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I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.
Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).
Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)
Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!A Star Wars score that John Williams himself worked on, however briefly. An interesting time to be a film music fan indeed. <br><br>Hybrid, do you know if Powell was already hired before the director switch on Solo?Happy birthday Mr BalfeI have the same concern, but at the same time I'm really really excited and curious to hear what Williams' sensibilities filtered through Powell's voice will sound like. Those are two of my absolute favorite composers (like, honestly, those two and Hans, top three). I just hope Powell can figure out a way to make it sound natural and organic and not forced/awkward. And maybe if Powell doesn't have to worry about coming up with a main theme it leaves him more time to fine-tune the balance between the two composers' voices (or else write cool secondary material). Giacchino only had four weeks on Rogue One and while he did a decent job, it wasn't as smooth an adaptation as I'd have hoped, especially coming from the composer of Medal of Honor. My expectations are higher for Solo.<br><br>I couldn't give two shits about the movie itself but I'm grateful it exists if only because it will give us this exciting, one-of-a-kind score situation. :)<br><br>Also, there's gonna be a Star Wars score with a page on hans-zimmer.com - who'd ever have thought?
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Tom Holkenborg (Junkie XL)Aljoscha ChristenhuŖGavin GreenawayEmad Borjian
ComposerAdditional MusicConductorOrchestrator
Brimstone
Label: Milan Records (Digital Download Only)
Length: 84'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2611 votes)
  1. Brimstone (3:39)
  2. The Reverend (3:37)
  3. The Birth (1:40)
  4. She Belongs In Hell (3:33)
  5. I Am Here To Punish You (2:38)
  6. Revelation (6:45)
  7. Rules Are Rules (4:09)
  8. I'm A Father (1:45)
  9. I Will Kill Frank (1:19)
  10. Exodus (7:49)
  11. For The Love Of God (5:22)
  12. Sanctus (2:01)
  13. Two Strangers (1:32)
  14. God Has Other Plans (2:22)
  15. Scold's Bride (3:19)
  16. God Has Forgiven Me (3:21)
  17. Genesis (3:26)
  18. Abide (3:12)
  19. Fog (3:10)
  20. Ravening Wolves (3:22)
  21. Retribution (5:18)
  22. Watching Over Me (8:15)
  23. Liz (2:26)
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MrZimmerFan reply Replies: 5 || 2017-04-24 21:35:35
@Hybrid: Is true Tom go to compose Godzilla: King of the Monsters?


Edmund Meinerts2017-04-24 22:25:12
Yeah, just got announced on Film Music Reporter, although the rumor was flying around long before that. Really disappointing for me, since the director Michael Dougherty usually works with Douglas Pipes who is a great, underappreciated composer.


Brent2017-04-25 03:27:46
So... long story short, it actually looks like Tom will NOT be doing Godzilla after all, according to director Michael Dougherty. Check the director's Twitter account. Even though I enjoy Tom's music, I'm much more excited about the prospect of a Douglas Pipes Godzilla score (or the return of Desplat, tbh).


Everan2017-04-25 16:09:40
Too bad, but I hope this means Desplat is back.


MrZimmerFan2017-04-25 16:46:56
I'm not upset (I like Junkie, but I LOVE Desplat's), but i HOPE for Desplat or Pipes


mpolonest123 2017-04-25 23:16:11
Call me crazy but I really would have been interested to see what Tom's Godzilla would sound like under the direction of someone with good musical taste such as Dougherty.

Not really a huge fan of Desplat's work but I would definitely kill to hear Douglas Pipes take on this project.

... reply Replies: 0 || 2017-02-26 05:04:10
The piano melody in the last minute of "Watching Over Me" is basically the Lois theme from Man of Steel

Felix reply Replies: 2 || 2017-01-05 23:02:37
What a great score! Good job!! :)


Anonymous2017-01-08 12:45:32
And I'm still trying to understand why all of his scores sound so synthetic. Melodically it's really beautiful score, but there's just something wrong with it...


...2017-01-09 11:55:04
Yeah well that has to do with the fact that JXL changes and tampers with the orchestral recordings.

Jack Afrogarrix reply Replies: 0 || 2017-01-05 20:33:37
Junkie xl is back with the new movie 2017 brimstone With Additional Music By Aljosha christenhub & Music Conducted By Gavin Greenaway

I see The Trailer Is An Western Thriller Movie

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Brimstone soundtrack - Tom Holkenborg (Junkie XL) 2017