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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Rupert Gregson-WilliamsTony ClarkeSteve MazzaroThomas Farnon
ComposerAdditional MusicAdditional MusicAdditional Music
Hacksaw Ridge
Label: Varese Sarabande
Length: 53'50
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5404 votes)
  1. Okinawa Battlefield (3:59)
  2. I Could Have Killed Him (2:20)
  3. A Calling (2:42)
  4. Pretty Corny (1:44)
  5. Climbing For A Kiss (3:47)
  6. Throw Hell At Him (1:58)
  7. Sleep (2:19)
  8. Dorothy Pleads (3:17)
  9. Hacksaw Ridge (4:20)
  10. Japanese Retake The Ridge (4:36)
  11. I Can't Hear You (2:54)
  12. One Man At A Time (2:30)
  13. Rescue Continues (3:46)
  14. A Miraculous Return (2:50)
  15. Praying (5:49)
  16. Historical Footage (4:59)
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Rudy reply Replies: 0 || 2017-08-31 20:47:29
Olá! Eu fiz um vídeo e coloquei um pedaço de uma trilha desse albúm. Ao publicar no Facebook, recebi um aviso de Copyright e meu vídeo no. E pode ser publicado. Como faço para poder ter o direito de postar no video no Facebook?

Paul reply Replies: 3 || 2017-02-13 13:12:41
Does anybody knows if there is a complete score, did it leak anywhere?????


Everan2017-04-16 02:08:44
I saw one around, you just have to look for it.


peter2017-04-16 16:34:37
Here you have playlist of Complete Score. You are all welcome :)

01. He Hates Himself (1:05)
02. To Basic Training (0:54)
03. Pretty Corny (1:47)
04. A Calling And A Lovely Girl (2:16)
05. I Could Have Killed Him (2:21)
06. Dorothy Waits/Desmond's Rage (1:12)
07. Throw Hell At Him (1:58)
08. Okinawa Battlefield/Childhood (3:46)
09. A Night Together (0:56)
10. I Sleep Pretty Hard (2:22)
11. Climbing For A Kiss (3:59)
12. Charges Withdrawn/Small Victory (1:17)
13. Court Martial (1:53)
14. I Killed Him In My Heart (1:04)
15. Dug In For The Night (0:26)
16. Okinawa Battlefield/Childhood v2 (4:07)
17. Kill Joy Is Here (1:30)
18. Playing Dead (Part 1) (2:36)
19. Hacksaw Ridge (4:21)
20. Dorothy Pleads (3:20)
21. Into The Rat Hole (2:41)
22. Smitty is Gone/I Can't Hear You (2:54)
23. Morning Patrol/Hollywood (1:13)
24. Sniper / Rescuing Howe (1:17)
25. A Miraculous Return (1:51)
26. One Man at a Time (3:42)
27. Rescue Continues/I Thought I was Blind (3:45)
28. Rescuing Howe (2:48)
29. End Title 2 (0:49)
30. Japanese Retake the Ridge (4:49)
31. End Title 1 (3:13)
32. End Title 3 (1:11)
33. End Title 4 (1:35)
34. End Title (2:25)
35. Historical Footage (4:47)
36. Praying/Let's Go To Work (5:49)

Playtime: 1:27:58


Felix2017-04-16 17:24:29
Here are the Sessions:

01 - 1M1 Okinawa Battlefield/Childhood
02 - 1M2 I Could Have Killed Him
03 - 1M4 He Hates Himself
04 - 1M6 A Calling & A Lovely Girl
05 - 1M7 Pretty Corny
06 - 2M9 Climbing for A Kiss
07 - 2M11 To Basic Training
08 - 3M12 Throw Hell At Him
09 - 3M14 I Sleep Pretty Hard
10 - 3M15 Dorothy Waits/Desmond's Rage
11 - 3M16 Dorothy Pleads
12 - 4M17 Court Martial
13 - 4M18 Charges Withdrawn/Small Victory
14 - 4M19 A Night Together
15 - 4M21 Kill Joy is Here
16 - 5M23 Hacksaw Ridge
17 - 6M25 Dug in for the Night
18 - 6M26 I Killed Him in My Heart
19 - 6M27 Japanese Retake the Ridge
20 - 6M28 Smitty is Gone/I Can't Hear You
21 - 6M29 One Man At A Time
22 - 6M30 Playing Dead
23 - 7M31 Into the Rat Hole
24 - 7M32 Rescue Continues/I Thought I Was Blind
25 - 7M33 Morning Patrol/Hollywood
26 - 7M34A Sniper
27 - 7M34B Rescuing Howe
28 - 7M35 A Miraculous Return
29 - 8M36 Praying/Let's Go to Work
30 - 8M38 Historical Footage
31 - 8M39 End Title #1
32 - 8M40 End Title #2
33 - 8M41 End Title #3
34 - 8M42 End Title #4
35 - 1M1alt Okinawa Battlefield/Childhood

kitaro1366 reply Replies: 0 || 2017-04-15 06:29:52
Mc

David reply Replies: 2 || 2017-02-09 20:25:16
When will the complete score be added with composer info? That would be nice :)


Hybrid Soldier2017-02-09 23:40:25
No cuesheet info, it's empty !


Dudu2017-02-10 07:54:33
Yeah, and I saw that no additional music composer is credited in the booklet either, only thanks...do you know why Hybrid? Maybe contract issues?

Jack Afrogarrix reply Replies: 0 || 2017-01-05 20:50:06
Rupert Gregson-Williams makes a Great score for this movie.

This Score Is Like other War Films Like 13 Hours Music By Lorne Balfe &
Lone Survivor By Explosions In The Sky & Steve Jablonsky

Scorefan reply Replies: 1 || 2016-10-05 00:42:46
Very good suite, very doog job from Rupert. The beginning of the suite sounds like Kingdom of heavne from his brtoher Harry.


psycosid072016-11-30 02:25:31
Yeah, you're right. Debney's complete score was rejected and replaced by Rupert Gregson-Williams for the final cut.

mpolonest123 reply Replies: 0 || 2016-11-12 22:02:11
Just saw the film, definitely one of my top Oscar contenders for this year. Great direction, acting, cinematography, etc.

As for the score, Rupert hit it out of the ballpark. The first half reminded me of a bluegrass "Winters Tale" while the second definitely had that modern action scoring we are all accustomed with. Only major complaint is some of the dissonant sections during the war scenes but, given the context, it's understandable.

(And 2:00 in Climbing for a Kiss, holy shit that's beautiful)

Jack Afrogarrix reply Replies: 1 || 2016-11-09 15:44:41
Rupert Gregson-Williams:Composer
Anthony Clarke:Additional Music
Evan Jolly:Additional Music
Steve Mazzaro:Additional Music
Cliff Masterson:Conductor
Mel Gibson:Director

Rupert Gregson-Williams Has Done An Great And Awsome Score Again Hacksaw Ridge I Can Wait To See This Movie


Edmund Meinerts2016-11-10 23:57:19
What's the point of the first part of your post? Most of that information is up there already. Also, Watch Your Capitals.

Ds reply Replies: 0 || 2016-11-09 22:22:56
That is a hell of a beautiful movie. Very powerful, very emotional, and intense as hell. Actors performances are unbelievably good as well. Needless to say, Rupert's score plays a big role in the movie, especially towards the end. A job nicely done by all involved, I sure hope to see this movie at least nominated for the Oscars.

Morgan Joylighter reply Replies: 3 || 2016-11-04 08:13:57
Best war movie...possibly best war movie score of all time...

I just saw this in the cinema last night and I was totally blown away by both movie and score. Rupert has really re-invented himself this year and it seems like Mel Gibson has too.


will2016-11-08 09:32:08
best war movie score of all time? while i really enjoy ruperts work, but wow that is a bit too much don't you think? :D


Brent2016-11-08 10:27:25
"Best war score of all time" may be a stretch, but I really do quite like this. I'm SO SO happy with what Rupert has produced this year. Portions of Tarzan are good, this score (and film) are amazing and The Crown is absolutely sublime. Can't wait for Wonder Woman!


Saurabh2016-11-08 17:38:56
I won't say Rupert has reinvented himself. His sound is more closely associated with the 90s RCP sound. While Tarzan seemed pedestrian for me, Hacksaw Ridge has a great blend of that power anthem sound and some good themes.

Edmund Meinerts reply Replies: 0 || 2016-11-07 19:23:30
Wow, the main theme as heard in the first two tracks is reeeeeeally similar to his brother's "Burning the Past" from Kingdom of Heaven. Did Mel phone up the wrong Gregson-Williams? :P

I mostly like the score, but it's interesting that you can basically divide it into three parts: first pretty but very low-key drama writing kind of a la Winter's Tale (it's been compared to Thomas Newman and James Horner but that's a big stretch IMO), then modern themeless drum-heavy RC action and suspense music of the kind I don't like so much ("Japanese Retake the Ridge" could easily be from a Junkie XL score, which is not a compliment), and finally some good old thematic power-anthem-type emotional action scoring of the kind I do like very much. The first part isn't especially memorable and I could do without the middle part entirely, but otherwise I really enjoy this. It has a narrative and is definitely a step up from Tarzan, although I still personally prefer RGW's lighter efforts like Bee Movie and Bedtime Stories.

Crisp Rat reply Replies: 0 || 2016-11-05 06:03:02
Rupert really blew me away with this one! I was not expecting this gem of a score at all, especially in light of some his recent scores. I've been thinking a lot about this score, and what makes it so memorable. What sets this apart from his other scores, or really any other film score out there? And I believe the answer is this: strong, memorable themes, displayed in a way that really allows the music to move you. Because if music fails to move you, then what is it's purpose in any kind of media? Memorable emotions create memorable scores. And that, I think, is why scores like Inferno or BvS fall flat compared to the old Zimmer. Screechy sound design will never create an emotional response.
Check out this video that I found to be interesting and insightful:

https://www.youtube.com/watch?v=7vfqkvwW2fs

Cyberpunk88 reply Replies: 0 || 2016-11-04 12:40:40
So apparently Rupert is also going to score Wonder Woman, while still using Zimmer's WW theme from BvS. Can't wait!

Frank reply Replies: 0 || 2016-11-04 10:01:35
This score is easily the best score of Rupert's whole career thus far and he finished it with less than a month. I hope he can maintain such level for Wonder Woman.

Everan reply Replies: 0 || 2016-10-27 22:24:56
https:// www.youtube.com/watch? v=XLogL29fQWU

A visual soundtrack with some new music samples!

Hybrid Soldier reply Replies: 8 || 2016-10-01 15:56:43
Added a suite, it sounds pretty damn good !


isildur2016-10-01 18:22:17
It really does. Film has really amazing reviews. So, along with the film it seems there is a chance for a nomination for the score too. Just like they nominated Henry's score for Capt. Philips (which by the way wasn't that good a score)


Dragonseeker2016-10-01 19:52:03
Captain Phillips nomination was a joke. But this sounds better in every way.


MrZimmerFan2016-10-01 21:33:38
There is no nomination for Jackman's Cap Phillips in the Oscars


MrZimmerFan2016-10-01 21:34:05
Well, in the Baftas ;)


Everan2016-10-02 07:04:32
I hope this gets nominated


Phil2016-10-02 08:34:39
sounds amazing


Paul2016-10-02 13:19:09
Wich tracks did you use??? It sounds epic and emotional... Can't wait


Mcbain2016-10-04 11:44:44
The part @3:08 is just grand. Thanks for the update, Hybrid ;-)

... reply Replies: 9 || 2016-09-23 23:01:56
Wasn't John Debney scoring this?


Hybrid Soldier2016-09-23 23:03:30
Yes and he was kicked out !


Ds2016-09-23 23:29:30
Do you have more info on that, Hybrid? Like, was it Mel? Or the studio?


Brent2016-09-24 01:18:08
Part of me wishes it was still Debney as his previous effort with Mel resulted in one of the best scores I've heard, but I'm excited to hear what Rupert does here.


mpolonest1232016-09-24 01:25:12
Outside of Winter's Tale (which is severely underrated imo) nothing RGW has scored has stood out to me. I would've loved to see someone like Lorne Balfe take this type of project on.

Still, fingers crossed for Rupert to deliver something good. :-)


Edmund Meinerts2016-09-24 13:33:58
mpolonest123, you should check out Bedtime Stories and Bee Movie (the latter admittedly with a bit of behind-the-curtain help from Hans himself). Both are really fun scores, albeit a lot lighter than what this movie calls for. RGW is quite talented, actually, a lot better than what the fairly bland Tarzan would have you believe.


mpolonest1232016-09-24 14:59:47
I'll definitely take a listen to both of those. I had heard Bee Movie a few years back but it never stuck with me. Maybe it's time to revisit it :-)


Paul2016-09-24 18:51:59
Wow... Varese Sarabande still suck at artworks. Especially fonts... Ugh...

I'm fine with Rupert scoring this one, but I have the same question as Ds - why Debney was 'kicked out'?


Meta2016-09-25 03:39:17
Maybe the whole "Mel is an Anti-Semite" flared up...Who knows. I thought those two were tight after Passion of the Christ.


Hybrid Soldier2016-09-25 11:15:59
I have no idea why Debney was debarked...

Maybe he even left himself, who knows ! Actually I don't care lol...

Dimitris Krommidas reply Replies: 0 || 2016-09-23 21:48:01
Great!

Ds reply Replies: 1 || 2016-09-23 20:45:24
I really can't wait for that one!!! :-)


Macejko2016-09-23 20:50:48
Tarzan was pretty boring, not expecting much.

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Hacksaw Ridge soundtrack - Rupert Gregson-Williams 2016