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Hybrid, do you think that the Snyderīs Cut could really exist somewhere? Let alone with Tomīs score, do you think that he even began scoring the film? I would love to see that version. Thank you for your answerBalfe is one of the few that hasnít got additional writers<br>=================================<br><br><br>Even composers who do one or two movies a year receive help. So it's very, very hard for me to believe that Balfe - with the amount of movies he works on now - is out there by himself, scoring it all by himself. It's simply not possible. And this is the MV/RC world after all. Composers help each other all the time. And many of these collaborations don't even make it to this site. It's very hard to keep track of everything.imo whedon and elfman screwed up the movie, i'd say Zacks original cut would be better, then again thats just me thoPerhaps. But it would be a disrespect to Whedon and Elfman. Okay. If that means more money on the table, they will.HOPE NEVER DIES.<br><br>Sources confirm this days on social media that Zack Snyder Original Cut of Justice League not only exists, but have VFX's work and Junkie XL's score on it.<br><br>That could be really EPIC.<br><br>The Fight for this can happens is bigger every minute passes, dont lose the faith, not now.
Cannot freaking wait!"Balfe is one of the few that hasnít got additional writers"<br><br>As if. Just look through this site and you'll see additional guys credited for lots of his scores. Max Aruj, Steffen Thum, Thomas Farnon, Andrew Kawczynski on some projects...he's a very busy guy but I promise you he doesn't do every single second of his 15 scores a year on his own.Bayhem - Balfe is one of the few that hasnít got additional writers though.which films has this small army of ghostwriters ???!!!!!!You say Balfe worked on the last Transformers(2017). Okay. He may have been called by the Paramount. However, his involvement with the franchise in 2005 and in the following years happened because of the RCP and Zimmer's direct involvement in the project. There in 2005, 2007, 2011, 2014 he was a guest of RCP/MV and no received no call for help of the Paramount. There is no other way.he worked on the first transformers . And did a lot. Why not ask him on twitter .<br>.....................................<br><br><br>I've asked him a lot of stuff. We're Facebook friends. And yes, I know he worked on the first one. I clearly said it a couple of times in my replies here. He worked on the first one and the second one as well. But if you try to imply that Balfe deserves the credit for these scores, you are way, way off the mark. And it's very disrespectful to Jablonsky. Very.<br><br>Now, clearly you like Balfe a lot. Fine. But please don't undermine a far more experienced and successful composer like Jablonsky, just because Balfe is the "hot MV/RC composer" at the moment. We, the Jablonsky fans, certainly didn't act that way in 2007 when Jablonsky's name was everywhere and people were going crazy for the Transformers score. No one denies that Balfe worked hard on the Transformers films. But he's not the "main guy". Just like a lot of MV/RC composers have worked on HIS scores and they're not the main composers. You think Balfe scores all of his movies alone? Nope. Like any other successful and busy composer out there, he's supported by a small army of ghostwriters.
Studio = Paramount and he worked on the first transformers . And did a lot. Why not ask him on twitter . I did !!!!!!Balfe never worked for Jablonsky =========================================<br><br>By "worked for Jablonsky" I meant he worked ON Jablonsky scores. And as James said, it's all MV/RC anyway. They all know each other and help each other. The first Transformers movie started post-production at the end of 2006. Back then no one knew who Balfe was (aside from the biggest MV/RC fans). His big break arguably came in 2009-2010. Years after the first Transformers movie. So no matter how we spin it, he still came after Jablonsky. Jablonsky is his senior and obviously has much more experience. And we have to respect that. <br><br>That was my point.Should have gotten one for Interstellar, not this."Strength And Honor" is a forerunner to the main theme of King Arthur and also the theme for Transformers!<br><br>I was listening to the soundtrack and unwittingly the music sent me to these two other movies. :Dhe says he was brought in by the studio.<br><br>-----------------------------------------------<br><br>Studio = RCP = Hans Zimmer credit as producer of the score.<br>In end of day is the same thing.
Maybe a honorary in the future.Bayhem - your wrong on a couple of points . Balfe never worked for Jablonsky .In a recent podcast he was asked about Transformers and he says he was brought in by the studio.seems the same with the lastest Film also.its pretty obvious the temp for the end is 13 Hours also.A "spanish" score. This is great!An Oscar (or at lease a nomination) for Dunkirk or Blade Runner ; it would be great from the academy to reward this kind of score. In the last decade, only Gravity had also this kind of """""sound desing""""""" score.I think you're forgetting that Balfe also ghostwrote The Lord of the Rings<br>==================================<br><br>Hahaha, but of course! Howard Shore and John Williams are actually Balfe alter-egos. He's actually 155 years old and he's solely responsible for all of these iconic scores. Hell, I heard he did some additional work on Psycho as well. And Gone with the Wind. lol!<br><br><br>Now, let me say something else in regards to the claim that Balfe did this score. All kidding aside, it would've (I guess...) made sense to make such a claim if this score was done by someone UNtested. But this is Jablonsky we're talking! He's one of Balfe's mentors. Look back and you'll see that Balfe started working not only on Zimmer scores, but on Jablonsky scores as well.<br><br>So yes, Balfe is good and all, but let's not act as if he's "the greatest in the world". And let's respect and NOT undermine the more senior MV/RC composers who gave the guy a shot. Thank you.
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Rupert Gregson-WilliamsDominic LewisThomas FarnonTom Howe
ComposerComposerAdditional MusicAdditional Music
Open Season - Scared Silly (V)
Label: Varese Sarabande (Digital Download Only)
Length: 32'48
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4595 votes)
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  1. Scared Silly (2:50)
    Rupert Gregson-Williams, Dominic Lewis
  2. Shaw (3:13)
    Rupert Gregson-Williams, Dominic Lewis
  3. Becoming The Monster (0:52)
    Rupert Gregson-Williams, Dominic Lewis
  4. Friends And Family (1:37)
    Rupert Gregson-Williams, Dominic Lewis
  5. Ed And Edna's Poutine Palace (0:45)
    Rupert Gregson-Williams, Dominic Lewis, David Feiss
  6. Ed And Edna's Poutine Palace (Vocal) (0:46)
    Rupert Gregson-Williams, Dominic Lewis, David Feiss
  7. Sea Plane Adventure (3:09)
    Rupert Gregson-Williams, Dominic Lewis
  8. Plan Of Action (0:25)
    Rupert Gregson-Williams, Dominic Lewis, Tom Howe
  9. Infrared Weenie (1:56)
    Rupert Gregson-Williams, Dominic Lewis, Tom Howe
  10. The Lava Mine (4:32)
    Rupert Gregson-Williams, Dominic Lewis
  11. Trouble In Paradise (3:13)
    Rupert Gregson-Williams, Dominic Lewis, Tom Howe
  12. Mr Weenie's Opera (2:02)
    Rupert Gregson-Williams, Dominic Lewis, David Feiss
  13. The Boog, The Bad And The Ugly (2:47)
    Rupert Gregson-Williams, Dominic Lewis
  14. A Fist Full Of Woohoos (1:36)
    Rupert Gregson-Williams, Dominic Lewis
  15. The Camping Trip (3:18)
    Rupert Gregson-Williams, Dominic Lewis, Antonio Andrade
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Open Season - Scared Silly (V) soundtrack - Rupert Gregson-Williams - Dominic Lewis 2016