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I watched the movie and tried to put the cuesheet that Hybrid posted into chronological order... This is what I was able to gather from watching the movie:<br><br>1. Opening Pt. 1 - HZ<br>2. Opening Pt. 2 - HZ, SM<br>3. The Beach Pt. 1 - HZ<br>4. The Beach Pt. 2 - HZ, AK<br>5. The Air - HZ<br>6. Stretcher Carry - HZ, AK<br>7. Approaching Trawler - HZ<br> 8. Bandit 11 O’Clock / Off You Go - HZ<br>9. One Bandit Down - HZ<br>10. Meeting Rear Admiral - HZ<br> 11. Shivering Soldier - HZ<br> 12. Fortis Leader Down - HZ<br> 13. Stuka Bombing Medical Ship - HZ, Andy Page<br> 14. U-Boat - HZ<br> 15. Boarding Destroyer/Below Deck - HZ, Andy Page<br> 16. I’m Not Going Back to Dunkirk - HZ<br> 17. Heinkel 11 O’Clock - HZ, Satnam Ramgotra <br> 18. Torpedo - HZ, Satnam Ramgotra <br> 19. Soldier Locked Below Deck - HZ<br> 20. Collins Water Landing - HZ<br> 21. Torpedo Aftermath - HZ<br> 22. Wait for Another Lifeboat - HZ<br> 23. Turn it Around! - HZ<br> 24. George Falls - HZ<br> 25. Farrier Attacks Heinkel - HZ, LB<br> 26. The Bodies Come Back - HZ<br> 27. I Can’t See - HZ, Alex Gibson <br> 28. Farrier Turns Back - HZ<br> 29. Activate Small Vessels Pool - HZ<br> 30. Waiting for the Tide - HZ<br> 31. Should We Turn Back - HZ<br> 32. Smoke From the Spitfire - HZ<br> 33. Dutch Sailor Comes Back - HZ<br> 34. Collins Crash Landing - HZ<br> 35. There Was No Chute - HZ<br> 36. Target Practice - HZ<br> 37. Collins Struggles / Ditch Ballast - HZ<br> 38. Sauerkraut Sauce - HZ<br> 39. Collins Underwater HZ<br> 40. Minesweeper Bombed / Trawler Floats - HZ, AK<br> 41. Plug the Hole - HZ<br> 42. Nimrod - HZ, BW<br> 43. Covered in Oil / Abandon Ship - HZ, AK<br> 44. Where Are You From - HZ<br> 45. 109 Approaching - HZ<br> 46. Engineless Flight - HZ, BW<br> 47. Rail Yard - HZ<br> 48. Variation 15 - HZ, BW<br> 49. End Credits / 5MEC1 - HZ, BW, LB<br> 50. End Credits Long Note Harmonics v.12.7 - HZ<br> 51. End Credits Air - HZ v.31.07<br> 52. End Credits Tommy v8.00<br><br>I'm missing the following in this list: Attack Aftermath / Navy Requisition, Decent Altitude, Destroyer By, Farrier Chasing 109, Farrier Chased by 109, and Little Boats. Anyone know where those go?<br>@Knight<br>Yeah I really can’t argue there. As much as I love Mortal Engines even I have to admit that recording was kind of awful, particularly with the studio noise filtering through.Ditto on the recordings, Mortal Engines was awful in this regard with the harsh mix and on top of that, an unforgiveable amount of session noise/chatter.I’ve been giving this score a few more shakes lately, if only to see if my initial opinion had changed. The biggest issue for me is the lack of a strong set of themes. Alita’s Theme, for example, works well enough in context but hasn’t really left any impression on me. Mortal Engines has about 7 primary themes, all of which are really strong. <br><br>Where I will praise Tom the most is the recording. Everything sounds crisp and clear, as opposed to his usual overmixed style. Here’s hoping that he sticks with this type of recording from now on. <br>And one other plus, the woodwinds! It’s so refreshing to hear the woodwinds play a prominent role here, especially in the almost classical way they are utilized.It seems the Japanese exclusive tracks are available on deezer, but not on any other platform. And weirdly enough, I couldn't find any download link anywhere.
Lieber Herr Zimmer,<br><br>würde über Ihre kurze Meldung über mein Stück freuen.<br><br>Liebe Grüße<br>Irakli Shermazanashvili<br><br>https://www.youtube.com/watch?v=a-FWQaMm4p8"BBC Studios has announced that Hans Zimmer, Jacob Shea and Jasha Klebe will compose the theme and score for the upcoming BBC Earth natural history series One Planet, Seven Worlds. The show is presented and executive produced by Sir David Attenborough and will reveal how each distinct continent has shaped the unique animal life found there. Each of the series’ seven episodes will transport viewers to a single continent and tell the story of its spectacular wildlife and iconic landscapes. Zimmer, Shea and Klebe have previously composed music for BBC’s Planet Earth II and Blue Planet II (for Bleeding Fingers Music). One Planet, Seven Worlds will premiere later this year on BBC One in the UK and on BBC America in the U.S."<br><br>From filmmusicreporter.com<br><br>I wonder if its like no way its ever going to be released or there is a small chance we will see it one day.<br><br>Can anyone recall any scores for directors cut being released?Hello!<br>Have you any Informations for a Relaease to "PAGAN PEAK"? German TV Series "Der Pass" from Jacob Shea, Produced by Hans Zimmer?also was really good fantastic score IMHO his best since Mad Max.
Just saw the film Music was hitting on point in all the right spots.Don't know where else to put this... How much music did Hans + co. write for The Last Face? I know the movie flopped so it will probably never get released, but the 15 or so minutes that I've heard between YouTube and Andrew K's soundcloud is really pretty good. It's like Interstellar + The Lion King + Woman in Gold.Dear Hans Zimmer.<br><br>I have no idea if you ever read this, but i just want to thank you for all the amazing music you have create through the years.<br>You are truly a gifted man.<br>I hope you along your life had time to teach young talents so they will be able to create such amazing music as you in the future.<br>I dont know you, but i think you have a love for music and to experiment with music and be the best you can be.<br>I enjoy your music for movies and impressed how you created the music for "interstellar" with old fashion church ovel/pipes. I think this show you are great and special when you think out of the box and play and experiement with music due to creative talent.<br>( ps.. i cant even play an instrument my self, but i love your music ).<br><br>I wish you the very best, and peace and quiet during old age and hope you will continue to create music as long as you live. Please teach other talented young people to step in your place.<br><br>Thank you for everyting amazing work.<br><br>A fan  ;-)7m4!!! The BEST cue from Hans since years!!!Whoa, that's right, I forgot a Gladiator sequel was being made. But I feel like something would have to shake Heaven and Earth before Hans worked on a Ridley Scott movie again. But then, Powell reunited with Greengrass for Jason Bourne (however uninspired that score was). So I guess anything's possible.
I got them from a japanse store after an hour going through hoops VPN paypal and google translate.<br><br>Very strange cause this are one of the best tracks of the entire score<br><br>Very weird the score or the movie havent attracted much attention at all.Hope Zimmer comes back to do Gladiator 2.Currently the only way I know to get it from is Japanese iTunes.well aren’t u special. it’s gonna leak so on account of so many ppl having it. myself included.Where can I listen to I see church?<br><br>I cannot find it anywhere and even YouTube doesn't have it.<br>
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Hans ZimmerSteve MazzaroConrad PopeBob Badami
ComposerComposerAdditional MusicMusic Supervisor
The Boss Baby
Label: Back Lot Music
Length: 66'11 (Score: 56'30)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4221 votes)
  1. Survival Of The Fittest (2:24)
  2. Baby Brother (3:58)
  3. Welcome To Baby Corp (3:12)
  4. You Can't Get Away From Johnny Law (2:11)
  5. We Can Buy A Bouncy House (3:18)
  6. Super Colossal Big Fat Boss Baby (1:11)
  7. Barfmitzvah (2:11)
  8. Toodaloo Toilet-Head! (4:02)
  9. I Wish You Were Never Born (2:53)
  10. Puppy Co. (3:27)
  11. You Want To Hug Me, Don't You? (3:20)
  12. Arrrggh (2:01)
  13. Francis Francis (4:19)
  14. You're Fired (4:28)
  15. Upsies! I Need Upsies! (1:44)
  16. Love (5:17)
  17. Go Get Yourself A Horse (2:19)
  18. What The World Needs Now Is Love - Missi Hale (4:15)
  19. Cheek To Cheek (From the Motion Picture "Top Hat") - Fred Astaire (5:01)
  20. (Every Time I Turn Around) Back In Love Again - L.T.D. (4:40)
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... reply Replies: 9 || 2018-10-23 22:18:39
Hans is scoring the new Sponge Bob movie apparently!


Mike2018-10-23 22:46:22
Hans has a lot of big-brand projects down the line, huh? Lion King, Wonder Woman, X-Men, Sponge Bob, Top Gun... I've been missing new music from him while he's been on tour, so I can't complain.


Mephariel2018-10-23 23:56:20
His new life plan is to build a pyramid that progressively grows:

Widows
The Lion King, Dark Phoenix
Wonder Woman, Sponge Bob, Top Gun



mpolonest1232018-10-24 01:49:40
After having a bit of hiatus on Zimmer in the past year it’s great to see this huge variety of projects coming from him in the next few years. Not gonna lie, I never imagined I would ever see his name attached to Spongebob lol


Ds2018-10-24 19:40:55
The problem is that a Sponge Bob movie is not exactly an opportunity for a great score that people will remember. If Zimmer wants to tackle big brands he should do the Avatar sequels. A huge, huge undertaking but he could deliver. He'd be absolutely perfect for this.


mpolonest1232018-10-24 20:34:33
@Ds
But not every score from Hans has to be some big, iconic thing like Interstellar or Inception. Take “The Simpsons Movie” for example; it’s not an epic or even memorable score, but it is a lot of fun. And seeing all of the huge blockbusters that Hans is attached to, I personally like seeing him do projects that are smaller and can allow him a bit more freedom.


Ds2018-10-24 20:49:55
5 or 10 years ago I'd have agreed with you, but we are in 2018, and the last time he did something iconic was in 2014... Of course he did pretty cool stuff afterwards (mainly Chappie), but it pales in comparison to the legendary stuff he wrote between 2000 and 2010.

So yeah, small projects are nice, but I'm looking forward to his next masterpiece which will blow everyone's mind. And I honestly don't think it'll come from Sponge Bob, or from any of the upcoming blockbusters HZ is currently attached to. I hope I'm wrong, though :-)


mpolonest1232018-10-24 21:03:43
@Ds
I definitely get what you are saying, and I do agree to an extent. It seems like the only thing from Z to stay in the public consciousness in the past few years is the Wonder Woman theme.

From everything coming up though I think both Dark Phoenix and Lion King are going to be huge scores, with WW1984 and Spongebob being the “fun” ones. As long as we get quality music I don’t care what Zimmer scores.


Ds2018-10-24 21:17:57
Ironically I think the most promising of those projects is Top Gun. A Zimmer score on a Kosinski film can only give something mindblowing. But yeah, another year and a half to wait... :-p


mpolonest1232018-10-24 21:23:59
Joseph Kosinski is directing?

Wow, this is going to be an incredible score, if Tron Legacy and Oblivion are anything to go by. Hopefully it’s not too dependent on ostinatos though.

And supposedly Kosinski is also attached to “The Twilight Zone”, hopefully we can get a Zimmer score for that as well...

dariya den reply Replies: 0 || 2018-01-27 13:56:01
love

Mike (OTM) reply Replies: 0 || 2017-11-20 01:49:04
The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.

Felix reply Replies: 6 || 2017-11-18 18:35:40
Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)

soundcloud.com/andrewkawczynski/sets/the-last-face


...2017-11-19 02:46:45
Nice stuff! I still can't believe this score hasn't gotten a release.


Hal2017-11-19 13:03:31
Hybrid, did you ever ask Hans why this score wasn't released?


Hybrid Soldier2017-11-19 13:25:47
I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...


Hal2017-11-19 13:43:44
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of sounds


Hybrid Soldier2017-11-19 13:49:07
Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...


Mike (OTM)2017-11-19 23:04:16
Huh. Well, the music Andrew posted is nice.

MHarru reply Replies: 0 || 2017-11-04 01:36:42
Have to agree that Megamind was MUCH better.the Conrad cue though is amazing.rest is not at all Zimmer.

mpolonest123 reply Replies: 3 || 2017-11-03 17:50:36
Yes, it’s definitely no Megamind, but I will say that after revisiting it; definitely not as disappointing to me as when I first heard. The issues I have are still the same (frenetic action, ADD-type scoring, Pope’s cue being the strongest, etc.) but at the same time it’s a very charming score when it slows the pace and lets the emotional side come forward. I will even give credit to the main theme(s), they actually get more development than Megamind’s main tune. It’s a shame this score kinda got written off this year, it’s enjoyable enough.

And as for the “Love” cue, that really is one of the most beautiful pieces of music I’ve heard in recent memory. It’s a great throwback to classical music with that John Williams string sound. I really wish Zimmer had written it, but understandably that’s not his style.

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Hybrid Soldier2017-11-03 18:29:00
Hans wanted Conrad to just be Conrad. He spent like 2 months on that only cue !


mpolonest123 2017-11-03 21:27:14
Really?!? Well it shows! I’m confused though, did Hans bring Conrad on board or was that the production’s decision?


Hybrid Soldier2017-11-03 23:04:04
Hans !

Anonymous reply Replies: 1 || 2017-05-25 19:26:29
no suite up for this one? :)


Micah2017-05-25 19:35:43
Man, I loved this movie.

isildur reply Replies: 9 || 2017-04-07 20:22:45
Yo Hybrid, credits for this? Mostly Steve? Mostly Hans? Hans suites and Steve everything else? What about Conrad Pope?


Edmund Meinerts2017-04-07 20:41:18
I'd bet my left nut that "Love" is Pope.


Hybrid Soldier2017-04-08 04:05:52
Pope did Love indeed.


Mike782017-04-08 11:03:17
Love is amazing . He rest is not as good as megamind . Don't think zimmer gave 100% to this


c2017-04-08 13:57:25
Conrad Pope explains the cue on his facebook. They needed something more dynamic and classical-sounding.

The editor James Ryan also commented:

"Every screening for well over 2 years the last thing we would do was work on that scene and struggle to re-edit the temp. I've never worked on a scene in any movie that had so much riding on the music. The sigh of relief and joy when you delivered your masterpiece was something I will never forget. And watching you conduct it gave me the chills (and a few tears). Bravo!"

By far the strongest piece on the album. The rest is pretty forgettable.


Andrew272017-04-08 14:43:35
That's amazing to hear from the editor . Wish the rest of the score was as good as Popes piece.

Think Lego Batman is still best animation score this year . Was really looking forward to Boss Baby but seems generic .


Ds2017-04-08 15:08:27
You guys are right that "Love" is a great cue. But the rest of the score is just as good, with plenty of ideas and a very cool and memorable theme.

The issue is that this kind of scores requires some patience from the listeners, because it's too crazy, too packed, with so many twists and style variations it's difficult to fully grasp the whole thing after just a few listens.

It's just like any John Powell score for animation: absolutely great music that takes some time to fully digest. So please, give it a few more spins and some time to grow on you before you judge it!


Mike (OTM)2017-04-08 20:00:25
"Love" is an awesome cue and all. I really love it. But I don't understand: could no one at RCP have delivered something like this? Pope was obviously a good pick, but are Zimmer and co. truly incapable of arranging this type of thing?


mpolonest1232017-04-08 20:21:06
@Mike(OTM) Not necessarily, I feel like Richard Harvey could easily have delivered something in this vein. That being said, I'm sure the production team probably had their heart set on whatever temps they used for that scene (more likely than not something that Pope either composed or orchestrated) and decided to go directly to the man himself.

It is a bit strange that they would only bring him in to do one scene, as opposed to working alongside Hans and Steve throughout. But it's not unheard of, I guess.


Miguel2017-04-08 22:44:06
The only person at RCP that could do what Pope did was , is Balfe . Why didn't he get involved especially after the Megamind connection???

Mike (OTM) reply Replies: 0 || 2017-04-02 00:40:11
Hybrid, since you generally have an idea about this stuff, do you have a rough estimate of how composing duties/credits were divided here? Co-score all throughout? Mostly Steve? Mostly Hans? ;)

Jack Afrogarrix 2017 reply Replies: 0 || 2017-04-01 17:53:54
This Score Is Awsome, Hans Zimmer & Steve Mazzaro Work For The First Time And Additional Music By Cornad Pope. Is The Same Style Animated Movie Score Like Megamind With Lorne Balfe.
Can Wait To See The Boss Baby

Scorefan reply Replies: 1 || 2017-03-27 22:00:04
Hans Zimmer and Conrad Pope in a film together would be awesome!!


Dino2017-03-31 09:56:35
Also add Balfe to that line up and that would be amazing

Jonathan Rochat reply Replies: 5 || 2017-03-24 14:04:27
Not bad! The "Love" cue has great orchestral moments. At least *** score after the first listen.


credit2017-03-26 10:46:03
So "Love" was obviously done by Conrad Pope. Never heard anyone from RCP write anything remotely close to that style.

But what about the rest of the score? I can hear a lot of Hans in the theme and the action material (a lot of his action riffs and stylings from megamind) but not sure which bits Mazzaro did.


iMe2017-03-26 14:15:20
@credit

Agreed with your comment on Conrad Pope's involvement.

Goes to show what Hans Zimmer's tunes can become if orchestrated and arranged by someone of Pope's caliber. I hope to see the duo collaborate more often.


Miguel2017-03-27 05:16:04
Conrad should have been the co composer with Hans I think !. I bet he contributed more than just that amazing cue .


Mike (OTM)2017-03-27 15:52:51
So I agree it's likely that Conrad Pope was involved with the "Love" cue, but watch what's gonna happen...

We're gonna find out that cue is 100% Zimmer, and we're all gonna have our minds blown. Cause honestly, that type of thing happens a lot. :P


Jonathan Rochat2017-03-27 16:24:51
Yes ok I then had a look at Conrad Pope. That guys has orchestrated "Jurassic Park" (and many many others) so yes it seems that the "love" cue could have been completely in his hand. And note this is the first Time Conrad Pope is credited as Additional composer here, maybe this is just because of that cue... Now we need to wait for Hybrid , maybe one day we will know the answer.

Anon reply Replies: 1 || 2017-03-27 05:35:38
Who is Conrad Pope ? Is he RCP ?


Edmund Meinerts2017-03-27 09:51:25
He's done a few scores (Pavilion of Women is outstanding), but he's better known as a veteran orchestrator for many years for composers like John Williams, Alan Silvestri and Alexandre Desplat. In other words, he knows what he's doing. Quite unexpected for him to show up on an RCP score!

Antois reply Replies: 0 || 2017-03-27 09:24:02
I don't think lego Batman soundtrack is overrated at all . Great emotion and themes . I found you is a great robin theme also .

Anto reply Replies: 1 || 2017-03-27 05:24:39
No the best sad to say. Sounds like Hans didn't do much in it. Lego Batman is still winning for me this year for best score so far for sure


Dragonseeker2017-03-27 07:19:01
Lego Batman is the most overrated score this year to me. The Boss Baby is not amazing either imo, but it has a very clear thematic structure.

Michael reply Replies: 0 || 2017-03-27 05:28:05
Not great . This is not Hans music unfortunately

Waymann reply Replies: 2 || 2017-03-24 10:01:07
Great score, love the action cues and the constant use of main theme in different variations throughout the whole score. Honestly I prefer this one over the Lego Batman soundtrack...


Dudu2017-03-24 16:53:10
Same here!!
Loved that score and prefer it to lego batman. The main theme is cool, and there's an "out-of-nowhere" throwback to the 90s in the cue "barfmitzvah", what can I ask more??


FilmMuso2017-03-27 05:21:10
No way is it better than Lego Batman . This is Megamind basically . Lego Batman has interesting colors and has soul. Wouldn't mind more Conrad Pope collaborations though !

... reply Replies: 1 || 2017-03-25 17:40:03
Never has there been so little interest in a Zimmer release. What'd you guys think?

I personally found it fun, but a tad loud :)


Mephariel2017-03-25 23:45:48
Fun score. But anything with Steve Mazzaro tends to be electronically overhanded and loud. Nice theme and nice soundscape building though.

Mike (OTM) reply Replies: 0 || 2017-03-24 12:59:24
Conrad Pope was here? That's surprising!

Joshua reply Replies: 0 || 2017-03-21 22:05:24
If you watch the live stream video on the official Dunkirk website they have some score which I would put money on is from Zimmer.

A fan reply Replies: 4 || 2017-03-19 05:48:36
Can you put on some music from the album...I haven't heard of the music for a painful while


Ds2017-03-19 09:20:15
Samples are on iTunes!


Sounds like a cross between Megamind and The Simps2017-03-19 17:51:42
Sounds like a cross between Megamind and The Simpsons Movie.


Thanks Ds2017-03-20 02:26:40
It sounds like a fun score.


Mephariel2017-03-20 07:19:22
I like what I am hearing so far, especially the new theme. It is really nice to know that Zimmer likes to have fun once in a while.

Jack Afrogarrix 2017 reply Replies: 1 || 2017-03-18 12:45:07
Hans Zimmer And Steve Mazzaro Workings Together As Composer For The First Time In This Movie. Wow!, I Can Wait To Hear The Score And See The Movie

I Still Remember That Hans Zimmer & Lorne Balfe Working Together At Megamind With The Director By Tom McGrath ,The Bible & Son Of God.
I Got To Say Hans Zimmer Is The Best Composer I Ever Known And Hear His Music


Edmund Meinerts2017-03-19 22:13:33
Yeah, Zimmer and Mazzaro are working together far from the first time here, Mr. Useless Shitpost Man.

Anonymous reply Replies: 1 || 2017-03-19 18:48:35
Sounds just like Megamind !


Tim2017-03-19 19:19:56
Do wish Hans would stop doing theses co writes . They don't sound his usual standard . Not very original this score

SamMusix reply Replies: 2 || 2017-03-18 01:52:26
Lame - why didn't Hans and Lorne work on this


mpolonest123 2017-03-18 03:09:25
Why is it lame? Have you heard it yet?

Give it a chance, Steve Mazzaro has shown some promise in the past and has never really had a chance to show his talents in a more solo effort. Between this and Pirates, it'll be cool to hear his more orchestral side.

Hell, I still remember when Lorne Balfe was first breaking away from his co-composer status and people were hating on him...


Hybrid Soldier2017-03-18 10:39:50
Hey Lorne is not a puppy waiting lol... He has a career, he is not spinning around what Hans does anymore !

Mike (Longtime Visitor Mike/Old Timer Mike) reply Replies: 0 || 2017-03-17 22:40:53
52 minutes of score? My, Hans' releases have improved since the days of Madagascar! And Mazzaro is a co-composer? This will be interesting!

(Sorry about the long name, btw. There being other "Mikes" here necessitated a way to identify myself. I was the only one for a long time. xD)

Hybrid Soldier reply Replies: 4 || 2017-03-04 00:02:15
New Hans OST coming soon !


Dimitris Krommidas2017-03-04 00:26:09
Great!


Mephariel2017-03-04 10:59:19
When did Zimmer work on this score? Right after Hidden Figures?


Hybrid Soldier2017-03-04 12:02:52
Yeah second half of last year. Hidden Figures was being recorded in August.


Michael 2017-03-04 12:33:09
I take it Lorne also worked on it ? Hope so

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The Boss Baby soundtrack - Hans Zimmer - Steve Mazzaro 2017