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She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
Can't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...
Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3.
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Hans ZimmerLorne BalfeJohannes Vogel
ComposerMusic ProducerConductor
Volvo V90 - Prologue (Commercial)
Label: 14th Street Music LLC (Digital Download Only)
Length: 3'08
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5101 votes)
  1. Prologue (3:08)
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Mike (OTM) reply Replies: 0 || 2018-05-26 00:31:47
Such an inspiring track. Loved it when it was released and still love it.

h.zamani reply Replies: 0 || 2016-10-02 17:05:21
another wonderful soundtracks from great composer Hans Zimmer. thank you hans

Hybrid Soldier reply Replies: 5 || 2016-09-16 22:16:07
It's finally "really" completely out ! lol


Anonymous2016-09-16 23:14:50
where can it be purchased? :)


Hybrid Soldier2016-09-16 23:20:57
iTunes, Amazon & co...


Ds2016-09-17 00:20:16
Cover art is significantly better :-D


Anonymous2016-09-30 20:39:33
will it go in the player? :P


Miguel2016-09-30 21:43:59
I hope so .

Anonymous reply Replies: 1 || 2016-09-04 21:52:05
still nothing... :(


peter2016-09-05 15:15:18
yes but tracks are already out

Mike reply Replies: 3 || 2016-07-26 20:28:24
Something I've been wondering, and maybe Hybrid has an answer... Both Hans and Lorne have done the "take 2 to 4 notes and make a crescendo for three minutes" out of it. Hans did it in "A Dark Knight" and "Time," while Lorne did it in Terminator Genisys and 13 Hours.

Hans did it again for the Volvo campaign prologue, and Lorne was producer here. So my question is, who's "guiding" this style? Is it more Hans or more Lorne influencing Hans? Just something I've wondered.


Anonymous2016-07-26 20:30:57
i think hans started the approach (da vinci code did it too) and then lorne learned how to do it and now does it a lot himself. remember too hans was a producer on 13 hours and terminator, so maybe he suggested that approach to lorne, and then lorne suggested it to him right back for the volvo stuff.


Edmund Meinerts2016-07-27 12:45:33
Hans has been doing that since The Thin Red Line!


Mike2016-07-27 16:45:29
Right, he has, but I guess Lorne has done it so much in his own stuff (and Hans has, in some ways, backed off from that approach a just a bit) that now it sounds more Lorne-like than Hans-like when I hear it. Especially in the Volvo thing. If Hybrid were to say Lorne co-wrote that, I'd believe it wholeheartedly.

peter reply Replies: 0 || 2016-07-26 16:19:17
Awesome track, will you add there some more information where it was recorder and so on?

Hybrid Soldier reply Replies: 5 || 2016-07-24 11:03:48
Still sorting out details about a wide release on digital stores, but I think it's already on Spotify & Microsoft store... :)


Ds2016-07-24 11:30:54
Why is it listed as a Lorne Balfe score on Spotify?


Hybrid Soldier2016-07-24 11:37:49
That's what I say when I say they are sorting things out, a few mistakes were made so far lol...


Mike2016-07-24 15:03:46
Awesome! So glad Prologue is being released.


Anonymous2016-07-26 05:54:26
is this likely to go to itunes?


Hybrid Soldier2016-07-26 12:15:57
Yes it will.

Anonymous reply Replies: 0 || 2016-07-25 15:29:49
:D oh guys

Ds reply Replies: 6 || 2016-07-24 16:15:35
Music is so great... But the cover art is... Hum =D


Mike2016-07-25 03:38:37
The music is quite good. I'm surprised how much I'm listening to it.


Mike2016-07-25 03:38:37
The music is quite good. I'm surprised how much I'm listening to it.


Anonymous2016-07-25 11:04:34
You don´t have to write it 2 times ;)


Anonymous2016-07-25 11:04:42
You don´t have to write it 2 times ;)


Bibi2016-07-25 12:13:36
You neither ;)


Bibi2016-07-25 15:11:53
You neither ;)

Anonymous reply Replies: 0 || 2016-07-25 01:35:29
sorry, but where is this available to get?

Felix reply Replies: 0 || 2016-07-24 11:03:07
YES!!!

peter reply Replies: 0 || 2016-07-24 10:33:41
I can´t believe! Thanks!!!!

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Volvo V90 - Prologue (Commercial) soundtrack - Hans Zimmer 2016