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Oh wait... SCALPEL AND HAMMER is a combinations of two cues and I AM THE STORM is sort of in the middle :DFYI: <br><br>I AM THE STORM comes after SCALPEL AND HAMMER. <br><br>Gotta get my hands on the physical copy. Curious to hear the bonus tracks.He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genreYeah, I didn't think that comment through. Hybrid, feel free to leave this chain up so my shame is forever on display.
Yeah Ben Wallfisch sure sounds a LOT like HZ !<br><br><br>#facepalmyeah I feel like it's been days, weeks even since the last oneDoes Hans really hire people with similar styles to him? Or do the people hired by him end up developing (or being asked to write in) a similar style to Hans'?Could you repeat that, but in legible English this time?Yes, but usually Hans hires people with similar styles to his, or promising new composers. Paesano fits the former fairly well in a lot of ways. I'm just saying it's surprising to me that he's never worked here.
"RCP" is not a "style", it's a place...Kind of shocking to me that John Paesano isn't a member of RCP. Marvel's Spider-Man is basically a more consistent version of this score in many ways with a touch of Danny Elfman's Spider-Man elements.so glad to see HZ back to the superhero genreso great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.<br><br>Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train. <br><br>And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properlyApparently we’re in the wrong country :( If I could afford it, I’d travel just to experience this.Lorne is now listed on IMDB and Wiki as the composer of 'Six Underground'. Clearly Bay likes working with him. Good for Lorne.You're absolutely right. Play's over. Exit's that way. On your feet. Go!<br><br>Good knowing you.
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Mark MancinaDon HarperJohn Van TongerenBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Twister (Expanded Archival Collection)
Label: La-La Land Records
Length: 64'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2757 votes)
  1. Wheatfield (Film Version)** (1:26)
  2. The Hunt Begins** (3:51)
  3. The Sky** (1:03)
  4. Dorothy IV (Film Version) (1:56)
  5. The First Twister* (0:49)
  6. In The Ditch - Where's My Truck? (2:00)
  7. Waterspouts** (2:49)
  8. Cow (5:42)
  9. Walk In The Woods* (2:05)
  10. Bob's Road (2:13)
  11. Hail No! (2:43)
  12. Futility (Film Version) (2:17)
  13. Drive-In Twister** (2:57)
  14. Wakita (Film Version)** (5:19)
  15. Sculptures (Film Version) (3:06)
  16. House Visit (4:47)
  17. The Big Suck (Film Version)** (1:47)
  18. End Title** (2:20)

    ADDITIONAL MUSIC
  19. Wheatfield (Alternate) (1:33)
  20. Waterspouts (Alternate)** (2:50)
  21. The Big Suck (Alternate) (1:13)
  22. End Title - Respect The Wind§ (9:21)

*Previously Unreleased
**Contains Previously Unreleased Material
§Written & Performed by Edward & Alex Van Halen
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Bayhem reply Replies: 4 || 2018-06-28 12:41:11
IMO, easily one of the best action-adventure scores. Mancina and his team knocked it out of the park. There's not a single track that I don't like. Love them all.

Compare this score to the scores we have today and you'll see how messed up a lot of modern scores are. What happened to THAT type of music? Adventurous, exciting, beautiful.....Seems to be gone nowadays.


P.S. I still don't know why they didn't include the "Leaving Wakita" track in any of the official releases of the Twister score. I think it's only available on YouTube....ripped from the movie. Not a great quality, but I'm glad someone did it. It's an awesome track. Pure Mancina.


Mr Tweedy2018-06-28 13:26:24
The "Leaving Wakita" track is featured on this release (the "La La Land" one).
It's track 9 "Walk in the Woods".


superultramegaa2018-06-28 16:25:11
"What happened to THAT type of music? Adventurous, exciting, beautiful.....Seems to be gone nowadays."

Lost in Space, Transformers 5, Teenage Mutant Ninja Turtles 2, most animated films, the Destiny videogame soundtracks, The Hobbit films, Pirates of the Caribbean 5, Blue Planet II, Solo: A Star Wars Story, the final 2 Harry Potter films, Most John Powell works...

If you're speaking purely for RCP and generic action films, the answer is Hans Zimmer devolved and the industry devolved with him. If you're speaking for artful, obscure films, those scores have almost always had little substance besides sounding nice aesthetically.


Bayhem2018-06-29 10:23:06
Mr Tweedy,

Oh, wow! Had no idea. So much for my research then......lol.

Thanks!


Bayhem2018-06-29 10:37:41
superultramegaa,


Good examples, but - as much as I love them - they're just not the same as Twister and say, Jumanji. Hell, put Braveheart in there as well. Fact is, the 90's were an AMAZING decade for adventurous, melodic, exciting, beautiful scores. Scores that "lift you up". The only recent ones that can come close, IMO, are the Hobbit scores.

The recent MV/RC scores you mentioned are solid, but they're nowhere near Twister. With Twister, there's just more meat to the bones. The music fills you up. It's very hard to explain with words. And it's something that rarely happens nowadays, at least from my perspective. Most similar modern scores just feel......emptier. And yes, I talk mainly about mainstream big Hollywood scores. I think Zimmer's Inception was the point where things kinda changed. Sound design, crazy electronics and VROOOOOOOM, BROOOOOOOM play too much of a part nowadays. You rarely get something truly melodic. A real theme. Jablosnky gets really close, Powell gets really close, but still......a lot of it feels too artificial.

Yes, I get it - things change and we can't be stuck with the 90's scores forever, but I don't think things got better with film music. It's really sad actually - Horner (one of the great melodic composers) left us way too soon, Mancina is pretty much gone from mainstream Hollywood, Rabin rarely scores......It's like most of the great "melodic composers" are gone. It's really sad.

mpolonest123 reply Replies: 3 || 2016-12-30 23:09:59
Yes!!! :D

One of my holy grails, I'm especially looking forward to the orchestral lead-in for Humans Being.


Angelos2017-01-17 20:22:27
Finally, LaLaLand has done it! Many kudos to them!!!! One my holy grails as well. I've been waiting for this for ages!
Take my money LaLaLand Records! Just take it!


Kusi2017-01-17 21:06:44
There's a sample of this cue on their site :)


mpolonest1232017-01-17 23:54:49
And it sounds great! It also seems like the original end titles are included as well.

One interesting thing, the mix sounds a bit different in the samples. The percussion and brass are both more pronounced I think.

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Twister (Expanded Archival Collection) soundtrack - Mark Mancina 1996