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Listen to 12:38 above and then also Main Title or Top of the World from Last of the Mohicans. Trevor Jones should have a listen.I swear I heard Last of the Mohicans in the movie twice. Maybe it was the slowing of the classic pirate theme. I will figure it out next time I watch.@ mpolonest123 except the Sia song is played during the end creditsThanks!!Of memory I think is it the order of the movie, but I think some tracks are mixed in one, for exemple el matador del mar (like At Wit's End in potc3)  :-)
Does anyone know if the score is in the same order it is played in the movie??I agree - why didn't they include Tina's version of the theme . More of the Zimmer would have made the score much effectiveLoving the track wonder woman's wrath. Great action pieceA CD/DVD release was planned for earlier this year, but it was cancelled possibly because of the new tour. I suppose that when this tour is over we 're gonna have news on the release. In the meantime you can check the video recordings from Coachella, the quality is quite good.Y'know, if the Salazar sounded more like the variation in Kill the Sparrow, it would have worked way better than the generic sound we get through the rest of it.
Just google it. <br><br>If anyone wants to custom improve this album; just swap out the Sia song for Tina Guo's cover. It makes the album end off on a much better note ;-)Just finished listening to the score, and this definitely helps calm my frustration after seeing Pirates last night. The score for Pirates was decent enough with some catchy tracks, but this is way better. Summer movies 2017 may not have the best movies lined up in terms of quality, but the scores for them all are really intriguing. Hoping the scores for The Mummy, Transformers, Spider-Man, and Dunkirk are all what I hope. Anyway I'm getting off track, the Wonder Woman score is very good and Rupert is really taking off as a quality composer.Wish there was more of the Zimmer theme . Really lacks it .Where?Dear Hans Zimmer Team,<br>what is up with your Live-Tour sound? Almost all of the eventim-FanReports for your live tour talk about deafening bass, drowned-in-noise vocals, actually exploding speakers and people leaving early. I was in Leipzig, your technicians might remember the guy who asked them for earplugs. <br><br>I will alert the emissions-protection-bureau about this. Because submitting People to 100+dB without proper warning is actually illegal here.<br><br>In truth, I would like my money back. <br> <br><br>
Can't please everyoneI hope Hans will "return" to the Pirates franchise I mean he has not done "Dead men tell no tales" just because Dunkirk and his live tour were in the way. Even Zanelli said that they all sat together and felt ready to start the project. Because of the fact that Zanelli is responsible that the "he's a pirate" theme sounds like it does I would love to hear a Score by Hans Zimmer & Geoff Zanelli for the real Finale !I was at the concert in Forum in Copenhagen, it was a spectacular experience. Normally the sound is therrible there, last experienced with Ennio Morricone, that concert was destroyed by bad sound, but with your concert it worked out to perfection as the sound was turned up loud and took the roof of LOL... my question is, is there a DVD or CD with the set, some of the tunes were fantastic with the small and big modifications, and cant be found in superb quality anywhere...You mean those boring, unimaginative percussions from "Is She With You" (aka the worst part of the whole cue)? Oh dear.I'm impressed either with the fact that for now I don't recall any big parts missing in this score like with the previous movies. The only thing i'm missing now is the part right after the first track (the music used in the beginning on the Dutchman) but that was actually the One Day suite from AWE so not really a big deal.
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (1625 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Déj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016