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<br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!
LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>
Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.
This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.It would be very interesting to get a better sense of what exactly Zanelli's role in the franchise is. He is a very capable composer but his work on 5 was utter scheisse. But that may just be what the franchise calls for. How does the supposedly precarious Hans put his name on all this shit.I would not be surprised if this was done by Balfe finally trying out his real compositional skills outside of him just acting as Hans' copy assistant. Everything that Balfe has done on his own to date is abysmal (okay The Lego Batman movie had some flair but that was probably done by the next generation of assistants). <br><br>Please go back to Ironclad and listen to Balfe before he was HBalfe, to hear his skills. Not very good, right? The man is an arranger not a composer.<br><br>This score will be utterly crap or it will sound like Tron and Transformers. <br><br>Shame as Del Toro and Steven Knight work with real composers like Max Richter who would have excelled here.Instead of concerning ourselves with Sia, we have to be worried about Djawadi. The man has a knick for a simple tv tune. But anything outside of that sounds like a youtube fanvideo. The incidental score for Game of Thrones, especially the wall scenes, is terrible and amateurish. <br><br>All I can think is that the producers must have been pressed with time and had to go with the casio synth nonsense Djawadi presented them with. It is the worst example of scoring for a major franchise. <br><br>Again, Dwajadi does well with his choral bits but he is not a composer, more a theme tune man. Who Wants to be a Millionare would serve him better than a complex franchise. <br><br>Simultaneously, the Paint it Black material from Westworld is outstanding. But was this done by Djawadi or a much more talented orchestrator - can we look into this as it sounds nothing like his work
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Atli ÖrvarssonClaudio OlacheaJörg HüttnerHilda (Thórhildur) Örvarsdóttir
ComposerAdditional MusicAmbient Music DesignVocals
The Hitman's Bodyguard
Label: Milan Records
Length: 42'36 (Score: 23'05)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (719 votes)
  1. Nobody Gets Out Alive - Samuel L. Jackson (3:31)
  2. Hello - Lionel Richie (4:06)
  3. Hitman's Bodyguard (3:23)
  4. Ships On The Ocean - Junior Wells' Chicago Blues Band (4:07)
  5. Smells Like Ass Back Here (2:28)
  6. Jag Didn't Smell Like Ass (2:59)
  7. I Want To Know What Love Is - Foreigner (5:04)
  8. Amsterdam Chase - Dmitri Golovko (3:25)
  9. Black Betty - Spiderbait (4:15)
  10. Little Queenie - Chuck Berry (2:41)
  11. One Of The Good Guys? (1:46)
  12. Kincaid's Gospel (2:21)
  13. Dukovich (4:08)
  14. Broken Wing (2:31)
  15. Dancing In The Moonlight - King Harvest (2:58)
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... reply Replies: 0 || 2017-09-30 22:09:11
I read somewhere that Atli is going to score Mortal Engines, is it true? That would be really awesome

Edmund Meinerts reply Replies: 1 || 2017-08-30 18:01:43
Interesting to note that the best track here is not actually by Atli, but rather Dmitri Golovko'S "Amsterdam Chase" (which really should be bolded as well since it's part of the score). A pretty cool action cue in the style of Daniel Pemberton's Man from UNCLE score from a couple years ago. I've never heard of the composer, so I wonder how it is he came out of nowhere to write the highlight here?


Mickael2017-08-30 23:35:43
He was the original composer on the film

mark reply Replies: 0 || 2017-08-19 12:38:27
you can listen to all these songs and extra songs not included in the album here soundtrackmania.net/the-hitmans-bodyguard-soundtrack.html

Jack Afrogarrix 2017 reply Replies: 1 || 2017-07-21 18:19:59
The Tracklist Of This movie has Been Released At film Music reporter And Film Music Site. There Us much Of The Score By Atli Örvarsson And Various Artists:

1.Nobody Gets Out Alive
(Samuel L.jackson)
2.Hello(Lionel Ritchie)
3.Hitman's Bodyguard(Atli Örvarsson)
4.Ships On The Ocean(Kunior Well's Chicago Blues Band)
5.Smells Like Ass Back Here
(Atli Örvarsson)
6.Jag Didn't Smells Like Ass
(Atli Örvarsson)
7.I Want To Know What Love Is
(Foreigner)
8.Amsterdam Chase(Dmitri Golovko)
9.Black Betty(Spiderbait)
10.Little Quennie(Chuck Berry)
11.One Of The Good Guys?
(Atli Örvarsson)
12.Kincaid's Gospel
(Atli Örvarsson)
13.Dukovish(Atli Örvarsson)
14.Broken Wing(Atli Örvarsson)
15.Dancing In The Moonlight
(King Harvest)

Atli Örvarsson:Composer
Additional Music By Claudio Olachea & Dmitri Golovko
Music Supervisor By Selena Arizanonic

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Waymann2017-08-03 16:08:27
Tomorrow the pre-order is available on iTunes with track 3 as an instant download which sounds mostly like rock music. Think we can expect something like The Nice Guys.

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The Hitman's Bodyguard soundtrack - Atli Örvarsson 2017