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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Rupert Gregson-WilliamsThomas FarnonTony ClarkeTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
The Legend Of Tarzan
Label: WaterTower Music
Length: 71'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6044 votes)
  1. Opar - Zoe Mthiyane (3:28)
    Rupert Gregson-Williams, Lebo M.
  2. Diamonds (4:50)
    Rupert Gregson-Williams
  3. Togetherness (1:44)
    Rupert Gregson-Williams
  4. Steamer And Butterfly (2:40)
    Rupert Gregson-Williams
  5. Orphaned (2:46)
    Rupert Gregson-Williams, Tony Clarke
  6. Returning Home (4:01)
    Rupert Gregson-Williams
  7. Campfire (2:40)
    Rupert Gregson-Williams, Thomas Farnon
  8. Tarzan And Jane (3:39)
    Rupert Gregson-Williams
  9. Village Ambush (4:41)
    Rupert Gregson-Williams, Tom Howe
  10. Catching The Train (2:16)
    Rupert Gregson-Williams, Tom Howe
  11. Rom's Plan (2:11)
    Rupert Gregson-Williams, Tom Howe
  12. Akut Fight (2:16)
    Rupert Gregson-Williams, Tony Clarke
  13. Elephants In The Night (3:12)
    Rupert Gregson-Williams, Lebo M.
  14. Jane Escapes (2:44)
    Rupert Gregson-Williams
  15. Jungle Shooting (2:41)
    Rupert Gregson-Williams
  16. Kala's Death (5:15)
    Rupert Gregson-Williams, Thomas Farnon
  17. Where Was Your Honor? (2:29)
    Rupert Gregson-Williams, Thomas Farnon
  18. Boma Port (4:04)
    Rupert Gregson-Williams
  19. Stampede (4:33)
    Rupert Gregson-Williams, Thomas Farnon
  20. On The Boat (3:10)
    Rupert Gregson-Williams
  21. The Legend Of Tarzan (2:36)
    Rupert Gregson-Williams
  22. Better Love (Film Version) - Hozier (3:23)
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Danna reply Replies: 0 || 2017-03-21 18:47:24
Anyone know where to find the sheet music for this?

Swordroll reply Replies: 1 || 2016-12-21 00:01:24
Does anyone know where to find the film version of Stampede? There are a few slight differences.


Anonymous2016-12-21 03:39:31
On the blu ray

Hybrid Soldier reply Replies: 3 || 2016-12-04 17:43:06
Little composer credits here...


Felix2016-12-07 10:55:53
@hybrid

Will you upload Rupert's site any time?


Hybrid Soldier2016-12-07 20:43:51
Yes, I've started working on it, takes time to catch up ! lol


Felix2016-12-07 21:35:49
Great Thanks! :)

Frenchans reply Replies: 0 || 2016-09-30 20:31:15
Opar is amazing ! The chords used and the sublime voice of Zoe Mthiyane remind me of the good old days of RCP.
It's nice to see that RCP haven't totally forgotten their origins !

rockhound reply Replies: 1 || 2016-07-30 08:29:48
is it true, that rupert is also working on mel gibsons Hacksaw Ridge together with john debney?


lanlan2016-07-30 11:09:21
yes

Miles reply Replies: 4 || 2016-06-17 01:24:06
It's now available for listening and pre-order (or maybe accidental early release!) on iTunes! Tracklist is as follows:

1. Opar (performed by Zoe Mthiyane) - 3:28
2. Diamonds - 4:50
3. Togetherness - 1:44
4. Steamer and Butterfly - 2:40
5. Orphaned - 2:46
6. Returning Home - 4:01
7. Campfire - 2:40
8. Tarzan and Jane - 3:39
9. Village Ambush - 4:41
10. Catching the Train - 2:16
11. Rom's Plan - 2:11
12. Akut Fight - 2:16
13. Elephants in the Night - 3:12
14. Jane Escapes - 2:44
15. Jungle Shooting - 2:41
16. Kala's Death - 5:15
17. Where Was Your Honor? - 2:29
18. Boma Port - 4:04
19. Stampede - 4:33
20. On the Boat - 3:10
21. The Legend of Tarzan - 2:36
22. Better Love (Film Version) (performed by Hozier) - 3:23


Ds2016-06-17 07:48:20
It is indeed available for purchase on iTunes, and it's just 4,99€, I don't see any reason not to buy it! Just bought it, and so far it sounds good!


callmee2016-06-20 14:37:16
Will there be a CD release or it's download only again?


Russel2016-06-20 21:45:29
It's not accidental.


callmee2016-06-21 08:02:40
OK, now I have found it: manufactured on demand CD-R only. Well, I still prefer it to mp3 download only versions.

Morgan Joylighter reply Replies: 1 || 2016-06-20 08:08:10
Really surprising to hear something so intense and epic from Rupert...I had basically given up on him since he got typecase into doing bland comedy scores, even though his early 2000s output (Jack & The Beanstalk, Bee Movie) showed tons of promise. Wish there were more composers writing music like this...people complain about the Zimmer sound taking over Hollywood but honestly there are only a handful of scores that sound like this every year. And this one is orchestral enough to please both sides I think!


Anonymous2016-06-20 11:47:59
Well there was a time many scores sounded like this.

But since Zimmer has evolved, Hollywood has evoled with it too. Every score now sounds like a Zimmer/Junkie simulation.

That's why this score sounds refreshing and a bit more old skool. After all this type of scores got me into film music years ago.

Anonymous reply Replies: 1 || 2016-06-19 13:25:59
Great score. It really sounds like the great scores Hans used to make pre-inception. Love it!


Ds2016-06-19 18:20:52
Indeed. At first I thought it was good but not great, but after a few listens I really dig it, great stuff! Nice themes and subtle orchestration, nice job from RGW.

Hybrid Soldier reply Replies: 5 || 2016-05-16 22:03:58
Yep and since it's in a month & half, better I add it ! lol


Ds2016-05-16 22:45:18
So HZ is "musical consultant" here... official or officious? :-)


Hybrid Soldier2016-05-16 22:46:19
He didn't write anything on this. Just did a little communication. Well at least that was the case 1 and a half month ago !! lol


Ds2016-05-16 22:51:35
... but surely WaterTower won't resist the temptation of putting his name on the cover, right? :-p


Miles2016-06-17 01:25:38
Cover's up. Just has Rupert's name; no mention of Zimmer.


0-^-02016-06-17 13:22:41
It may not have Hans Zimmer's name anywhere on it but the music does have his style emulated in the work. Good score, nevertheless.

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The Legend Of Tarzan soundtrack - Rupert Gregson-Williams 2016