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Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10
Gavin should be listed as conductorBecause Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane").
"Second time"... lolAnother awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.
Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.
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Tom Holkenborg (Junkie XL)Aljoscha ChristenhußGavin GreenawayEmad Borjian
ComposerAdditional MusicConductorOrchestrator
Brimstone
Label: Milan Records (Digital Download Only)
Length: 84'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3516 votes)
  1. Brimstone (3:39)
  2. The Reverend (3:37)
  3. The Birth (1:40)
  4. She Belongs In Hell (3:33)
  5. I Am Here To Punish You (2:38)
  6. Revelation (6:45)
  7. Rules Are Rules (4:09)
  8. I'm A Father (1:45)
  9. I Will Kill Frank (1:19)
  10. Exodus (7:49)
  11. For The Love Of God (5:22)
  12. Sanctus (2:01)
  13. Two Strangers (1:32)
  14. God Has Other Plans (2:22)
  15. Scold's Bride (3:19)
  16. God Has Forgiven Me (3:21)
  17. Genesis (3:26)
  18. Abide (3:12)
  19. Fog (3:10)
  20. Ravening Wolves (3:22)
  21. Retribution (5:18)
  22. Watching Over Me (8:15)
  23. Liz (2:26)
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MrZimmerFan reply Replies: 0 || 2019-12-12 09:36:03
late

MrZimmerFan reply Replies: 7 || 2017-04-24 21:35:35
@Hybrid: Is true Tom go to compose Godzilla: King of the Monsters?


Edmund Meinerts2017-04-24 22:25:12
Yeah, just got announced on Film Music Reporter, although the rumor was flying around long before that. Really disappointing for me, since the director Michael Dougherty usually works with Douglas Pipes who is a great, underappreciated composer.


Brent2017-04-25 03:27:46
So... long story short, it actually looks like Tom will NOT be doing Godzilla after all, according to director Michael Dougherty. Check the director's Twitter account. Even though I enjoy Tom's music, I'm much more excited about the prospect of a Douglas Pipes Godzilla score (or the return of Desplat, tbh).


Everan2017-04-25 16:09:40
Too bad, but I hope this means Desplat is back.


MrZimmerFan2017-04-25 16:46:56
I'm not upset (I like Junkie, but I LOVE Desplat's), but i HOPE for Desplat or Pipes


mpolonest123 2017-04-25 23:16:11
Call me crazy but I really would have been interested to see what Tom's Godzilla would sound like under the direction of someone with good musical taste such as Dougherty.

Not really a huge fan of Desplat's work but I would definitely kill to hear Douglas Pipes take on this project.


Sam Whitacre2019-12-12 03:22:34
Bear McCreary was chosen as composer for Godzilla: King of the Monsters.


MrZimmerFan2019-12-12 09:35:17
You came to this conversation two years later :P

... reply Replies: 0 || 2017-02-26 05:04:10
The piano melody in the last minute of "Watching Over Me" is basically the Lois theme from Man of Steel

Felix reply Replies: 2 || 2017-01-05 23:02:37
What a great score! Good job!! :)


Anonymous2017-01-08 12:45:32
And I'm still trying to understand why all of his scores sound so synthetic. Melodically it's really beautiful score, but there's just something wrong with it...


...2017-01-09 11:55:04
Yeah well that has to do with the fact that JXL changes and tampers with the orchestral recordings.

Jack Afrogarrix reply Replies: 0 || 2017-01-05 20:33:37
Junkie xl is back with the new movie 2017 brimstone With Additional Music By Aljosha christenhub & Music Conducted By Gavin Greenaway

I see The Trailer Is An Western Thriller Movie

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Brimstone soundtrack - Tom Holkenborg (Junkie XL) 2017