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Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).
No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronicsSo I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.
This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.The Henry Jackman I know died out after Civil War and Kingsman 2. After that you can hear faint fizzles of his electronic greatness, but nothing more. <br><br>But hey maybe he just doesn't wanna do that crap anymore...so..eh.Hard to believe this is a follow up to Wreck-It Ralph. Did he remove the electronics from this one too? Sounds too serious and at times dark and dramatic for a kid's movie score. Whatever happened to the fun?Imperial March and Luke's theme are in it!Widows is actually a pretty interesting score. Not one of Zimmer's best from for an isolated listening experience standpoint, but as a textual score, I was engaged for the most part. The score effectively builds momentum throughout from beginning to end and I could feel the movie just by listening to the music.
Tracklist:<br><br>01. Imagine Dragons – Zero (3:32)<br>02. Sarah Silverman, Gal Gadot, Cast – Ralph Breaks the Internet – A Place Called Slaughter Race (3:28)<br>03. Julia Michaels – In This Place (3:21)<br>04. Karol Sevilla – El lugar (3:21)<br>05. Best Friends (2:53)<br>06. Circuit Breaker (2:22)<br>07. Pulling the Plug (1:14)<br>08. On the Rooftop (1:04)<br>09. The Big Idea (1:16)<br>10. The Internet (2:47)<br>11. KnowsMore & Spamley (1:18)<br>12. Site Seeing (1:30)<br>13. Checkout Fiasco (1:33)<br>14. Get Rich Quick (1:43)<br>15. Shank (3:03)<br>16. Hangin’ Out (1:03)<br>17. BuzzzTube (1:42)<br>18. Overnight Sensation (2:52)<br>19. Separate Ways (1:04)<br>20. Vanellope’s March (0:46)<br>21. Desperate Measures (1:20)<br>22. Don’t Read the Comments (1:49)<br>23. Growing Pains (1:35)<br>24. Double Dan (3:36)<br>25. Scanning for Insecurities (1:54)<br>26. Breaking Up (2:46)<br>27. Replicate-It-Ralph (1:21)<br>28. Operation Pied Piper (2:38)<br>29. Kling Kong (3:39)<br>30. The Meaning of Friendship (2:16)<br>31. A Big Strong Man in Need of Rescuing (1:55)<br>32. Letting Go (1:49)<br>33. Comfort Zone (1:33)<br>34. Worlds Apart (1:22)<br>35. Alan Menken, Phil Johnston, Tom MacDougall – A Place Called Slaughter Race (Instrumental) (3:28)<br>36. Alan Menken, Phil Johnston, Tom MacDougall – In This Place (Instrumental) (3:20)And top gun:maverick....big 4Yeah seriously, he hasn’t done much in a year plus. He’s definitely taken some time off for touring and other things, which may be a great thing for his inspiration... who knows, but I’m guessing the time off has let his brain take a break and maybe he has a ton of new ideas for the big 3 (WW:84, Dark Phoenix, Lion King) coming up in the next year and a half. <br><br>Or maybe I’m just hopeful/wishful thinking lol.Plus, Blue Planet II came out last year. That score is as far from Widows as possible.I'm not sure, but I think this site is not the right place to ask for copyright, since it is "almost official". But, here you can find the label of every officially released album you want, so you can ask the company labeled.
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Dominic LewisAntonio AndradeHenry JackmanMatthew K. Justmann
ComposerAdditional ArrangementsMusic ProducerMusic Production Services
Money Monster
Label: Madison Gate Records / Sony Classical
Length: 39'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5228 votes)
  1. Opening Bell (2:40)
  2. Bear Market (1:30)
  3. Initial Claims (1:13)
  4. Triple Buy (4:46)
  5. Molly (3:42)
  6. Human Error (2:00)
  7. Hostile Takeover (5:13)
  8. Outside World (5:06)
  9. Rallying Market (2:24)
  10. High Frequency Fraud (3:11)
  11. Market Crash (2:12)
  12. Closing Bell (1:33)
  13. Global Players (3:39)
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Miralsice reply Replies: 0 || 2018-07-11 23:18:02
Dominic is scoring the "Goosebumps" sequel. Because it's a horror movie, maybe we can hear something like his additional music in This Is The End?

Edmund Meinerts reply Replies: 5 || 2016-04-29 09:12:00
What's with the massive "score produced by" credit? I thought only Hans gets those? :P


Frank2016-04-29 11:44:24
Obviously not. Harry Gregson-Williams got this credit for multiple David Buckley's soundtrack


Morgan Joylighter2016-05-03 09:52:28
Never thought I'd see the day where Henry Jackman was a big enough name to use to sell albums. It seems only yesterday he was still the RC baby who secretly wrote one of the best cues of Zimmer's career (IMO) in "Up Is Down" from PotC:AWE. And now he's all grown up and scoring films that are outperforming Zimmer's at the box office. Can't say he doesn't deserve it, nobody but Powell has ever come through Zimmer's pipeline with a better sense for orchestra and blending traditional symphonic and electronic elements. He's a genius. Just wish he would get to write more full-bodied melodic themes. When he does it (Monsters vs Aliens and Winnie The Pooh spring to mind) the results are absolutely stunning.


ZekeWars0102016-05-03 20:11:12
@Morgan Joylighter. Amen brother!


Prott2016-05-07 00:33:20
Morgan: His score for Uncharted 4 could be interesting in that regard. All the previous games had mostly orchestral and indeed full-bodied melodic scores, so this should continue the tradition (although a bit darker I assume).


Mike2016-08-05 23:26:35
If a composer has scored some big movies - and Jackman has now - then if he worked on the score in any capacity, his name = PROFIT! :P

Hybrid Soldier reply Replies: 1 || 2016-05-06 22:58:26
Great electronic score ! :)


Felix2016-05-07 00:05:08
Yes, love that extract :)

ZekeWars010 reply Replies: 0 || 2016-04-29 17:59:32
Isn't it funny that Jackman's name is bigger than Lewis'. It's just like the score for Divergent; Zimmer's was bigger than Junkie's.

Felix reply Replies: 0 || 2016-04-29 14:28:55
Looking forward to this! :)

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Money Monster soundtrack - Dominic Lewis 2016