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This mean the recording sessions?First Jedi Fallen Order, now Solo? I love this news! And I get the distinct feeling both releases are being used to determine interest in further Star Wars expanded score releases further down the line! Only real bummer is no CD to go on the shelf, but I'll take this any way it comes!He's just posted in his Instagram story that in 9 days he has more interesting stuff coming.<br><br>Very curiousFantastic! Looking forward to that variation on Duel of the Fates! Now the only complete Powell collection I'm looking for is HTTYD 3.It's coming in November!!! This is so cool!!
Not referring you, superEXPANDED RELEASE SON!!!!!!!!!! LET'S GO!You mean that's GREAT news !Now thatís good news!I hear Harry Potter in tracks like "Playful Secrets" and "Labyrinths & Humps". <br><br>Yes i realize Elfman has had similar sounds to those tracks too, but i think Steve is at the very least trying to homage Harry Potter in a few sections. <br><br>And personally I think the main theme is the most Pirates-like, but that's why i said there's still Zimmer influence, (yes i know a few tracks sound like King Arthur too), but it's not overwhelming for the most part.
Solo: A Star Wars Story (The Deluxe Edition)<br><br>Coming soon to digital exclusive streaming: over 2 hours of original/unedited music from Solo: A Star Wars Story [as written for the film]<br><br>All cues + the original unedited version of the end credits suite!I never made the statement that only orchestral scores are good. I like the TF movies, Halo soundtracks, a lot of Hans Zimmer works including Interstellar. <br><br>However, i have little appreciation or interest in scores with little to no melody besides basic progressions. I need a heart to my score, not just music that works for the movie.Agree, solid work, but dosen't sound like John Williams, more like Danny Elfman.<br><br>Also, the main theme sounds like Pirates of the Caribbeanwhat an incredible album! it is getting very close to my personal favorite which is dunkirk. there is so much mastery in both. one thing that dunkirk has that this album doesn't have is a sense of repetition. both albums have some kind of non-finality. with dunkirk, i feel transported back to the beginning. with this one, i am not sure what comes next.<br><br>Hans and team probably have their share of anecdotes but here's another one.<br><br>i was playing this one day and my friend's daughter asked me if this was from... she hesitated and asked: the dark phoenix movie? i was astonished. she is 12 and probably not into movie scores. but she was able to pinpoint the right movie from a random part. that's something many aspire to. especially with the millions of super heroes movies out there!<br><br>i told her how impressed i was and went on unleashing my Hans Zimmer collection onto her haha :)Because i don't support the idea of 'only good scores are full orchestral', don't agree with that statement.<br><br>Yes, i love Your Highness and Steamboy, aslo really like stuff like TF (except the four) and TMNT 2. But also something like Pain & Gain, Bloodshot, A Nightmare on Elm Street, Friday the 13th or the Texas Chainsaw Massacre and Deepwater Horizon, even i consider (unpopular opinion) guilty pleasure Battleship.<br><br>Yes, i'm weird :p<br>
I love revisiting this score. It's just so much fun, and I love hearing this side of Steve's music. I remember watching interviews where he'd talk about programming John Williams' string patterns into midi instruments, and his love for Williams' work overall. This side of him is rarely shown in his projects. <br><br>But then you have scores like this that show off how much of a wizard he can be with music. Melodic action music, fun and creative use of synth, classic Jablonsky choir chants, and beautiful use of the orchestra. Perfect for a fantasy comedy with a modern twist. <br><br>I cannot stress enough how much I love tracks like "Isabel the Strong", "Labyrinths And Humps", and "Mean Knights and Horsies O' My!". "Playful Secrets" in particular shows just how much of an expert Steve is with an orchestra. It sounds straight out of a John Williams score like Harry Potter or Indiana Jones with a fun Danny Elfman choir on top. Not to mention the beautifully performed bassoon and French Horn combo at 0:39 and 0:44! <br><br>These are the kinds of projects I like to see from Jablonsky. Films and games that allow him to show off his skills and test his abilities to the point where he creates complex, unique, varied, thematically rich, and truly poignant music. <br><br>This is something that I can point to and say "that's 100% a Steve Jablonsky score". It has some influence from Zimmer, but is not copying him by any means. Maybe with the slight exception of "Thadeous".Can't really agree that much with Bloodshot. The reason I was able to be engaged in Jablonsky's past scores similar to this (e.g. TF5, TMNT 2) was his strong melodic voice. Even in the more sound design parts of those scores there was at least several themes that I enjoyed, easily identified, and analyzed some lovely development for them. <br><br>Bloodshot doesn't really have that, it's got themes so minimal (except for KT which I can't really enjoy because the melody sounds identical to "Optimus"), that whatever development is there, I feel nothing toward because it's easy and boring to develop a theme that's basically just a series of chords. <br><br>Keanu I can't entirely judge Jablonsky for as it was also Nathan Whitehead's score, but it just sounds like Bloodshot 0.5 to me. Guitar chords, sound design, string ostinatos, wandering piano theme, been there done that. <br><br>Good lord, do I hope Steve works on Orbital Era though. It would be so refreshing to hear a full-on orchestral Jablonsky score again.Not only better than Spenser, it's better than Skyscraper.<br><br>Ok, Bloodshot maybe isn't one of the best works by Jablonsky, but after such disappointing with Skyscraper, see Jab in a work with choir, guitars, cool themes (if don't catch the similarities between KT's theme with the Autobots theme ;D) and good action writing (hang in there, i'm not going say is something good as Steamboy or Your Highness, even some of the Transformers/The Island stuff), as for the sound design, i prefer people like Jab, Zimmer or Holkenborg MORE than something dreadful as Reznor/RossJust listen Bloodshot OST again and I like it better than for the first time. Yes there is a lot of sounddesign elements, but quiet and melodic moments are good at some parts. My favorite track is "Bloodshot". For me this work, despite all the problems, is far better than Spencer Confidential.<br><br>There is extremely need of new Sci-Fi (not like Bloodshot, lol) or Fantasy project for Steve to work on. I'm fairly certain that he could provide amazing music for this genres, but for some reason.<br>Also, I've listened a few tracks from his "Keanu" score (posted on his new website) and it's wonderful, hope there will be a full release sometime. This one reminds me of another genre where Steve is good - comedy and parody movies - "Your Highness", "Pain and Gain", "Sims 3" (yes, it's a game score but it has that comedy atmosphere I'm talking about) all are really great scores for its genre.<br><br>For me "Eternals" from Marvel could be a good movie for Steve to work. And honestly, I would like to see what he could brings to "Godzilla vs Kong" crossover more than Junkie XL.<br><br>At least I hope that Katsuhiro Otomo would like to work with Steve again on his new anime project "Orbital Era", truly a dream-project.Yes, the sound mixing in the movie is bad, you can't listen the music properly, is buried under a lot of sound effects.<br><br>It was one of those situations where 'the music is trying to overlook the thunderous sound effects',
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Hans ZimmerKlaus BadeltLisa GerrardNick Glennie-Smith
ComposerAdditional MusicAdditional MusicAdditional Music
Mission - Impossible 2
Label: Hollywood Records
Length: 45'50 (Score: 42'17)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9249 votes)
  1. Hijack (4:09)
  2. Iko Iko - Zap Mama (3:23)
  3. Seville (4:32)
  4. Nyah (Film Version) (2:20)
  5. Mission: Impossible Theme (0:39)
  6. The Heist (2:22)
  7. Ambrose (2:37)
  8. Bio-Techno (1:42)
  9. Injection (4:49)
  10. Bare Island (5:30)
  11. Chimera (1:42)
  12. The Bait (1:00)
  13. Mano A Mano (4:22)
  14. Mission: Accomplished (1:44)
  15. Nyah And Ethan (5:05)
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Ahmad reply Replies: 4 || 2018-08-03 14:52:50
Why is this album not available to purchase anywhere? Not even on iTunes.


Mephariel2018-08-04 06:03:54
I have the same question. I don't get why every MI album is on sale except this one.


Chris2020-03-10 03:02:18
Any updates on the availability of this album?


Agent2020-03-11 00:03:10
Try Amazon. I got it from there a few years back. I am from Greece and it's very hard to find old score cd's here. The online store I am using to buy cd's have a passage to Amazon so if I am looking for old or rare scores they search for them there.


Scorefan2020-03-11 23:41:46
I have the CD. Anyone want it?

Saurabh reply Replies: 0 || 2018-06-28 06:22:53
Any news on this Hybrid? While the movie marketing is in full swing, news on the score front is pretty much non existent. Here's hoping Balfe's brought his A-game to this (like Ironclad) because the movie looks other worldly in terms of propulsive action set pieces.

MrZimmerFan reply Replies: 2 || 2018-05-23 17:58:54
La La-Land is going to release the score


...2018-05-23 18:39:26
Your source?


MrZimmerFan2018-05-23 19:08:21
Poster in Spain

Michael Fields reply Replies: 15 || 2018-04-19 09:51:46
Hey, everybody!
Did you hear the news?
Check this out:
https://m.facebook.com/story.php?story_fbid=962210980613161& id=138474459653488


Timothy2018-04-19 10:54:42
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOO not Balfe again and again and again :(


Andreas2018-04-19 12:46:39
Ha ha! Yes again and again ! This is excellent news


...2018-04-19 12:51:20
Damn I was hoping Zimmer, Giacchino or Kraemer would do this.


Edmund Meinerts2018-04-19 12:59:38
I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.

I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.


George2018-04-19 13:46:44
I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.


HunterTech2018-04-19 17:33:07
I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.

And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.


Ds2018-04-20 10:23:23
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...
That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.


...2018-04-20 11:21:34
I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.


Edmund Meinerts2018-04-20 12:41:49
Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.


Ds2018-04-20 14:10:45
For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...


Edmund Meinerts2018-04-20 15:06:29
I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p


JBSO992018-04-20 21:10:44
I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.

Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.

So I don't think Giacchino is out of the use of themes.


Ds2018-04-21 01:12:05
Well maybe you guys are right, to be honest i never cared much about this composer. All i know is that i almost never noticed any kind of theme when watching movies scored by him, while usually I'm the kind of audience who pays attention to the music. It can be that his way of writing or orchestrating or mixing doesnt match with my own taste, that's a possibility. Anyway I still maintain that none of his scores or themes has become a "classic", despite the ridiculous amount of major blockbusters he had the chance to score so far...


JBSO992018-04-21 11:36:36
Well, I guess that is a matter of tastes and opinion, because for me scores like The Incredibles or Up, for saying some examples, are classics inside the animation field.

But is fine. We have our own preferences and that's okay.


Edmund Meinerts2018-04-22 17:34:19
Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :p

Scorefan reply Replies: 1 || 2018-04-20 01:05:47
@Hybrid, can you confirm Lorne is scoring MI6?


Timothy2018-04-20 01:34:26
why hybrid when lorne himself confirmed it? <.<

Jean-Luc reply Replies: 17 || 2018-04-10 00:25:51
Who are the best soundtrack record labels.

1. Fox Music
2. Intrada Records
3. La-La Land Records
4. Madison Gate Records
5. Milan Records
6. Sony Masterworks
7. Varese Sarabande
8. Back Lot Music
9. Sony Classical
10. Hollywood Records & Marvel Music
11. WaterTower Music


Anonymous2018-04-10 01:06:26
You forgot:

Mondo
Waxwork Records
Lakeshore Records
Italians Do It Better


Scorefan2018-04-10 04:16:45
Varese, Milan and Sony were the best in the 90's.
Now, Intrada y La La Land Records are the best

By the way, Film Score Montly deserves a special mention


Jean-Luc 2018-04-10 05:50:19
Opps, I forgot about those record labels.


Jean-Luc 2018-04-10 05:55:42
@ScoreFan I'm agree with you about Verese, Milan and Sony were the best in the 90's plus with action movies. I'm really liking when Intrada and La La Land Records released expanded or complete score. Yup, I'm agree with you about Film Score Monthly.


Edmund Meinerts2018-04-10 09:15:12
Don't forget about MovieScore Media. They do a great job releasing more obscure scores that would otherwise not be available.


Scorefan2018-04-10 20:56:45
@Edmund, agree with you. Not only MovieScore Media, also Quartet Records.


...2018-04-12 10:34:11
According to someone on filmtracks Lorne is scoring MI6


Olive2018-04-12 13:20:25
Jon Broxton of the Movie Music UK.


Brian2018-04-12 18:16:04
And cue Edmund making comments !!!!


Edmund Meinerts2018-04-12 19:03:51
Why should I?


Backbiter2018-04-12 19:34:48
Edmund is not a Balfe's hater lol


Brian2018-04-13 00:05:53
ďThe man is increasingly becoming a punchline.Ē Yup Edmund has no issues !!!!


superultramegaa2018-04-13 01:11:48
Hey Edmund! It's another spam clone of a Balfe fanboy here to study you and pinpoint your weaknesses so they can all team up together to destroy your mind with their extreme stupidity!

(I'm not even joking, these guys only focus on Edmund. It's really disturbing!)


Edmund Meinerts2018-04-13 10:22:07
Wow, they're even going over to Filmtracks now and mining my comments from there. That's really pathetic.

Besides, that comment was purely in reference to the fact that whenever a composer gets replaced these days, it's almost always by Balfe. No quality judgment whatsoever.


MichaelF2018-04-13 23:27:31
Edmund canít seem to stop talking about Balfe !!!! Dude move on


Edmund Meinerts2018-04-14 00:33:22
What the actual fuck? How is it possible for anyone to be this fucking dense? It was Brian who pulled me into this conversation in the first place! Jesus, it must take the majority of your brainpower just to remember to breathe. Cunt.


superultramegaa2018-04-14 05:41:49
Brian and MichaelF can't stop talking about Edmund !!! Dudes move on

(Maybe if I speak in their language they'll shut up.)

George reply Replies: 9 || 2018-04-05 23:35:25
Think thereís any outside chance Hans is doing this one? Hybrid mentioned on the Film Score Monthly forum that he knows itís not Brian Tyler, and heís been mum on anything on this site. Hans also mentioned in the latest video on the news page here that he was working on something he couldnít discuss yet, if I remember correctly... but that could technically be anything..

With X Men being pushed back and lion king not coming out til next year, Hans seemingly has nothing scheduled for 2018... and Kraemer was never even asked back, he was notified that he would not be asked to return to the franchise, which could possibly indicate that the studio got someone bigger that they couldnít say no to. Iím not claiming to know anything at all... in fact Iím probably completely wrong haha.. but it sure would be awesome to get another Hans score for this franchise.


Bondo2018-04-06 05:46:55
Yeah, I think there's a good chance HZ will score this one. In fact, I think it'd be cool if he reunited with that female singer he worked with on last year's Gladiator! Either way, John Woo is attached to direct, so it should be pretty badass.


;)


Randy Watson2018-04-08 11:13:21
Well, John Powell scored Woo's last film and his star his rising so maybe he'll get the job.

I just hope they won't do something foolish and let some flavor of the month, like Limb Bizkit perhaps, ruin the theme.


Bondo2018-04-08 21:15:38
Randy, I honestly don't see them going in that direction. I'm not even sure a rock vibe would work for this film! Woo will probably want to stick with something similar to Elfman's work on the last film, something more traditional.


...2018-04-08 21:37:29
Maguire who directed the 5th movie is directing MI6, not woo


Bondo2018-04-08 21:53:12
Not to be confused with Christopher McQuarrie, who definitely did not direct MI5.


...2018-04-08 23:10:57
Sorry, I Misspelled Christopher McQuarrie. He did definitively direct MI5 and he's doing MI6.


Olive2018-04-09 01:52:42
It is likely that they have no composer and only work with tracks already recorded such as in the Tarantino films.

There must be a composer and this guy is someone "minor" in the business.If it was Zimmer or Kraemer, they would have already released the information.


George2018-04-09 01:59:31
I doubt it, Olive. La La Land posted on a Film Score Monthly forum that ďthey know something we donít know...Ē and Iím assuming that itís a major hire... and for whatever reason theyíre keeping it a secret. Iím not gonna lie I have begun to think it really might be Hans.


mpolonest123 2018-04-09 02:33:08
I would be fascinated with Zimmer returning ONLY if he sticks to the more traditional, orchestral approach that Kraemer did for the last one. Or any composer for that matter. Personally I would like to hear something along the lines of Kingsman, bold and adventerous.

Itís funny that, outside of portions of Megamind, weíve never really had Zimmer in that classic ďJames BondĒ esque style of scoring mode, unless there is something Iím forgetting.

Michael Poleschuck reply Replies: 3 || 2017-02-14 08:50:29
Oh, no! Why is a credit for Gavin Greenaway is deleted? He's arranged and conducted the choir on this!


Edmund Meinerts2017-02-14 12:36:12
Again, he is credited. You just have to click "see details" to see everything.


Michael Poleschuck2017-02-14 12:49:47
I mean, not in the booklet credits. It's all clean for me. I mean, in discography and filmography of mr. Greenaway.


Michael Poleschuck2017-02-14 13:32:35
I haven't even seen the photo of Mr. Greenaway on page of the album. While the photos of Zimmer, Badelt, Glennie-Smith, Tillman and many-many others - there are all here.

Joshua reply Replies: 0 || 2016-06-02 01:18:53
Crazy how much Injection sounds like the intro to Dave Matthews "two step". Never noticed that before.

Anonymous reply Replies: 0 || 2014-11-22 18:39:37
Is this an album worth getting or is it a poor representation of the score?

Saruhan reply Replies: 1 || 2014-04-06 17:22:35
please answer ?


Anonymous2014-04-06 17:24:46
Buy the album ;)

Saruhan reply Replies: 0 || 2014-04-06 17:21:01
How can I download songs ???

Mike reply Replies: 2 || 2013-09-09 15:09:02
I might be criticized for this one, but am I the only one who thinks Injection would be a cooler track without Lisa Gerrard's vocals? She really worked with Gladiator, but here I thought not so much. Either way, it's a fantastic piece of music.

And by the way, great seeing "How To Train Your Dragon 2: Music by John Powell" under "Coming Soon". His first score was spectacular. :D


Anonymous2014-02-06 02:31:54
i agree about lisa and injection


Ball2Chin2014-02-06 03:31:13
Run Him Over from Pain & Gain is pretty much Injection without Lisa Gerrard's vocals. I personally like Injection the way it is though. It would be interesting to listen to it without the vocals though.

Eagle Eye reply Replies: 0 || 2013-09-09 15:54:25
Seeing as Zimmer rarely uses other peoples' themes in movies, I wonder how he felt using Lalo Schifrin's theme here...

Anonymous reply Replies: 1 || 2013-09-09 15:39:37
Did Heitor Pereira do anything on this score? Because one Youtube user uploaded a lot of these tracks and most if not all said "###" with the track titles.


Anonymous2013-09-09 15:41:35
Oh nevermind I guess...the details say he was part of the Mission Impossible Band.

David reply Replies: 0 || 2012-07-29 03:29:46
tomPoland: It's legit. I saw it uploaded on a website and it's the actual score.

tomPoland reply Replies: 4 || 2012-07-28 12:57:02
True?

MI2 1m1-2 Chimera / Hijack (6:02)
MI2 1m3 Ilo Iko (3:22)
MI2 1m4 Main Title (0:38)
MI2 1m5 Seville (2:19)
MI2 1m6 The Safe (2:54)
MI2 2m9 New Sunrise (0:41)
MI2 2m10 (2:00)
MI2 2m11 The Kiss (2:56)
MI2 2m13 Nekhorvich's (1:25)
MI2 2m14 Nahya's True (2:38)
MI2 2m16-17 Nahya Acce (3:04)
MI2 3m18 Ambrose Welco (4:30)
MI2 3m19 Chimera Myth (1:38)
MI2 3m20 (0:49)
MI2 3m21 Horse Race (7:48)
MI2 4m24A-B McCloy Get (5:50)
MI2 4m25A-B McCloy in (2:59)
MI2 4m26A Breaking In (3:17)
MI2 4m26B Killing Virus (3:43)
MI2 5m27 (2:20)
MI2 5m28 Shootout (4:52)
MI2 5m29-30 (6:52)
MI2 6m31 Hunting Hunt (2:37)
MI2 6m32 Shooting (3:18)
MI2 6m33-34 Escape (8:37)
MI2 6m35 Beach Fight (4:37)
MI2 7m36 Ambrose Dies (5:47)


Colezimmer2012-07-28 13:19:22
Yess


T-Mann0362012-07-28 16:02:11
All we need to know are the full name of the tracks for 2m13, 2m16-17, 3m18, 4m24A-B, 4m25A-B and the unknown names for 2m10, 3m20, 3m27, and 5m29-30.


Anonymous2012-07-28 19:22:04
NOT complete. At least four cues are missing.

Also most cue names were made-up by garage. The real cue names are different.

Way to go...


Anonymous2012-07-28 23:15:34
This is just an expanded score many film versions are missing here for example shootout is the same as the album version, the film version has a different tone in the voice of lisa gerard just check it

Philipp B reply Replies: 0 || 2011-04-24 08:57:32
can't express this music in words...

AMAZING

HZ-fan @ Andrea reply Replies: 0 || 2011-03-13 00:00:00
gr8 idea...

will be a gr8 wedding...:)

HZ-fan @ Andrea reply Replies: 0 || 2011-03-13 00:00:00
gr8 idea...

will be a gr8 wedding...:)

Andrea from Washington State, USA reply Replies: 0 || 2010-02-25 00:00:00
I'm planning to use Hans Zimmer's amazing music at my wedding too...in the ceremony and at the reception.

Anonymous reply Replies: 0 || 2010-02-15 00:00:00
Every time I listen to this music tears fill my eyes!! Just imagine I'm gonna use this music at my wedding reception. PERFECT !! Georgia from Greece

general5678 reply Replies: 0 || 2009-07-18 00:00:00
ccccccccccccccoooooooooooooooollllllllllllllllllllllllllllll lllllllllllllllll

Jordan ( French) reply Replies: 0 || 2008-08-31 00:00:00
I agree with Adrian !

Adrian reply Replies: 0 || 2008-07-05 00:00:00
injections............probably the best sound of the world!

this sound is special!
greatings from spain

Alexis (french) ! reply Replies: 0 || 2007-01-13 00:00:00
his soundtrack is amazing !!! His B.O is more baeutiful than all soundtrack ! thanks you for that !

amr reply Replies: 0 || 2006-11-27 00:00:00
it is good

Ritvars reply Replies: 0 || 2006-08-23 00:00:00
Ilike :)

Mikel Carmona S.i.W reply Replies: 0 || 2006-06-21 00:00:00
Very correct music for this film. Itīs excelent with the images. A very good score Zimmer!!

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Mission - Impossible 2 soundtrack - Hans Zimmer 2000