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Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?
Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.
Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/
i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity (Complete Score)
Label: Unofficial Release
Length: 107'24
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2563 votes)
  1. Bourne Identity Main Title (4:21)
    John Powell
  2. Bourne At Sea (1:31)
    John Powell
  3. Bourne On Land (1:42)
    John Powell
  4. Bourne Flattens Cops (0:29)
    John Powell, James McKee Smith
  5. Cafeteria (1:18)
    John Powell, James McKee Smith
  6. At The Bank - Leaving The Bank (3:52)
    John Powell
  7. Escape From Embassy - Parking Garage (4:54)
    John Powell
  8. Activation (2:12)
    John Powell
  9. Marie On Monitor (1:56)
    John Powell, James McKee Smith
  10. Marie Drives, Bourne Sleeps (1:01)
    John Powell
  11. John Michael Kane Is Dead (1:22)
    John Powell, Joel J. Richard
  12. Assassin Fight (4:24)
    John Powell, James McKee Smith
  13. Bourne Almost Leaves (1:01)
    John Powell
  14. Wombosi At Morgue (1:47)
    John Powell, James McKee Smith
  15. Love Scene (1:31)
    John Powell
  16. Hotel Regina (1:52)
    John Powell
  17. The Investigation (1:56)
    John Powell
  18. Wombosi Dead - Taxi (3:46)
    John Powell
  19. Pins (2:26)
    John Powell, James McKee Smith
  20. Conklin & Abbot Argue (0:55)
    John Powell, James McKee Smith
  21. Bourne Watches Kids Sleep (1:33)
    John Powell
  22. Get In The Basement (2:55)
    John Powell, Joel J. Richard
  23. Marie Leaves Farm (1:29)
    John Powell
  24. Bourne Phones (3:05)
    John Powell
  25. Pont Neuf (3:45)
    John Powell
  26. Bourne Remembers (2:07)
    John Powell
  27. Before Shootout (0:25)
    John Powell
  28. Conklin Killed (1:25)
    John Powell, James McKee Smith
  29. Shut It Down (1:14)
    John Powell
  30. Got Any ID? (1:27)
    John Powell
  31. The Bourne Identity Suite (5:59)
    John Powell
  32. Jason's Theme Suite (2:21)
    John Powell
  33. Mood Build Suite (3:37)
    John Powell
  34. Drum And Bass Remix Suite (2:16)
    John Powell
  35. Bourne Identity Main Title (Alternate I) (4:22)
    John Powell
  36. Bourne Identity Main Title (Alternate II) (4:20)
    John Powell
  37. Bourne At Sea (Alternate) (1:21)
    John Powell
  38. Bourne On Land (Alternate I) (1:39)
    John Powell
  39. Bourne On Land (Alternate II) (1:43)
    John Powell
  40. At The Bank - Leaving The Bank (Alternate) (4:12)
    John Powell
  41. Escape From Embassy - Parking Garage (Alternate) (5:06)
    John Powell
  42. Marie Drives, Bourne Sleeps (Alternate) (2:10)
    John Powell
  43. John Michael Kane Is Dead (Alternate) (1:43)
    John Powell, Joel J. Richard
  44. Chase (Unused) (3:16)
    John Powell
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patlalrique reply Replies: 0 || 2018-04-11 03:34:51
Hello so if I'm right there is no listing for the song of the car chase in between Bourne almost leave and Wombosi at the morgue.

Fritz21 reply Replies: 1 || 2016-08-03 01:44:48
Excuse me, but does anybody saw the tracks 26, 28, 29 and 30? I can't find them at all, though I've seen the complete score already.


Edmund Meinerts2017-02-19 01:10:37
Yeah, it's weird. The copy I found was missing those four tracks as well. Strange...anybody spy those anywhere?

Mike reply Replies: 1 || 2016-07-31 04:31:46
Watched the movie again, and...

"Bourne Remembers," the cue where he's on Wambosi's boat, is really very beautiful in an understated way. Identity and Supremacy really had the most emotion in them, musically, in my opinion. Ultimatum and Jason Bourne rely so much on the percussion / Bourne ostinato material that the emotive aspect of the music gets buried in the process.


Meta2016-08-01 00:56:12
Bourne Remembers (2:07)

Does anybody have this cue?

Hybrid Soldier reply Replies: 3 || 2016-07-16 09:50:21
Since Bourne is returning, time to check a little who-did-what on the original ! :P


Edmund Meinerts2016-07-16 11:31:30
Nice, thanks. More James McKee Smith credits are always a good thing!


Mike2016-07-16 16:20:30
Haha, you must have read my mind. I was wondering just this morning what some of the more specific credits for this series might be since we don't really know atm. :P Then I came here and whaddaya know.


Poe2016-07-21 09:24:54
35 and 36 are missing track times?

Also, was Chase originally written for the scene that was replaced with Oakenfold's "Ready, Steady, Go?" Based on the title alone, it would seem to fit.

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The Bourne Identity (Complete Score) soundtrack - John Powell 2002