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Based on what you'd like to calculate it? MP3, CD....?jaa. but i think he will never get his second oscar...:-(Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?
"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lolthis one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something else
Were the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind JunkieI agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!
Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-
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Phill Boucher
Co-Composer
Sid Meier's Civilization VI (VG)
Label: 2K (Digital Download Only)
Length: 144'10
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (188 votes)
  1. Scythia (The Ancient Era) (1:29)
    Geoff Knorr Feat. Sandro Freidrich
  2. France (The Medieval Era) (3:13)
    Roland Rizzo
  3. Rome (The Medieval Era) (3:38)
    Roland Rizzo
  4. Spain (The Medieval Era) (3:48)
    Geoff Knorr
  5. Spain (The Industrial Era) (4:32)
    Geoff Knorr
  6. Rome (The Industrial Era) (5:38)
    Roland Rizzo
  7. France (The Industrial Era) (3:31)
    Roland Rizzo
  8. Norway (The Industrial Era) (3:31)
    Roland Rizzo
  9. Germany (The Industrial Era) (4:00)
    Geoff Knorr
  10. Germany (The Atomic Era) (3:59)
    Geoff Knorr, Phill Boucher
  11. Norway (The Atomic Era) (3:52)
    Roland Rizzo, Phill Boucher
  12. Brazil (The Medieval Era) (4:05)
    Geoff Knorr
  13. Russia (The Medieval Era) (3:57)
    Geoff Knorr
  14. England (The Medieval Era) (4:09)
    Geoff Knorr
  15. England (The Industrial Era) (3:58)
    Geoff Knorr
  16. America (The Industrial Era) (4:40)
    Geoff Knorr
  17. America (The Atomic Era) (3:48)
    Geoff Knorr, Phill Boucher
  18. Russia (The Atomic Era) (4:18)
    Geoff Knorr, Phill Boucher
  19. Brazil (The Atomic Era) (3:33)
    Geoff Knorr, Phill Boucher
  20. Scythia (The Atomic Era) (4:10)
    Geoff Knorr, Phill Boucher
  21. Sumeria (The Ancient Era) (2:33)
    Geoff Knorr
  22. Aztec (The Ancient Era) (2:44)
    Roland Rizzo
  23. Kongo (The Medieval Era) (3:43)
    Geoff Knorr
  24. Egypt (The Medieval Era) (3:10)
    Geoff Knorr
  25. Egypt (The Industrial Era) (6:02)
    Geoff Knorr
  26. China (The Industrial Era) (3:34)
    Geoff Knorr
  27. China (The Atomic Era) (3:19)
    Geoff Knorr, Phill Boucher
  28. Kongo (The Atomic Era) (3:04)
    Geoff Knorr, Phill Boucher
  29. Azter (The Atomic Era) (3:30)
    Roland Rizzo, Phill Boucher
  30. Arabia (The Medieval Era) (3:26)
    Geoff Knorr
  31. Greece (The Medieval Era) (3:13)
    Geoff Knorr
  32. Greece (The Industrial Era) (4:18)
    Geoff Knorr
  33. India (The Industrial Era) (4:51)
    Geoff Knorr
  34. Japan (The Industrial Era) (3:42)
    Geoff Knorr
  35. Japan (The Atomic Era) (3:40)
    Geoff Knorr, Phill Boucher
  36. India (The Atomic Era) (4:37)
    Geoff Knorr, Phill Boucher
  37. Arabia (The Atomic Era) (3:50)
    Geoff Knorr, Phill Boucher
  38. Sumeria (The Atomic Era) (3:04)
    Geoff Knorr, Phill Boucher
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Sid Meier's Civilization VI (VG) soundtrack 2016