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The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas
10 and 16 are missing from the store pack.Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>
An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally I’ve moved on from collecting cd’s (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.
It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?Was pleasantly surprised by this one when I first heard it. Outside of the ‘modern scoring’ portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...
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Tom Holkenborg (Junkie XL)Aljoscha ChristenhußGavin GreenawayEmad Borjian
ComposerAdditional MusicConductorOrchestrator
Brimstone
Label: Milan Records (Digital Download Only)
Length: 84'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3571 votes)
  1. Brimstone (3:39)
  2. The Reverend (3:37)
  3. The Birth (1:40)
  4. She Belongs In Hell (3:33)
  5. I Am Here To Punish You (2:38)
  6. Revelation (6:45)
  7. Rules Are Rules (4:09)
  8. I'm A Father (1:45)
  9. I Will Kill Frank (1:19)
  10. Exodus (7:49)
  11. For The Love Of God (5:22)
  12. Sanctus (2:01)
  13. Two Strangers (1:32)
  14. God Has Other Plans (2:22)
  15. Scold's Bride (3:19)
  16. God Has Forgiven Me (3:21)
  17. Genesis (3:26)
  18. Abide (3:12)
  19. Fog (3:10)
  20. Ravening Wolves (3:22)
  21. Retribution (5:18)
  22. Watching Over Me (8:15)
  23. Liz (2:26)
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MrZimmerFan reply Replies: 0 || 2019-12-12 09:36:03
late

MrZimmerFan reply Replies: 7 || 2017-04-24 21:35:35
@Hybrid: Is true Tom go to compose Godzilla: King of the Monsters?


Edmund Meinerts2017-04-24 22:25:12
Yeah, just got announced on Film Music Reporter, although the rumor was flying around long before that. Really disappointing for me, since the director Michael Dougherty usually works with Douglas Pipes who is a great, underappreciated composer.


Brent2017-04-25 03:27:46
So... long story short, it actually looks like Tom will NOT be doing Godzilla after all, according to director Michael Dougherty. Check the director's Twitter account. Even though I enjoy Tom's music, I'm much more excited about the prospect of a Douglas Pipes Godzilla score (or the return of Desplat, tbh).


Everan2017-04-25 16:09:40
Too bad, but I hope this means Desplat is back.


MrZimmerFan2017-04-25 16:46:56
I'm not upset (I like Junkie, but I LOVE Desplat's), but i HOPE for Desplat or Pipes


mpolonest123 2017-04-25 23:16:11
Call me crazy but I really would have been interested to see what Tom's Godzilla would sound like under the direction of someone with good musical taste such as Dougherty.

Not really a huge fan of Desplat's work but I would definitely kill to hear Douglas Pipes take on this project.


Sam Whitacre2019-12-12 03:22:34
Bear McCreary was chosen as composer for Godzilla: King of the Monsters.


MrZimmerFan2019-12-12 09:35:17
You came to this conversation two years later :P

... reply Replies: 0 || 2017-02-26 05:04:10
The piano melody in the last minute of "Watching Over Me" is basically the Lois theme from Man of Steel

Felix reply Replies: 2 || 2017-01-05 23:02:37
What a great score! Good job!! :)


Anonymous2017-01-08 12:45:32
And I'm still trying to understand why all of his scores sound so synthetic. Melodically it's really beautiful score, but there's just something wrong with it...


...2017-01-09 11:55:04
Yeah well that has to do with the fact that JXL changes and tampers with the orchestral recordings.

Jack Afrogarrix reply Replies: 0 || 2017-01-05 20:33:37
Junkie xl is back with the new movie 2017 brimstone With Additional Music By Aljosha christenhub & Music Conducted By Gavin Greenaway

I see The Trailer Is An Western Thriller Movie

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Brimstone soundtrack - Tom Holkenborg (Junkie XL) 2017