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I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.
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Matthew MargesonJason SoudahAl ClayJack Dolman
ComposerAdditional MusicMusic Scoring MixerMusic Editor
Eddie The Eagle
Label: Varese Sarabande
Length: 55'49
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8299 votes)
  1. Champion! (1:30)
    Matthew Margeson
  2. Eddie The Eagle (5:10)
    Matthew Margeson
  3. What Goes Up Must Come Down (2:17)
    Matthew Margeson
  4. I'm Going To The Olympics (1:35)
    Matthew Margeson, Jason Soudah
  5. Matti At Garmisch (1:07)
    Matthew Margeson
  6. Warren Sharp (1:51)
    Matthew Margeson, Jason Soudah
  7. Eddie Gets A Taste (1:14)
    Matthew Margeson
  8. Up Back Forward Down (2:50)
    Matthew Margeson, Jason Soudah
  9. Eddie Attempts The 70m (3:20)
    Matthew Margeson, Jason Soudah
  10. The Teaching Text (2:58)
    Matthew Margeson, Jason Soudah
  11. Fist Of Glory (1:49)
    Matthew Margeson, Jason Soudah
  12. Seniors Tournament (1:57)
    Matthew Margeson, Jason Soudah
  13. Oberstdorf (5:23)
    Matthew Margeson
  14. A Sporting Chance (1:11)
    Jason Soudah
  15. First Jump At Calgary (3:25)
    Matthew Margeson
  16. Press Montage (1:16)
    Matthew Margeson, Jason Soudah
  17. Eddie's Announcement (3:07)
    Matthew Margeson
  18. Peary's Return (2:50)
    Matthew Margeson
  19. Matti's Gold Jump (2:18)
    Matthew Margeson
  20. Eddie Jumps The 90m (3:37)
    Matthew Margeson
  21. Now The Real Work Begins (5:04)
    Matthew Margeson, Jason Soudah
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Felix reply Replies: 0 || 2017-02-13 20:39:37
Here are the Sessions:

1M1 I Was No Exception //MM
1M2-5 Overture To A Dream //MM,JS
1M6S 88 Opening Ceremony //MM
1M7 Not Olympic Material //MM,JS
1M9 Bedroom Ski Jumping //MM
1M10A Hope Regained //MM,JS
1M10B Plasterer From Birth //MM
1M11 Matti At Garmisch //MM
1M12 Alone At Café //MM
2M14 Eddie Gets A Taste //MM
2M17 Peary's Entrance //MM (ASCAP: Peary Makes An Entrance)
2M18 Warren Sharp //MM
2M20 You Don't Stand A Chance //MM,JS
2M23 Up Back Forward Down //MM,JS
3M24A Eddie Attempts The 70 //MM,JS
3M24B The Teaching Text / Hospital Visit //MM,JS
3M24C Garage Transition //MM
3M26A Seniors Tournament Jump //MM,JS
3M26B Seniors Tourney Landing //MM
3M27 It Won't Open Itself //MM
3M28 See Yourself Out //MM,JS
4M31 Think I'm Crazy //MM
4M38/39 Oberstdorf //MM
5M40 Eddie And Peary Part Ways //MM
5M41 Off To Calgary //MM
A Sporting Chance //JS
5M44 First Jump At Calgary //MM
5M45 Record Set //MM
5M46 Made Fool Of //MM,JS
5M49 Press Montage //MM,JS
5M50 Unlikely Announcement //MM
5M51/52 Peary's Return //MM
6M53 Danger At The 90 //MM
6M54 Elevator Send-Off //MM,JS
6M54B Elevator Conversation //MM
6M55 Matti's Gold Jump //MM
6M56 Eddie Jumps The 90s //MM
6M58 Sharp Was Wrong //MM
6M59 End Credits //MM,JS

FunnyML reply Replies: 0 || 2016-09-03 17:35:35
Eddie The Eagle - Expanded Score Bootleg
01. Overture To A Dream (Matthew Margeson & Jason Soudah)
02. 88 Opening Ceremony (Matthew Margeson)
03. Not Olympic Material (Matthew Margeson & Jason Soudah)
04. Bedroom / Ski Jumping (Matthew Margeson)
05. Hope Regained (Matthew Margeson & Jason Soudah)
06. Plasterer From Birth (Matthew Margeson)
07. Matti At Garmisch (Matthew Margeson)
08. Alone At Café (Matthew Margeson)
09. Eddie Gets A Taste (Matthew Margeson)
10. Peary Makes An Entrance (Matthew Margeson)
11. You Don't Stand A Chance (Matthew Margeson & Jason Soudah)
12. Up Back Forward Down (Matthew Margeson & Jason Soudah)
13. Eddie Lands The 40 (Matthew Margeson)
14. Eddie Attempts The 70 (Matthew Margeson & Jason Soudah)
15. The Teaching Text / Hospital Visit (Matthew Margeson & Jason Soudah)
16. Seniors Tournament Jump (Matthew Margeson & Jason Soudah)
17. Senior Tourney Landing (Matthew Margeson)
18. It Won't Open Itself (Matthew Margeson)
19. See Youself Out (Matthew Margeson & Jason Soudah)
20. Think I'm Crazy (Matthew Margeson)
21. Oberstdorf (Matthew Margeson)
22. Eddie And Peary Part Ways (Matthew Margeson)
23. Off To Calgary (Matthew Margeson)
24. A Sporting Chance (Jason Soudah)
25. First Jumps At Calgary (Matthew Margeson)
26. Record Set (Matthew Margeson)
27. Made Fool Of (Matthew Margeson & Jason Soudah)
28. Hotel Lobby Source (Matthew Margeson & Todd Haberman)
29. Press Montage (Matthew Margeson & Jason Soudah)
30. Unlikely Announcement (Matthew Margeson)
31. Peary's Return (Matthew Margeson)
32. Danger At The 90 (Matthew Margeson)
33. Elevator Send Off (Matthew Margeson & Jason Soudah)
34. Elevator Conversation (Matthew Margeson)
35. Matti's Gold Jump (Matthew Margeson)
36. Eddie Jumps The 90 (Matthew Margeson)
37. Sharp Was Wrong (Matthew Margeson)

Joshua reply Replies: 2 || 2016-08-24 00:26:59
Just realized that "Eddie jumps the 90m" cue has a different mix on the album than in the movie. In the film there's this great choir section near the end (which works great with everyone standing there with their mouths open). Must've been a last minute addition, a shame really.


FunnyML2016-08-31 08:22:51
No, Varése trimmed down the reuse fees again by leaving the choir part out like they did on Giacchino's Star Trek.


Joshua2016-08-31 18:57:39
Well that fuckin sucks lol

Hybrid Soldier reply Replies: 1 || 2016-06-23 21:21:52
Some details about the credits... :)


Edmund Meinerts2016-06-24 12:49:02
Thanks! That's quite a bit of Jason Soudah.

Joshua reply Replies: 9 || 2016-02-26 04:22:55
This score is absolutely amazing! Fantastic 80's flair to it, cant wait for the release.


Hybrid Soldier2016-03-02 12:31:29
Yes I agree totally ! I added an extract ! :)


Ds2016-03-02 15:21:54
I agree so much. Very enjoyable score, put a big smile on my face!

And reminded me A LOT of some earlier HZ scores (like Days of Thunder).


JackieStewart2016-03-02 15:58:52
This is amazing!


Hale2016-03-02 17:06:50
Great score.Like Ds said it, a true Days of Thunder 'flavour.
Very nice to return into this kind of music.


LP2016-03-02 17:26:23
OMG, this is just a huge throwback to my childhood. LOVE IT LOVE IT!!!!


rockhound2016-03-02 17:41:50
i love the extract. wonderful theme and really nice old school flair. im really looking forward to the whole album.


Mike2016-03-04 19:18:25
Yeah...this definitely doesn't sound like a 2016 score (which, honestly, is a refreshing change)!


rockhound2016-03-08 20:09:34
when the second part in the suite starts, the synths sound so much like Days Of Thunder, also the drums. i love it.


joshua2016-05-03 13:09:55
no i think its rubbish.

Edmund Meinerts reply Replies: 1 || 2016-03-02 17:46:39
Based on this extract I can safely say this makes a far better Deadpool score than the actual Deadpool score.

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Ds2016-03-02 19:26:52
Hahaha so true. But anyway seeing how under-mixed the score was in the movie, I'm glad they didn't waste a great score for it!

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Eddie The Eagle soundtrack - Matthew Margeson 2016