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so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's commentsThe funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"Itís a massive undertaking. And I canít say anything about Justice League specifically, but Iíll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: Itís like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these charactersóitís very scary. You watch a movie and itís like, ďHoly shit, now I have to come up with something.Ē Youíve got sweaty hands and youíre nervous, and you talk about it over and over againóand I have exactly that relationship with Zack Snyderóand then Zack said, ĒThereís only one thing you can do, and that is embrace this character as if itís your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.Ē Thatís the only thing we can do. Thatís what all these great directors did back in the day, and thatís what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hansí score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that Iím doing with Zack, so you build a friendship and itís built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and itís this really open, amazing dialogue about where to take this franchise."
I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it
Any chance of proper artist credits for this score?@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.
Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-faceNice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).
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John PowellPaul MounseyBeth CaucciVictor Chaga
ComposerAdditional MusicAdditional MusicAdditional Music
Dr. Seuss' The Lorax (Complete Score)
Label: Unofficial Release
Length: 110'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (779 votes)
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  1. Thneedville (3:00)
    John Powell, Cinco Paul
  2. Ted's Plane - Audrey (2:35)
    John Powell
  3. Grammy Norma - To The Edge (2:37)
    John Powell
  4. Wasteland - The Tale Begins (5:09)
    John Powell, Paul Mounsey
  5. Once-ler's Journey (0:22)
    Ed Helms, John Powell, Cinco Paul
  6. Truffula Valley (0:58)
    John Powell
  7. These Trees (1:12)
    Ed Helms, John Powell, Cinco Paul
  8. Marshmallows (0:59)
    John Powell, Victor Chaga
  9. Chop - Lorax Appears (1:43)
    John Powell
  10. Tree Funeral (1:01)
    John Powell
  11. J'Accuse! (2:44)
    John Powell
  12. Come Back Tomorrow (0:56)
    John Powell, Paul Mounsey
  13. Ted Fantasizes (1:23)
    John Powell, Paul Mounsey
  14. O'Hare Leans On Ted (2:39)
    John Powell
  15. River Bed Chase (4:21)
    John Powell, Beth Caucci (Lalo Schifrin, Frederic Chopin)
  16. The Oath - Houseguests (Part 1) (2:49)
    John Powell, Paul Mounsey, Beth Caucci
  17. The Oath - Houseguests (Part 2) (0:27)
    John Powell, Beth Caucci
  18. Selling The Thneed (1:15)
    Ed Helms, John Powell
  19. Everybody Needs A Thneed (1:23)
    Ed Helms, John Powell, Cinco Paul
  20. Defaced Rooftops RV (Part 1) (1:16)
    John Powell
  21. Defaced Rooftops RV (Part 2) (0:36)
    John Powell, Paul Mounsey
  22. RV Deployment (0:27)
    John Powell
  23. A Little Problem (1:01)
    John Powell
  24. Truffula Massacre (1:10)
    John Powell, Victor Chaga
  25. How Bad Can I Be? (2:58)
    Ed Helms, John Powell, Allan Peter Grigg, Cinco Paul
  26. Valley Exodus (5:08)
    John Powell
  27. The Last Seed (4:54)
    John Powell
  28. Thneedville Car Chase (4:20)
    John Powell
  29. Thneedville Elevator Muzak (0:27)
    John Powell
  30. At The Park (4:13)
    John Powell, Paul Mounsey
  31. Let It Grow (3:19)
    John Powell, Cinco Paul
  32. The Lorax Returns (1:24)
    John Powell
  33. End Credits (Let It Grow) (3:38)
    Ester Dean, John Powell, Christopher Stewart, Cinco Paul, Aaron Pearce
  34. Thneedville (Original Demo) (3:59)
    Fletcher Sheridan, John Powell, Cinco Paul
  35. Once-ler's Journey (Alternate) (0:22)
    Ed Helms, John Powell, Cinco Paul
  36. The Once-ler's Traveling Madness (Original Demo) (1:36)
    Ed Helms, John Powell, Cinco Paul
  37. This Is The Place (Tricky Version) (2:25)
    Ed Helms, John Powell, Cinco Paul
  38. Marshmallows (Alternate I) (0:59)
    John Powell, Victor Chaga
  39. Marshmallows (Alternate II) (0:58)
    John Powell, Victor Chaga
  40. I Love Nature (Original Demo) (2:44)
    Randy Crenshaw, John Powell, Cinco Paul
  41. Tree Funeral (Alternate) (1:00)
    John Powell
  42. The Oath - Houseguests (Part 2) (Alternate) (0:28)
    John Powell, Beth Caucci
  43. You Need A Thneed (1:32)
    Keith Slettedahl, The 88, John Powell, Cinco Paul
  44. Nobody Needs A Thneed (Original Demo) (1:53)
    Fletcher Sheridan, Randy Crenshaw, John Powell, Cinco Paul
  45. Biggering (Original Demo) (5:01)
    Gabriel Hann, Randy Crenshaw, The 88, John Powell, Cinco Paul
  46. At The Park (Alternate) (4:16)
    John Powell, Paul Mounsey
  47. Let It Grow Gospel Ending (Original Demo) (0:53)
    Jenny Slate, John Powell, Cinco Paul
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Dr. Seuss' The Lorax (Complete Score) soundtrack - John Powell 2012