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Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.
I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.
Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.
For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsame
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Matthew MargesonJason SoudahAl ClayJack Dolman
ComposerAdditional MusicMusic Scoring MixerMusic Editor
Eddie The Eagle
Label: Varese Sarabande
Length: 55'49
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9031 votes)
  1. Champion! (1:30)
    Matthew Margeson
  2. Eddie The Eagle (5:10)
    Matthew Margeson
  3. What Goes Up Must Come Down (2:17)
    Matthew Margeson
  4. I'm Going To The Olympics (1:35)
    Matthew Margeson, Jason Soudah
  5. Matti At Garmisch (1:07)
    Matthew Margeson
  6. Warren Sharp (1:51)
    Matthew Margeson, Jason Soudah
  7. Eddie Gets A Taste (1:14)
    Matthew Margeson
  8. Up Back Forward Down (2:50)
    Matthew Margeson, Jason Soudah
  9. Eddie Attempts The 70m (3:20)
    Matthew Margeson, Jason Soudah
  10. The Teaching Text (2:58)
    Matthew Margeson, Jason Soudah
  11. Fist Of Glory (1:49)
    Matthew Margeson, Jason Soudah
  12. Seniors Tournament (1:57)
    Matthew Margeson, Jason Soudah
  13. Oberstdorf (5:23)
    Matthew Margeson
  14. A Sporting Chance (1:11)
    Jason Soudah
  15. First Jump At Calgary (3:25)
    Matthew Margeson
  16. Press Montage (1:16)
    Matthew Margeson, Jason Soudah
  17. Eddie's Announcement (3:07)
    Matthew Margeson
  18. Peary's Return (2:50)
    Matthew Margeson
  19. Matti's Gold Jump (2:18)
    Matthew Margeson
  20. Eddie Jumps The 90m (3:37)
    Matthew Margeson
  21. Now The Real Work Begins (5:04)
    Matthew Margeson, Jason Soudah
Create Topic

Felix reply Replies: 0 || 2017-02-13 20:39:37
Here are the Sessions:

1M1 I Was No Exception //MM
1M2-5 Overture To A Dream //MM,JS
1M6S 88 Opening Ceremony //MM
1M7 Not Olympic Material //MM,JS
1M9 Bedroom Ski Jumping //MM
1M10A Hope Regained //MM,JS
1M10B Plasterer From Birth //MM
1M11 Matti At Garmisch //MM
1M12 Alone At Café //MM
2M14 Eddie Gets A Taste //MM
2M17 Peary's Entrance //MM (ASCAP: Peary Makes An Entrance)
2M18 Warren Sharp //MM
2M20 You Don't Stand A Chance //MM,JS
2M23 Up Back Forward Down //MM,JS
3M24A Eddie Attempts The 70 //MM,JS
3M24B The Teaching Text / Hospital Visit //MM,JS
3M24C Garage Transition //MM
3M26A Seniors Tournament Jump //MM,JS
3M26B Seniors Tourney Landing //MM
3M27 It Won't Open Itself //MM
3M28 See Yourself Out //MM,JS
4M31 Think I'm Crazy //MM
4M38/39 Oberstdorf //MM
5M40 Eddie And Peary Part Ways //MM
5M41 Off To Calgary //MM
A Sporting Chance //JS
5M44 First Jump At Calgary //MM
5M45 Record Set //MM
5M46 Made Fool Of //MM,JS
5M49 Press Montage //MM,JS
5M50 Unlikely Announcement //MM
5M51/52 Peary's Return //MM
6M53 Danger At The 90 //MM
6M54 Elevator Send-Off //MM,JS
6M54B Elevator Conversation //MM
6M55 Matti's Gold Jump //MM
6M56 Eddie Jumps The 90s //MM
6M58 Sharp Was Wrong //MM
6M59 End Credits //MM,JS

FunnyML reply Replies: 0 || 2016-09-03 17:35:35
Eddie The Eagle - Expanded Score Bootleg
01. Overture To A Dream (Matthew Margeson & Jason Soudah)
02. 88 Opening Ceremony (Matthew Margeson)
03. Not Olympic Material (Matthew Margeson & Jason Soudah)
04. Bedroom / Ski Jumping (Matthew Margeson)
05. Hope Regained (Matthew Margeson & Jason Soudah)
06. Plasterer From Birth (Matthew Margeson)
07. Matti At Garmisch (Matthew Margeson)
08. Alone At Café (Matthew Margeson)
09. Eddie Gets A Taste (Matthew Margeson)
10. Peary Makes An Entrance (Matthew Margeson)
11. You Don't Stand A Chance (Matthew Margeson & Jason Soudah)
12. Up Back Forward Down (Matthew Margeson & Jason Soudah)
13. Eddie Lands The 40 (Matthew Margeson)
14. Eddie Attempts The 70 (Matthew Margeson & Jason Soudah)
15. The Teaching Text / Hospital Visit (Matthew Margeson & Jason Soudah)
16. Seniors Tournament Jump (Matthew Margeson & Jason Soudah)
17. Senior Tourney Landing (Matthew Margeson)
18. It Won't Open Itself (Matthew Margeson)
19. See Youself Out (Matthew Margeson & Jason Soudah)
20. Think I'm Crazy (Matthew Margeson)
21. Oberstdorf (Matthew Margeson)
22. Eddie And Peary Part Ways (Matthew Margeson)
23. Off To Calgary (Matthew Margeson)
24. A Sporting Chance (Jason Soudah)
25. First Jumps At Calgary (Matthew Margeson)
26. Record Set (Matthew Margeson)
27. Made Fool Of (Matthew Margeson & Jason Soudah)
28. Hotel Lobby Source (Matthew Margeson & Todd Haberman)
29. Press Montage (Matthew Margeson & Jason Soudah)
30. Unlikely Announcement (Matthew Margeson)
31. Peary's Return (Matthew Margeson)
32. Danger At The 90 (Matthew Margeson)
33. Elevator Send Off (Matthew Margeson & Jason Soudah)
34. Elevator Conversation (Matthew Margeson)
35. Matti's Gold Jump (Matthew Margeson)
36. Eddie Jumps The 90 (Matthew Margeson)
37. Sharp Was Wrong (Matthew Margeson)

Joshua reply Replies: 2 || 2016-08-24 00:26:59
Just realized that "Eddie jumps the 90m" cue has a different mix on the album than in the movie. In the film there's this great choir section near the end (which works great with everyone standing there with their mouths open). Must've been a last minute addition, a shame really.


FunnyML2016-08-31 08:22:51
No, Varése trimmed down the reuse fees again by leaving the choir part out like they did on Giacchino's Star Trek.


Joshua2016-08-31 18:57:39
Well that fuckin sucks lol

Hybrid Soldier reply Replies: 1 || 2016-06-23 21:21:52
Some details about the credits... :)


Edmund Meinerts2016-06-24 12:49:02
Thanks! That's quite a bit of Jason Soudah.

Joshua reply Replies: 9 || 2016-02-26 04:22:55
This score is absolutely amazing! Fantastic 80's flair to it, cant wait for the release.


Hybrid Soldier2016-03-02 12:31:29
Yes I agree totally ! I added an extract ! :)


Ds2016-03-02 15:21:54
I agree so much. Very enjoyable score, put a big smile on my face!

And reminded me A LOT of some earlier HZ scores (like Days of Thunder).


JackieStewart2016-03-02 15:58:52
This is amazing!


Hale2016-03-02 17:06:50
Great score.Like Ds said it, a true Days of Thunder 'flavour.
Very nice to return into this kind of music.


LP2016-03-02 17:26:23
OMG, this is just a huge throwback to my childhood. LOVE IT LOVE IT!!!!


rockhound2016-03-02 17:41:50
i love the extract. wonderful theme and really nice old school flair. im really looking forward to the whole album.


Mike2016-03-04 19:18:25
Yeah...this definitely doesn't sound like a 2016 score (which, honestly, is a refreshing change)!


rockhound2016-03-08 20:09:34
when the second part in the suite starts, the synths sound so much like Days Of Thunder, also the drums. i love it.


joshua2016-05-03 13:09:55
no i think its rubbish.

Edmund Meinerts reply Replies: 1 || 2016-03-02 17:46:39
Based on this extract I can safely say this makes a far better Deadpool score than the actual Deadpool score.


Ds2016-03-02 19:26:52
Hahaha so true. But anyway seeing how under-mixed the score was in the movie, I'm glad they didn't waste a great score for it!

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Eddie The Eagle soundtrack - Matthew Margeson 2016