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I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
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Tom Holkenborg (Junkie XL)Aljoscha ChristenhuŖ
ComposerAdditional Music
The Dark Tower
Label: Sony Masterworks
Length: 66'52
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (480 votes)
  1. The Dark Tower (1:42)
  2. The Face Of My Father (1:29)
  3. I Kill With My Heart (3:03)
  4. Skin People (2:34)
  5. Getting A Toothbrush (1:15)
  6. Dutch Hill (2:58)
  7. Guardian (0:47)
  8. Arrival In Mid-World (1:52)
  9. His Shine Is Pure (2:21)
  10. The Map (2:25)
  11. Thinny (2:36)
  12. Something Got Out (1:32)
  13. We Don't Have Chicken (3:01)
  14. Manny Village (1:06)
  15. See Across Worlds (2:18)
  16. There's Always Another Battle (2:12)
  17. A Chicken, A Goat And One Bullet (3:44)
  18. Keystone Earth (0:48)
  19. Portal Activity (1:31)
  20. Smiley Face (1:47)
  21. The Creed (3:14)
  22. Death Always Wins (2:53)
  23. Dixie Pig (2:20)
  24. Tall, Dark And Handsome (1:54)
  25. Full Package As Advertised (2:05)
  26. It Will Fall (4:51)
  27. Collateral Damage (4:44)
  28. Hot Dogs (1:15)
  29. Roland Of Eld (Main Titles) (2:35)
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Macejko reply Replies: 0 || 2017-08-01 13:06:11
The main theme (Roland of Eld) is awesome, yet the rest is painfully unremarkable.

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mpolonest123 reply Replies: 5 || 2017-07-28 14:30:24
Just took a listen to this and am so impressed. There are many JXL mannerisms in the string writing and electronics, but outside of those I don't think I've heard him write in this huge fantasy style before. "The Dark Tower" and "Roland of Eld" make me wish he was still on board for Justice League.
And huge praise to whoever did the mixing on this one!


JBSO992017-07-28 19:38:16
I have listened to those two tracks and they sounded amazing.
I wish Junkie stayed in Justice League for hearing more of him in this style.
I still have to listen to this full score but for now I like it a lot.


mpolonest123 2017-07-28 21:39:36
The album definitely could use some trimming, there are some filler tracks which kill the flow. Outside of that it's a pretty strong release...


JBSO992017-07-28 23:17:37
It looks like there are many short tracks that usually stop the flow of an album but it looks pretty cool.


mpolonest123 2017-07-29 15:58:11
The big problem with most of his album releases is that he tends to include some of the more atmospheric underscore which just doesn't make for a great listening experience. If you condense any JXL album down you can definitely get a better representation of his music.


Ahmad2017-07-29 17:05:24
Well, let me give you a very simple solution to that: make your own playlist or mixtape or whatever based on what you want to hear. I'd rather have as much music as possible and edit myself than have an incomplete release.

Jordan reply Replies: 0 || 2017-07-28 11:56:22
Here's the tracklist with track time:

1. The Dark Tower (01:42)
2. The Face of My Father (01:29)
3. I Kill With My Heart (03:03)
4. Skin People (02:33)
5. Getting a Toothbrush (01:14)
6. Dutch Hill (02:57)
7. Guardian (00:47)
8. Arrival in Mid-World (01:52)
9. His Shine Is Pure (02:21)
10. The Map (02:25)
11. Thinny (02:36)
12. Something Got Out (01:31)
13. We Don't Have Chicken (03:01)
14. Manny Village (01:06)
15. See Across Worlds (02:18)
16. There's Always Another Battle (02:12)
17. A Chicken, a Goat and One Bullet (03:44)
18. Keystone Earth (00:47)
19. Portal Activity (01:31)
20. Smiley Face (01:46)
21. The Creed (03:14)
22. Death Always Wins (02:53)
23. Dixie Pig (02:20)
24. Tall, Dark and Handsome (01:54)
25. Full Package as Advertised (02:05)
26. It Will Fall (04:50)
27. Collateral Damage (04:44)
28. Hot Dogs (01:14)
29. Roland of Eld (Main Titles) (02:34)

Total time: 66:43

MrZimmerFan reply Replies: 0 || 2017-07-28 10:16:39
On Itunes:

htt ps: //itunes.apple.com/us/album/the-dark-tower-original-motion-p icture -soundtrack/id1260934127

isildur reply Replies: 1 || 2017-07-19 19:58:55
29 tracks!! Even if on an average each track is 2 min long it's almost an hour 20 mins. Well, I'm not the one to complain about more music. Bring it on. Hopefully something good.


Waymann2017-07-20 11:54:31
Amazon says 1:06:43 long.

Darrell reply Replies: 0 || 2017-07-19 19:47:09
There's the cover of the soundtrack is at Amazon already! Music by Tom Holkenborg.

mpolonest123 reply Replies: 1 || 2017-07-11 03:10:53
So excited to hear this! I think Tom mentioned in an interview that it will definitely be different than his current style. Not sure what to expect but I'm hopeful that we will get a good cross between western and fantasy.


Waymann2017-07-11 08:30:22
As long as it doesn't sound like Mad Max, Deadpool or BvS, then i'm excited.

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The Dark Tower soundtrack - Tom Holkenborg (Junkie XL) 2017