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"Not to mention the huge chunks of silence at the beginning and end (and sometimes middle) of tracks"<br><br>Edmund Meinerts, Sessions without chunks of silence at the beginning and end was released on rutracker site about month agoGreat. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!
Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?
I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.
Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004
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Lorne BalfeMax ArujThomas FarnonQueenie Li
ComposerScore ProducerScore ProducerMusic Production Coordinator
The Lego Batman Movie
Label: WaterTower Music
Length: 94'18 (Score: 60'08)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6775 votes)
CD 1 - SONGS
  1. Who's The (Bat)Man - Patrick Stump (3:03)
  2. Forever - DNCE (3:48)
  3. (I Just) Died In Your Arms - Cutting Crew (4:35)
  4. Invincible - Kirsten Arian (2:59)
  5. One - Harry Nilsson (2:22)
  6. Heroes (We Could Be) (Hard Rock Sofa & Skidka Remix) - Alesso Feat. Tove Lo (6:35)
  7. Man In The Mirror - Alex Aiono (2:23)
  8. Friends Are Family - Oh, Hush! Feat. Will Arnett & Jeff Lewis (3:49)
  9. I Found You - Fraser Murray & Lorne Balfe (3:34)
  10. Forever - Justin Tranter (3:49)
  11. Man In The Mirror - Richard Cheese & Lounge Against The Machine (1:49)
  12. Everything Is Awesome - Richard Cheese & Lounge Against The Machine (2:02)
CD 2 - SCORE
  1. Black (7:32)
  2. Your Greatest Enemy (2:42)
  3. The Arrival Of Robin (2:52)
  4. Joker Crashes The Party (1:33)
  5. No Seat Belts Required (2:17)
  6. To Cage The Joker (1:59)
  7. The Phantom Zone (3:37)
  8. Open For Business (1:09)
  9. Chaos In Gotham (3:20)
  10. Lava Attack (7:40)
  11. For Your Own Good (1:45)
  12. Joker Manor (2:29)
  13. Batman's In The Zone (4:40)
  14. The Babs Signal (2:25)
  15. Battle Royale (4:54)
  16. A Long Farewell (2:49)
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Mike (OTM) reply Replies: 2 || 2018-01-06 20:18:45
"Joker Crashes the Party" - Wasn't that the name of a cue from TDK? Was this an inside joke?


George2018-01-06 21:53:18
Yeah it is! I’m sure it’s a nice reference to it lol


Olive2018-01-07 00:06:02
What to do if the Joker likes to ruin so many parties?

NZ reply Replies: 15 || 2018-01-04 10:43:31
Which Balfe scores, in your opinion, are his best? I’ve just gotten into his stuff recently with Lego Batman and would like a good starting point with him, thanks!


Max Potcats2018-01-04 13:05:06
I really liked Son Of God (Faith is amazing), Terminator Genisys is nice too.


Macejko2018-01-04 13:25:10
Beyond: Two Souls all the way.


mpolonest123 2018-01-04 14:22:38
Beyond: Two Souls and Blackwood are probably my top two from him.


Edmund Meinerts2018-01-04 15:09:34
From what I've heard, I'd say my top picks from Balfe would be Lego Batman, Home and Beyond: Two Souls. But like Zanelli, I feel Balfe is a composer who does some of his best work in additional music moreso than his solo scores, so if I was making a Balfe playlist I'd definitely also add some of his contributions to Pirates of the Caribbean: At World's End, Kung Fu Pandas 2 and 3, Megamind and Inception.


Olive2018-01-04 16:02:04
Nothing...
Just kidding!
Animation movies (Lego, Home, Kung Fu Panda, Penguins and Megamind) and video games scores (Beyond, Assassins Creed, Modern Warfare). Yeah, I like also some other things, but nothing too remarkable like those above.


Hybrid Soldier2018-01-04 16:47:12
Ironclad, Harry's Arctic Heroes, Skylanders - Giants...


Richard2018-01-04 17:29:14
AC3 ,Terminator Genius and Ghost In The Shell are mine.


Miguel2018-01-04 17:32:06
Genius for me is my favorite.then Beyond Two Souls, Home and Legobatman


Andrew2018-01-04 17:54:03
Lego Batman all the way !!


Petres2018-01-04 21:59:05
Crown ,Ghost In the shell ,Last Man on The Moon and only because I love old school MV/Remote control ——— Geostorm


DaveFilm2018-01-05 03:49:18
The Crown and Genius are my favourite


Michael882018-01-05 05:06:50
Call of Duty is Balfe’s best along side Beyond Two Souls


Andmusid2018-01-05 07:18:31
Home and Legobatman


TobiasF2018-01-05 16:34:46
Ghost in The Shell,The Bible and Take Off from Geostorm.


KudoJk2018-01-06 18:19:56
Blackwood is a secret gem but I think Ghost In The Shell and The Lego Batman are his best

EduMusic reply Replies: 3 || 2017-03-05 04:10:16
Really loving this score and the film ROCKED. Does anyone know about Genius ? Lorne has posted photos today or recording sessions


Michael2017-03-05 15:47:46
Genius is the Rob Howard TV show based on The life of Einstein .


Anonymous2017-03-06 08:03:17
I believe Hans is writing the main theme with Lorne and Lorne is the Doug the score to all of the episodes . The super bowl spot looks amazing . Frost Nixon was a unique score from them both .


AndiM2017-03-20 07:21:22
Great score . Nice to hear something so different and so many styles

AndyFil reply Replies: 0 || 2017-03-19 20:19:21
Lego Batman just got released in Australia so it was great to hear how the score worked to the film. Amazing work . The Robin song I Found You is excellent and Lorne should be writing more songs . Interested to see Ghost in the shell now

Adam reply Replies: 0 || 2017-03-04 15:22:45
Bought the score weeks ago but only now got to see Lego Batman. Lorne's score is better than the first film I think . Great tunes and lovely to listen to and I hope he does more Lego movies

Musicsam reply Replies: 0 || 2017-02-27 06:27:28
Lego better be in the Oscars next year. brilliant film and Lroens score is another leval and hope he does more super hero films now

Phillipe reply Replies: 2 || 2017-02-24 03:09:20
Happy Birthday maestro

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Please enter number: 1556 


Mike 2017-02-24 11:24:43
The demos he posted on Facebook arnt on the album ? Does anyone know if releasing them . Great soundtrack and which more animation music was like this


Tim2017-02-24 12:49:52
Great sounding score . Definitely best score of the year . This a cool Batman scorof and better than most of the superheroes movie soundtracks week done to him

IronmanSucks reply Replies: 0 || 2017-02-24 02:07:40
Too many songs but the score is amazing and really enjoying the score

Paul reply Replies: 1 || 2017-02-23 12:35:13
Great score . And love the Robin theme . Lovely tunes and cool action music


Pierre 2017-02-23 13:41:58
Yes and the robin theme that is the song i Found You is beautiful. Going back to see lego batman again tonight !

John reply Replies: 0 || 2017-02-22 03:34:35
Does anyone know what Mark M was doing the score ?

James reply Replies: 6 || 2017-02-20 05:50:23
There seems some negative comments about this score but I think it is great because it is fun but also with great serious overtones. For a change , the music was as important as ththe storyline for a change . I was actually shocked to see Lorne's name at the end because I had never heard his music this good. seems like he was allowed to go wild and enjoy writing . Enjoyed this soundtrack more than anything in a long time so well done


John2017-02-20 09:25:34
Onlyon this forum ! I think it's amazing and the music makes the film . I have always been a fan of Hans music but now lorn music is beating everyone's music for animation . Really great and best batman score since batman begins


Edmund Meinerts2017-02-20 12:05:11
"now lorn music is beating everyone's music for animation."

Sorry. As good as this score is, Lorne still has a long long way to go before he reaches John Powell's level.


John2017-02-20 12:34:49
Sorry but !!! Edmund you seem to be in the minority ! Social media is constantly
Mentioning the score in reviews . I realize I'm new to the new site but I follow Ihim on twitter and Facebook and everyone seems to be congratulating on the soundtrack . Apart from you ! Anyway - it's fun and I close my eyes and sit back and listen to it and enjoy A what else can I ask for .


Edmund Meinerts2017-02-20 14:41:18
Good for him! It's great that this score is getting such acclaim. It's a very fun and enjoyable one. But go out and ask those same people if they like this more or How to Train Your Dragon and then come back and tell me what they say.


David2017-02-20 19:56:09
Not just Powell but Zimmer too! The Prince of Egypt, Kung Fu Panda and The Lion King! Another great Powell animated score is Shrek, which he shares with Gregson-Williams :D


tim2017-02-21 08:08:43
Chad smith played on the score -red hot chilli peppers - what a drummer!!

BBmysic reply Replies: 0 || 2017-02-20 12:52:36
Totally lost ! /9 fed up with the violence amongst us all !

theeaglesfan005 reply Replies: 9 || 2017-02-13 13:12:36
Anybody got a film order of the score + songs?


Medigo2017-02-13 17:18:59
Feel free to correct me


Black
Who's The (Bat)Man - Patrick Stump
Your Greatest Enemy
Forever - DNCE (could also be the other version, they sound alike)
The Arrival Of Robin (Part 2)
Man In The Mirror - Richard Cheese & Lounge Against The Machine (in the background)
(I Just) Died In Your Arms - Cutting Crew (Briefly)
Invincible - Kirsten Arian (Briefly)
Joker Crashes The Party
One - Harry Nilsson
The Arrival Of Robin (Part 1)
No Seat Belts Required (also a combination of 2 tracks)
To Cage The Joker
The Phantom Zone
Everything Is Awesome - Richard Cheese & Lounge Against The Machine (As elevator music)
Open For Business
Chaos In Gotham
Lava Attack
For Your Own Good
Joker Manor
Batman's In The Zone
The Babs Signal
Heroes (We Could Be) (Hard Rock Sofa & Skidka Remix) - Alesso Feat. Tove Lo
Battle Royale
A Long Farewell
Man In The Mirror - Alex Aiono
Part of the End Credits (didnt stay for all of it) are:
Friends Are Family - Oh, Hush! Feat. Will Arnett & Jeff Lewis
Black Excerpt
I Found You - Fraser Murray & Lorne Balfe


Medigo2017-02-13 17:20:05
I forgot The arrival of Robin part 3 (the joker material)
That goes before 'Joker Crashes the Party'
(which I feel hes done in four separate movies now)


theeaglesfan0052017-02-17 00:00:55
thanks :D


theeaglesfan0052017-02-17 00:05:25
when say arrival of robin part 1 and 2.. where should it be split?


jrej35552017-02-17 02:55:02
@theeaglesfan005
The Arrival of Robin
Part 1: Start - 0:51
Part 2: 0:51 - 1:37
Part 3: 1:37 - End


Medigo2017-02-17 08:53:07
also 1:29-2:50 from 'Black' was for some reason replaced in the movie with new music
no other track has edits like that I think tho


Rocko 2017-02-18 09:07:15
Where does the song I Found You feature in the film? It's a beautiful and it's the Robin theme but want to know where it goes .


Hybrid Soldier2017-02-18 11:08:29
In the end credits !


theeaglesfan0052017-02-19 21:49:56
@jrej3555

Where does Part 3 go?

Jim reply Replies: 0 || 2017-02-19 12:51:12
Really enjoying this score and the film was great . Lorne's writing is getting
Better and better and this is his best so far . Beautiful and great music .

AndyMusik9 reply Replies: 0 || 2017-02-17 05:22:37
What an amazing score and a cool film . Saw it tonight and it the best batman ever . Lorne score is brilliant .

Waymann reply Replies: 8 || 2017-02-14 11:45:39
Don't know why everyone is actually raving about this score ? Have listened to it once and I haven't felt the urge to listen to it again. It's a fun score for sure. But saying it's the best score for an animated movie since a long time is a bit too much credit for me... But hey everyone can like whatever they want. Love the first minute of The Arrival of Robin though.


Edmund Meinerts2017-02-14 12:34:09
I kind of agree with you. It's a fun score but the level of accolades it's getting would have you think it's the second coming of Jesus Christ.


isildur2017-02-14 14:08:40
It's not just fun score, it's fun "Batman" score. Sure many of us loved Hans' Dark Knight scores but this kind of addresses more aspects of Batman's & Joker's characters not just their broody nature and completely insane unpredictability that was there in Nolan's movies. Also the contrasting comic nature of the film helps the score to be enjoyed on a different level.

Of course it's not the greatest animation score. But when combined with the kind of popularity Batman & Lego movies have, it's just that more people are talking about it. And I, for one, am glad Lorne is getting some much deserved attention.


Mike2017-02-14 19:33:21
Obviously you haven't been reading the reviews then !!!! I think it's a great score
and the film is a massive success . The music is is big part of the film and works brilliantly


Edmund Meinerts2017-02-14 22:24:21
So if "the reviews" say something, it must be true and the rest of us have to fall in line? LOL


Mike2017-02-14 22:29:20
LOL ! Anyway


Miguel2017-02-14 22:35:46
Has anyone seen the physical release . Amazon seems sold out already


Mike2017-02-15 04:19:42
Different Mike here....frequent poster...Whenever I see other Mikes here, I feel the need to change my name. ;)

But I agree with Edmund. It's pretty good, but it's not amazing. Maybe seeing the movie will change my mind.


MikeP2017-02-15 06:58:58
Mike - it will change your mind

Paul reply Replies: 0 || 2017-02-14 10:54:29
What a lovely song I Found You is and Friends are family is great .lornes best score to date I think .

Mike reply Replies: 0 || 2017-02-14 10:48:17
Really enjoyable score and the orchestrations are amazing . One of
The best animation music I have heard an a while . Lava attach is a great track.

Michael Poleschuck reply Replies: 0 || 2017-02-14 08:10:15
By the way, does the credit "score producer" for Max Aruj and Thomas Farnon means, that they are also write additional music and arrangements for this?

Modo66 reply Replies: 0 || 2017-02-14 08:00:50
Wow - this is a great album looking forward to seeing the film now

jrej3555 reply Replies: 0 || 2017-02-13 17:46:01
This is the soundtrack album that Zimmer and Balfe's Megamind should've gotten! That release was pathetic; it failed to satisfy those who wanted the songs (only had 4) and those who wanted the score (13 cues).

Crisp Rat reply Replies: 3 || 2017-02-07 15:17:38
Fantastic score, one of Lorne's best. Has anyone else noticed how he quotes The Dark Knight score in "Your Greatest Enemy"?


AndrewMusix2017-02-07 17:05:51
It's funny how everyone is thinking they are hearing every single Batman reference . Fantastic score . Not what I expect led . Seeing the film this
Weekend . Hope it's as good as the soundtrack


Bioscope2017-02-13 16:05:17
Do I hear a distinct quote of the Arrowverse motifs? I keep seeing The Flash running past me in my mind's eye :)


Crisp Rat2017-02-13 16:49:21
@Bioscope I thought the exact same thing!

Evan reply Replies: 0 || 2017-02-13 05:05:58
I can't stop listening to it . It is everything an animation soundtrack should sound like and more . Just saw the film today and the whole score stands
Out in the film . I think this is the year for Balfe .......

Deitor reply Replies: 0 || 2017-02-13 04:58:37
I Found You is the Robin theme I believe . It is the best song on the album I think and lorne should write more songs . I think it's the best super heros score in along time .

Ando87 reply Replies: 2 || 2017-02-12 11:14:16
i have listened to this score over 10 times . wonderful music and the best animation music in a long time


Edmund Meinerts2017-02-12 17:20:19
Kubo and the Two Strings is not even a year old! ;)


Ando872017-02-13 00:41:43
Exactly !

Joshua reply Replies: 0 || 2017-02-11 20:50:04
Really enjoying this soundtrack . So much fun . Seeing the film tomorrow and already imagining what's going on . Got the album on loop now

Kevin reply Replies: 0 || 2017-02-11 20:06:34
Best score and best film . Saw it this afternoon and laughed so much . The orchestration is stunning and the robin theme is beautiful.

David reply Replies: 1 || 2017-02-10 18:10:42
Just been to see it and it's really good . Best Batman since Batman begins. Lorne's score is sensational . Score of the year


Edmund Meinerts2017-02-10 21:02:54
Score of the year? LOL. It's barely February, dude!

BoMus80 reply Replies: 2 || 2017-02-09 04:14:39
Has anyone seen the movie yet ? Reviews seem amazing and score is sounding the best . Apart from Zimmer - best music to come out of RCP in a LONG time.


Edmund Meinerts2017-02-09 14:06:40
I'd say that this is the best RCP score since probably Eddie the Eagle - but it doesn't top that little gem, for me. ;)


Moss2017-02-10 03:24:13
What a score . Great animation music but with solid themes .
Defiantly best score of the year - hard to beat this one . Favorite cue is Lava attack and then Kaos in Gotham.

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The Lego Batman Movie soundtrack - Lorne Balfe 2017