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Cool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? Itís been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...
In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?ANd now apparently another guy is scoring it as well lmaoTechnically he's a little under 50% used so there's no obligation. But he wrote a whole score for it.
but if Lorne has written 50% of the score you should have a credit like in Ghost in the shellLorne is got additional music credit, not for co-composer, and still appear the image of the label for the soundtrack.But Lorne is still not credited as an official composer.  It is possible that Lorne shares credit with Max.In other news Lorne just finished compiling the OST for Gemini Man...When Richter was the composer there was an album planned at Deutsche Grammophon...<br><br>When Lorne jumped in to write a new score for the movie, apparently that release was cancelled... Now that film has like 50/50 MR LB, and nothing's planned at all.<br><br>So we'll see, but apart from posting some cues of his score online, like Lorne did before, I doubt there'll be an official release... And if Richter's release gets back on track, it would definitely have his score only.
Hybrid, by "not happening" you mean Richter's part of the score or Balfe's? Or the whole thing is as messed up as Ghost in the Shell, regarding the score?@Hybrid why?Will theyíre ever be a release score on YouTube and other websites this is a piece of art beautiful score 18 years later itís still have been published please answer my question if have this score Gmail it to me itís elijahboy564@gmail.comProbably not happening...Huh. Weird how Harper and HGW worked on continuous chunks of the movie, like Hans assigned them reel by reel or something...
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3030 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Dťj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016