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"Not to mention the huge chunks of silence at the beginning and end (and sometimes middle) of tracks"<br><br>Edmund Meinerts, Sessions without chunks of silence at the beginning and end was released on rutracker site about month agoGreat. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!
Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?
I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.
Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004
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Hans ZimmerKlaus BadeltLisa GerrardNick Glennie-Smith
ComposerAdditional MusicAdditional MusicAdditional Music
Mission - Impossible 2
Label: Hollywood Records
Length: 45'50 (Score: 42'17)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9107 votes)
  1. Hijack (4:09)
  2. Iko Iko - Zap Mama (3:23)
  3. Seville (4:32)
  4. Nyah (Film Version) (2:20)
  5. Mission: Impossible Theme (0:39)
  6. The Heist (2:22)
  7. Ambrose (2:37)
  8. Bio-Techno (1:42)
  9. Injection (4:49)
  10. Bare Island (5:30)
  11. Chimera (1:42)
  12. The Bait (1:00)
  13. Mano A Mano (4:22)
  14. Mission: Accomplished (1:44)
  15. Nyah And Ethan (5:05)
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Ahmad reply Replies: 4 || 2018-08-03 14:52:50
Why is this album not available to purchase anywhere? Not even on iTunes.


Mephariel2018-08-04 06:03:54
I have the same question. I don't get why every MI album is on sale except this one.


Chris2020-03-10 03:02:18
Any updates on the availability of this album?


Agent2020-03-11 00:03:10
Try Amazon. I got it from there a few years back. I am from Greece and it's very hard to find old score cd's here. The online store I am using to buy cd's have a passage to Amazon so if I am looking for old or rare scores they search for them there.


Scorefan2020-03-11 23:41:46
I have the CD. Anyone want it?

Saurabh reply Replies: 0 || 2018-06-28 06:22:53
Any news on this Hybrid? While the movie marketing is in full swing, news on the score front is pretty much non existent. Here's hoping Balfe's brought his A-game to this (like Ironclad) because the movie looks other worldly in terms of propulsive action set pieces.

MrZimmerFan reply Replies: 2 || 2018-05-23 17:58:54
La La-Land is going to release the score


...2018-05-23 18:39:26
Your source?


MrZimmerFan2018-05-23 19:08:21
Poster in Spain

Michael Fields reply Replies: 15 || 2018-04-19 09:51:46
Hey, everybody!
Did you hear the news?
Check this out:
https://m.facebook.com/story.php?story_fbid=962210980613161& id=138474459653488


Timothy2018-04-19 10:54:42
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOO not Balfe again and again and again :(


Andreas2018-04-19 12:46:39
Ha ha! Yes again and again ! This is excellent news


...2018-04-19 12:51:20
Damn I was hoping Zimmer, Giacchino or Kraemer would do this.


Edmund Meinerts2018-04-19 12:59:38
I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.

I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.


George2018-04-19 13:46:44
I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.


HunterTech2018-04-19 17:33:07
I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.

And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.


Ds2018-04-20 10:23:23
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...
That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.


...2018-04-20 11:21:34
I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.


Edmund Meinerts2018-04-20 12:41:49
Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.


Ds2018-04-20 14:10:45
For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...


Edmund Meinerts2018-04-20 15:06:29
I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p


JBSO992018-04-20 21:10:44
I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.

Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.

So I don't think Giacchino is out of the use of themes.


Ds2018-04-21 01:12:05
Well maybe you guys are right, to be honest i never cared much about this composer. All i know is that i almost never noticed any kind of theme when watching movies scored by him, while usually I'm the kind of audience who pays attention to the music. It can be that his way of writing or orchestrating or mixing doesnt match with my own taste, that's a possibility. Anyway I still maintain that none of his scores or themes has become a "classic", despite the ridiculous amount of major blockbusters he had the chance to score so far...


JBSO992018-04-21 11:36:36
Well, I guess that is a matter of tastes and opinion, because for me scores like The Incredibles or Up, for saying some examples, are classics inside the animation field.

But is fine. We have our own preferences and that's okay.


Edmund Meinerts2018-04-22 17:34:19
Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :p

Scorefan reply Replies: 1 || 2018-04-20 01:05:47
@Hybrid, can you confirm Lorne is scoring MI6?


Timothy2018-04-20 01:34:26
why hybrid when lorne himself confirmed it? <.<

Jean-Luc reply Replies: 17 || 2018-04-10 00:25:51
Who are the best soundtrack record labels.

1. Fox Music
2. Intrada Records
3. La-La Land Records
4. Madison Gate Records
5. Milan Records
6. Sony Masterworks
7. Varese Sarabande
8. Back Lot Music
9. Sony Classical
10. Hollywood Records & Marvel Music
11. WaterTower Music


Anonymous2018-04-10 01:06:26
You forgot:

Mondo
Waxwork Records
Lakeshore Records
Italians Do It Better


Scorefan2018-04-10 04:16:45
Varese, Milan and Sony were the best in the 90's.
Now, Intrada y La La Land Records are the best

By the way, Film Score Montly deserves a special mention


Jean-Luc 2018-04-10 05:50:19
Opps, I forgot about those record labels.


Jean-Luc 2018-04-10 05:55:42
@ScoreFan I'm agree with you about Verese, Milan and Sony were the best in the 90's plus with action movies. I'm really liking when Intrada and La La Land Records released expanded or complete score. Yup, I'm agree with you about Film Score Monthly.


Edmund Meinerts2018-04-10 09:15:12
Don't forget about MovieScore Media. They do a great job releasing more obscure scores that would otherwise not be available.


Scorefan2018-04-10 20:56:45
@Edmund, agree with you. Not only MovieScore Media, also Quartet Records.


...2018-04-12 10:34:11
According to someone on filmtracks Lorne is scoring MI6


Olive2018-04-12 13:20:25
Jon Broxton of the Movie Music UK.


Brian2018-04-12 18:16:04
And cue Edmund making comments !!!!


Edmund Meinerts2018-04-12 19:03:51
Why should I?


Backbiter2018-04-12 19:34:48
Edmund is not a Balfe's hater lol


Brian2018-04-13 00:05:53
“The man is increasingly becoming a punchline.” Yup Edmund has no issues !!!!


superultramegaa2018-04-13 01:11:48
Hey Edmund! It's another spam clone of a Balfe fanboy here to study you and pinpoint your weaknesses so they can all team up together to destroy your mind with their extreme stupidity!

(I'm not even joking, these guys only focus on Edmund. It's really disturbing!)


Edmund Meinerts2018-04-13 10:22:07
Wow, they're even going over to Filmtracks now and mining my comments from there. That's really pathetic.

Besides, that comment was purely in reference to the fact that whenever a composer gets replaced these days, it's almost always by Balfe. No quality judgment whatsoever.


MichaelF2018-04-13 23:27:31
Edmund can’t seem to stop talking about Balfe !!!! Dude move on


Edmund Meinerts2018-04-14 00:33:22
What the actual fuck? How is it possible for anyone to be this fucking dense? It was Brian who pulled me into this conversation in the first place! Jesus, it must take the majority of your brainpower just to remember to breathe. Cunt.


superultramegaa2018-04-14 05:41:49
Brian and MichaelF can't stop talking about Edmund !!! Dudes move on

(Maybe if I speak in their language they'll shut up.)

George reply Replies: 9 || 2018-04-05 23:35:25
Think there’s any outside chance Hans is doing this one? Hybrid mentioned on the Film Score Monthly forum that he knows it’s not Brian Tyler, and he’s been mum on anything on this site. Hans also mentioned in the latest video on the news page here that he was working on something he couldn’t discuss yet, if I remember correctly... but that could technically be anything..

With X Men being pushed back and lion king not coming out til next year, Hans seemingly has nothing scheduled for 2018... and Kraemer was never even asked back, he was notified that he would not be asked to return to the franchise, which could possibly indicate that the studio got someone bigger that they couldn’t say no to. I’m not claiming to know anything at all... in fact I’m probably completely wrong haha.. but it sure would be awesome to get another Hans score for this franchise.


Bondo2018-04-06 05:46:55
Yeah, I think there's a good chance HZ will score this one. In fact, I think it'd be cool if he reunited with that female singer he worked with on last year's Gladiator! Either way, John Woo is attached to direct, so it should be pretty badass.


;)


Randy Watson2018-04-08 11:13:21
Well, John Powell scored Woo's last film and his star his rising so maybe he'll get the job.

I just hope they won't do something foolish and let some flavor of the month, like Limb Bizkit perhaps, ruin the theme.


Bondo2018-04-08 21:15:38
Randy, I honestly don't see them going in that direction. I'm not even sure a rock vibe would work for this film! Woo will probably want to stick with something similar to Elfman's work on the last film, something more traditional.


...2018-04-08 21:37:29
Maguire who directed the 5th movie is directing MI6, not woo


Bondo2018-04-08 21:53:12
Not to be confused with Christopher McQuarrie, who definitely did not direct MI5.


...2018-04-08 23:10:57
Sorry, I Misspelled Christopher McQuarrie. He did definitively direct MI5 and he's doing MI6.


Olive2018-04-09 01:52:42
It is likely that they have no composer and only work with tracks already recorded such as in the Tarantino films.

There must be a composer and this guy is someone "minor" in the business.If it was Zimmer or Kraemer, they would have already released the information.


George2018-04-09 01:59:31
I doubt it, Olive. La La Land posted on a Film Score Monthly forum that “they know something we don’t know...” and I’m assuming that it’s a major hire... and for whatever reason they’re keeping it a secret. I’m not gonna lie I have begun to think it really might be Hans.


mpolonest123 2018-04-09 02:33:08
I would be fascinated with Zimmer returning ONLY if he sticks to the more traditional, orchestral approach that Kraemer did for the last one. Or any composer for that matter. Personally I would like to hear something along the lines of Kingsman, bold and adventerous.

It’s funny that, outside of portions of Megamind, we’ve never really had Zimmer in that classic “James Bond” esque style of scoring mode, unless there is something I’m forgetting.

Michael Poleschuck reply Replies: 3 || 2017-02-14 08:50:29
Oh, no! Why is a credit for Gavin Greenaway is deleted? He's arranged and conducted the choir on this!


Edmund Meinerts2017-02-14 12:36:12
Again, he is credited. You just have to click "see details" to see everything.


Michael Poleschuck2017-02-14 12:49:47
I mean, not in the booklet credits. It's all clean for me. I mean, in discography and filmography of mr. Greenaway.


Michael Poleschuck2017-02-14 13:32:35
I haven't even seen the photo of Mr. Greenaway on page of the album. While the photos of Zimmer, Badelt, Glennie-Smith, Tillman and many-many others - there are all here.

Joshua reply Replies: 0 || 2016-06-02 01:18:53
Crazy how much Injection sounds like the intro to Dave Matthews "two step". Never noticed that before.

Anonymous reply Replies: 0 || 2014-11-22 18:39:37
Is this an album worth getting or is it a poor representation of the score?

Saruhan reply Replies: 1 || 2014-04-06 17:22:35
please answer ?


Anonymous2014-04-06 17:24:46
Buy the album ;)

Saruhan reply Replies: 0 || 2014-04-06 17:21:01
How can I download songs ???

Mike reply Replies: 2 || 2013-09-09 15:09:02
I might be criticized for this one, but am I the only one who thinks Injection would be a cooler track without Lisa Gerrard's vocals? She really worked with Gladiator, but here I thought not so much. Either way, it's a fantastic piece of music.

And by the way, great seeing "How To Train Your Dragon 2: Music by John Powell" under "Coming Soon". His first score was spectacular. :D

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Anonymous2014-02-06 02:31:54
i agree about lisa and injection


Ball2Chin2014-02-06 03:31:13
Run Him Over from Pain & Gain is pretty much Injection without Lisa Gerrard's vocals. I personally like Injection the way it is though. It would be interesting to listen to it without the vocals though.

Eagle Eye reply Replies: 0 || 2013-09-09 15:54:25
Seeing as Zimmer rarely uses other peoples' themes in movies, I wonder how he felt using Lalo Schifrin's theme here...

Anonymous reply Replies: 1 || 2013-09-09 15:39:37
Did Heitor Pereira do anything on this score? Because one Youtube user uploaded a lot of these tracks and most if not all said "###" with the track titles.


Anonymous2013-09-09 15:41:35
Oh nevermind I guess...the details say he was part of the Mission Impossible Band.

David reply Replies: 0 || 2012-07-29 03:29:46
tomPoland: It's legit. I saw it uploaded on a website and it's the actual score.

tomPoland reply Replies: 4 || 2012-07-28 12:57:02
True?

MI2 1m1-2 Chimera / Hijack (6:02)
MI2 1m3 Ilo Iko (3:22)
MI2 1m4 Main Title (0:38)
MI2 1m5 Seville (2:19)
MI2 1m6 The Safe (2:54)
MI2 2m9 New Sunrise (0:41)
MI2 2m10 (2:00)
MI2 2m11 The Kiss (2:56)
MI2 2m13 Nekhorvich's (1:25)
MI2 2m14 Nahya's True (2:38)
MI2 2m16-17 Nahya Acce (3:04)
MI2 3m18 Ambrose Welco (4:30)
MI2 3m19 Chimera Myth (1:38)
MI2 3m20 (0:49)
MI2 3m21 Horse Race (7:48)
MI2 4m24A-B McCloy Get (5:50)
MI2 4m25A-B McCloy in (2:59)
MI2 4m26A Breaking In (3:17)
MI2 4m26B Killing Virus (3:43)
MI2 5m27 (2:20)
MI2 5m28 Shootout (4:52)
MI2 5m29-30 (6:52)
MI2 6m31 Hunting Hunt (2:37)
MI2 6m32 Shooting (3:18)
MI2 6m33-34 Escape (8:37)
MI2 6m35 Beach Fight (4:37)
MI2 7m36 Ambrose Dies (5:47)


Colezimmer2012-07-28 13:19:22
Yess


T-Mann0362012-07-28 16:02:11
All we need to know are the full name of the tracks for 2m13, 2m16-17, 3m18, 4m24A-B, 4m25A-B and the unknown names for 2m10, 3m20, 3m27, and 5m29-30.


Anonymous2012-07-28 19:22:04
NOT complete. At least four cues are missing.

Also most cue names were made-up by garage. The real cue names are different.

Way to go...


Anonymous2012-07-28 23:15:34
This is just an expanded score many film versions are missing here for example shootout is the same as the album version, the film version has a different tone in the voice of lisa gerard just check it

Philipp B reply Replies: 0 || 2011-04-24 08:57:32
can't express this music in words...

AMAZING

HZ-fan @ Andrea reply Replies: 0 || 2011-03-13 00:00:00
gr8 idea...

will be a gr8 wedding...:)

HZ-fan @ Andrea reply Replies: 0 || 2011-03-13 00:00:00
gr8 idea...

will be a gr8 wedding...:)

Andrea from Washington State, USA reply Replies: 0 || 2010-02-25 00:00:00
I'm planning to use Hans Zimmer's amazing music at my wedding too...in the ceremony and at the reception.

Anonymous reply Replies: 0 || 2010-02-15 00:00:00
Every time I listen to this music tears fill my eyes!! Just imagine I'm gonna use this music at my wedding reception. PERFECT !! Georgia from Greece

general5678 reply Replies: 0 || 2009-07-18 00:00:00
ccccccccccccccoooooooooooooooollllllllllllllllllllllllllllll lllllllllllllllll

Jordan ( French) reply Replies: 0 || 2008-08-31 00:00:00
I agree with Adrian !

Adrian reply Replies: 0 || 2008-07-05 00:00:00
injections............probably the best sound of the world!

this sound is special!
greatings from spain

Alexis (french) ! reply Replies: 0 || 2007-01-13 00:00:00
his soundtrack is amazing !!! His B.O is more baeutiful than all soundtrack ! thanks you for that !

amr reply Replies: 0 || 2006-11-27 00:00:00
it is good

Ritvars reply Replies: 0 || 2006-08-23 00:00:00
Ilike :)

Mikel Carmona S.i.W reply Replies: 0 || 2006-06-21 00:00:00
Very correct music for this film. It´s excelent with the images. A very good score Zimmer!!

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Mission - Impossible 2 soundtrack - Hans Zimmer 2000