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I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from WallfischOne-worded track titles! Reminds me of early days of Media Ventures!<br><br>They sure tried real hard to keep spoilers out of these, didn't they? I suppose I'd take this approach over Latin or irrelevant names, though a little bit of pun and flavor wouldn't have hurt.So you can't wait to hear the score but you already say it's a great score ?<br><br><br>#inception
Another great score from Benjamin Wallfisch can't wait to hear the score & see the movie <br><br>Music By Benjamin Wallfisch<br>Additional Music By John Paesano & Adam Hochstatter<br>Orchestra Conducted By Tim Williams<br>Orchestrations By Peter Bateman & David J. KrystalWhy is people saying that Balfe kept some original music from Kraemer? I have listened to the whole score and I didn't found any quotes. Maybe in The Syndicate there is some kind of reference to Kraemer's theme but I don't really know.<br><br>And I have to say that I was expecting Balfe to shine on this one, but I ended up disappointed. There are some great action cues, and I like some things he does with the main theme like the use of choir, but the score as a whole feels like a reuse of many things I have already heard and ends up feeling repetitive and a bit boring. <br>And note that this is my opinion so don't jump into my neck saying this is the best score in the saga, because I think Rogue Nation is a really big step above this. I hope that at least it works in the context of the movie, which I suppose it does really well...Re-listening the score again...….Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...…..I was wondering that is there a Hans Zimmer library you need to license from Remote Control.<br><br>I kinda saw a composer's Cubase setup and he labeled one of his folders, HZ STR, HZ BRS, and HZ Choir.<br><br>Does Zimmer have a brass and choir sample library you need to have a license for?Easy now Mr. Anonymous, no need to be so superior. <br>I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene. <br><br>But I'll try to get a hold of that complete version somehow, looks super interesting.
Its just three short bursts of sound, really.Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!
Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hans’ New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :p
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John PowellJames McKee SmithTJ LindgrenJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Paycheck (Complete Score)
Label: Unofficial Release
Length: 127'30
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1157 votes)
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  1. Main Titles (3:26)
    John Powell
  2. Slut Kiss (1:06)
    John Powell
  3. Memory Wipe (0:49)
    John Powell, James McKee Smith
  4. A Good Life (1:02)
    John Powell
  5. Party Of Two (0:28)
    John Powell
  6. Portents Crystal Balls (2:07)
    John Powell
  7. Injection (0:30)
    John Powell, John Ashton Thomas
  8. A Second Chance (1:53)
    John Powell, John Ashton Thomas
  9. You're Done (1:12)
    John Powell
  10. Freeze Frames (2:12)
    John Powell, James McKee Smith
  11. Hot Seat (7:36)
    John Powell, James McKee Smith
  12. The Ring (0:40)
    John Powell
  13. That's You (0:26)
    John Powell
  14. 20 Items (5:33)
    John Powell
  15. Lucky Number (1:58)
    John Powell, John Ashton Thomas
  16. Wolfe Pack (4:27)
    John Powell
  17. The Third Rail (3:37)
    John Powell
  18. Reservations (3:19)
    John Powell, John Ashton Thomas
  19. Mirror Message - Imposter (8:39)
    John Powell
  20. Hog Chase A (3:16)
    John Powell
  21. Hog Chase B (4:05)
    John Powell
  22. I Don't Remember (1:28)
    John Powell
  23. Tomorrow's Headlines (4:22)
    John Powell
  24. Return To Allcom (3:04)
    John Powell, James McKee Smith
  25. Future Tense (7:54)
    John Powell, John Ashton Thomas
  26. Bio Lab Bash (3:05)
    John Powell, T.J. Lindgren
  27. Fait Accompli (6:39)
    John Powell
  28. Aftermath (5:36)
    John Powell
  29. Quartet (2:49)
    John Powell
  30. Rachel Theme (1:23)
    John Powell
  31. Rachel Theme (Solo Piano) (1:13)
    John Powell
  32. Fate Rachel Idea (Demo) (1:34)
    John Powell
  33. Groovy Action Idea (Demo) (3:01)
    John Powell
  34. Running Idea (Demo) (1:47)
    John Powell
  35. Rachel Idea (2:19)
    John Powell
  36. Rachel Idea (Band Version) (2:13)
    John Powell
  37. Rachel Idea (No Bass) (2:14)
    John Powell
  38. Rachel Idea (No Tune) (2:14)
    John Powell
  39. Rachel Burns Idea (130 BPM) (2:37)
    John Powell
  40. Main Titles (Demo) (3:30)
    John Powell
  41. Slut Kiss (Demo) (1:51)
    John Powell
  42. A Second Chance (Alternate) (2:11)
    John Powell, John Ashton Thomas
  43. I Don't Remember (Alternate) (1:28)
    John Powell
  44. I Don't Remember (Demo) (1:50)
    John Powell
  45. BIo Lab Bash (Demo) (3:05)
    John Powell, T.J. Lindgren
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Edmund Meinerts reply Replies: 0 || 2017-02-18 01:37:55
Didn't notice you added the complete score and credits for some of these Powell scores...Thanks!

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Paycheck (Complete Score) soundtrack - John Powell 2003