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The Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.
I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on album
I can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...
@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>
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Hans ZimmerBenjamin WallfischPharrell WilliamsSteven Kofsky
ComposerComposerComposerMusic Production Services
Hidden Figures
Label: Columbia Records
Length: 49'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4590 votes)
  1. Katherine (2:37)
  2. Mission Control (1:17)
  3. I'd Already Be One (1:08)
  4. Space Task Group (2:56)
  5. Slice Of Pie (1:05)
  6. Redacted (1:26)
  7. With All The Angels (1:35)
  8. Redstone (1:36)
  9. Call Your Wives (3:23)
  10. Launch (2:21)
  11. That's Just The Way Things Are (2:25)
  12. Sign (1:11)
  13. Kitchen Kiss (0:55)
  14. Mary And The Judge (1:30)
  15. I Like Her Numbers (2:07)
  16. Ladies' March (1:25)
  17. Mary And Levi (2:12)
  18. Euler's Method (1:23)
  19. Proposal (1:40)
  20. Pearls (2:41)
  21. Katherine Calculates (1:32)
  22. Lift Off (3:11)
  23. Warning Light (0:59)
  24. Rocket Peril (3:10)
  25. Hidden Figures (3:50)
  26. Epilogue (0:38)
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mpolonest123 reply Replies: 4 || 2018-07-31 15:02:39
I know this was a “band-jam” score but I’m surprised at how much of Wallfisch’s voice I hear throughout. Mainly the chord progressions, I keep hearing the DNA of It and Bitter Harvest with a dash of Peter Pan.

As for the score itself, I can’t believe it’s taken me this long to give this a full listen. The mix between orchestral/electronic/gospel/jazz surprisingly feels cohesive and never slows down.


Mephariel2018-07-31 17:07:01
One of my favorite scores of the past decade with Zimmer's name attached to it.


Mike 2018-07-31 18:21:40
This score is really solid. I'm not really familiar with Wallfisch's solo stuff, so I can't tell who did what on this one, but the end result is really cohesive. The themes are great, too.


mpolonest1232018-07-31 19:03:48
Going by what Hybrid said I’m guessing everybody had a hand in everything, definitely a lot of cross-pollination of styles (aside from the obvious Pharrell material). I definitely hear Hans’s voice in the cello writing and Rocket Cues, and “Katherine Calculates” sounds very much like The Da Vinci Code.

And Mike, if you haven’t heard it yet check out “A Cure For Wellness”. IMO Wallfisch’s best score, which showcases his horror/fantasy/orchestral styles all in one.


MrZimmerFan2018-08-01 13:17:45
There is a lot great stuff by Wallfisch, like the mencionated Bitter Harvest, Bhopal, Hours...

Mattank16 reply Replies: 0 || 2018-07-07 22:53:33
I just found these cues from ASCAP

ASCAP Cues

BATHROOM SIGN
BEDROOM PICTURE
CAPSULE PREP
CLASSROOM
COFFEE
CONGRESS SPEECH
DOROTHY - MARY IN WIND TUNNEL
END MONTAGE
GLENN IS SAFE
HEAT SHIELD
I'M ALREADY THERE
INTERROGATION OVER
KATHERINE ENTERS OFFICE
KATHERINE TELLS IT
LAUNCH PREPARATIONS
LIBRARY
MARY ENGINEER
MONTAGE
MRS VAUGHAN
NECKLACE
PENCILS
PRAISE HIM
REDSTONE CALCULATIONS
SHEPARD LAUNCH
TAKE OFF
WEST COMPUTING GROUP

Iamtommie reply Replies: 0 || 2017-12-31 17:54:37
Is it in chronological order.
If not, does anyone know what order it should be in?
Thanks

OskarC reply Replies: 2 || 2016-12-01 08:17:04
Sounds a lot like Horner about 10 minutes in. Not that it's a bad thing.


Yumbo2017-04-01 09:17:28
Does anyone know who the female soloist is?


Dragonseeker2017-04-01 10:55:44
Solo Vocals: Kim Burrell & Clydene Jackson

According to the booklet credits.

ei18 reply Replies: 2 || 2017-02-13 19:28:11
Hybrid, do you know how Hans was involved with Adele's Grammy performance? Benjamin Wallfisch thanked him in a post for bringing him onto the project.


Hybrid Soldier2017-02-13 19:48:23
Hans & Ben arranged the song for Adele. Like they did with Pharrell 2 years ago for his new version of "Happy".


Ei182017-02-13 19:52:55
Awesome! Thanks!

Sam reply Replies: 0 || 2017-01-18 18:26:06
I'm greatly surprised that the great Herbie Hancock is also in this terrific score

... reply Replies: 0 || 2017-01-05 13:55:58
Hybrid, with which tracks did you make the suite?

ei18 reply Replies: 3 || 2016-12-01 01:18:53
Thanks for the suite!! Is it really not coming out until June 2017?


0-^-02016-12-01 06:07:51
Looks more like January 6th to me.


Ei182016-12-01 16:44:14
I thought that too, but other scores on this site have the release date with the month first.


Ali2016-12-31 04:39:37
It would make the most sense if it came out January 6th, since that is the official date for the movie release everywhere. They have no reason to not release it until June.

isildur reply Replies: 1 || 2016-12-14 06:00:17
And how come Hans' name isn't there in the announced list of Oscar eligible scores (for "Hidden Figures")

http: //filmmusicreporter.com/2016/12/13/academy-announces-145-ori ginal-scores-in-oscar-race/

http: //variety.com/2016/film/in-contention/oscars-academy-disqual ifies-arrival-manchester-by-the-sea-silence-1201941479/


Dudu2016-12-14 06:50:44
I think that's because of the rule that disqualifies a score where too many people are credited (ie. The dark knight)...maybe hz chose to drop his name so the score could be eligible

isildur reply Replies: 0 || 2016-12-14 05:35:03
Hey Hybrid, do you by any chance know, what the hell is going on on DUNKIRK's FB page? They've been live streaming the same view since last 13 hrs with the same ticking music.

Hybrid Soldier reply Replies: 8 || 2016-11-30 23:39:17
Extract !


ZFan2016-12-01 00:43:54
Oh my, I'm Speechless. thanks Hybrid for the suite.


Mike2016-12-01 03:33:03
Nice! Did Zimmer, Wallfisch (& Pharrell) do roughly equal amounts here? Or is it mostly Wallfisch? Mostly Zimmer? :P


JamesT2016-12-01 05:18:58
Oh, wow. Spectacular!


Hybrid Soldier2016-12-01 18:02:21
It's Pharrell's project.


Anonymous2016-12-01 22:51:25
so he did most of it????


Hybrid Soldier2016-12-01 23:01:46
The main piano theme is definitely is. He was the basis of the music, some cues are pure Pharrell which I didn't include in the suite. Hans & Ben helped him at his request.

But that sort of score is usually a lot of jamming in the same room, don't try to figure out too much who did what here, sounds a bit like everybody, it's Pharrell, Hans & Ben !


Mike2016-12-01 23:05:34
The RCP-process never does cease to surprise us. lol.


Gotham Rogue2016-12-14 02:54:45
I like the excerpt a lot. It's certainly unique - it has that strange spin that they love to put on scores (particularly recently) - but it also is undeniably an RCP score. It seems like a good blend of these two methods, much better than some recent efforts. Hope the full score reflects this!

MB reply Replies: 2 || 2016-12-12 15:47:57
A Golden Globe nomination. Hope it'll win!


Anonymous2016-12-13 01:42:16
Normally I'd say no, but since Pharrell is involved, it actually has a chance of winning because people would scream racism if he didn't win lol


Anonymous2016-12-13 06:46:01
WTH? Really?!?

Jack Afrogarrix reply Replies: 3 || 2016-12-08 02:01:40
Nice score Music By Hans Zimmer With Pharrell Williams & Benjamin Wallfisch
A new collaboration awsome i can to hear the full score that is coming soon in january 2017


mpolonest123 2016-12-08 03:10:29
Thank you...

We can read.


Edmund Meinerts2016-12-08 21:51:55
Wouldn't be right without Jack Afrogarrix playing Captain Obvious on every new score on this site!


OskarC2016-12-08 23:51:42
Come on, why are you writing an almost identical post under every score?

0-^-0 reply Replies: 0 || 2016-12-08 06:24:34
The opening 50 seconds of the suite is absolutely amazing. Man I so wish to hear a score in this spirit coming from Hans or Ben soon.

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Hidden Figures soundtrack - Hans Zimmer - Benjamin Wallfisch - Pharrell Williams 2016