08 09:50:16
i don't think so...


Michael 2017-08-08 15:08:25
God no !!!! Don't think so . Balfe's music is superior than this anyday


Pete2017-08-08 15:09:21
No way . Balfe's is a far better composer .


MrZimmerFan2017-08-08 15:36:48
Wallfisch was orchestrator in many ocassions with Marianelli.

That's a very superior point


Afilm2017-08-08 15:41:16
Exactly - a great orchestrator . That's all


Oscarilbo2017-08-08 15:52:36
IMHO Wallfisch is indeed better than Balfe. His style tends more towards classic romantic than Remote Control, which is an interesting balance. Also, his thematic ideas are far more memorable. How come Balfe couldn't come up with something worthy of a Kung Fu Panda movie for the father-son relationship theme in the 3rd movie is beyond me.

Just listen A Cure for Wellness, by Wallfisch.


Mike2017-08-08 16:28:30
Oscarilbo - Father and Son fro. King Fu Panda 3 is an amazing theme . It is also very memorable . Maybe check out YouTube and see everyone else reactions !!! Wallfish is a great orchestrator but Balfe can write epic themes


MrZimmerFan2017-08-08 18:17:11
But epic themes aren't enough, Wallfisch in A Cure for Wellness creates a really creepy score, that lullaby or Volmer's theme, are memorable.


Mickael2017-08-08 19:05:57
Lol !!! Memorable hardly


James2017-08-09 00:07:14
Wallfisch is on his way to take Beltrami's former seat in horror movies. That's right.

Particularly I think the two are equally talented with the difference that wallfisch is more versatile.

Which of the two will continue in the "game" at the end of the next ten years, only time will tell.


Mike2017-08-09 03:45:45
James - regarding balfe not being versatile maybe have think about this

Action : Call of Duty, Terminator, Assasin Creed, Ghost in the shell
Comedy : Dillema, Penguins
Drama : Genius , Churchill, The Crown
Animation : Home, Lego
Horror : Blackwood, Marcella

Even looking at his web site - so much more with commercials etc


Mike2017-08-12 14:27:13
4 additional composers !!!!!


KAmis2017-08-13 04:54:49
4 additional composers isn't it ? How long is the score

JackAfrogarrix 2017 reply Replies: 0 || 2017-08-05 13:30:34
Another Great Horror From Benjamin Wallfisch With His Second Collaboration With David F. Sandberg In Annabelle Creation. The Music If The Score Is Kind Of Drama/Sad And Then Come The Horror. Also He Will Works Again In A Horror Film IT(WaterTower Music) & Blade Runner 2049 As Additional Composer With Hans Zimmer & Jóhann Jóhannsson

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Annabelle - Creation soundtrack - Benjamin Wallfisch 2017