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Stretcher Carry is avaibale on soundcloud. It' merely recreation but it's awesome almost like film version.How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lolOlive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>
Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>I’m in the same boat. When I watch a movie I normally don’t pay attention to the music unless it’s really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestri’s Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately it’s surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like that’s something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because he’s had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmer’s material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>

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Tom Holkenborg (Junkie XL)Aljoscha ChristenhußNick Glennie-SmithAlan Meyerson
ComposerAdditional MusicConductorScore Recordist
Label: Milan Records
Length: 66'09 (Score: 45'07) rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (11079 votes)


  1. Angel Of The Morning - Juice Newton (4:12)
  2. Maximum Effort (2:08)
    Tom Holkenborg
  3. Small Disruption (1:12)
    Tom Holkenborg, Aljoscha Christenhuß
  4. Shoop - Salt-N-Peppa (4:08)
  5. Twelve Bullets (2:50)
    Tom Holkenborg
  6. Man In A Red Suit (2:20)
    Tom Holkenborg
  7. Liam Neeson Nightmares (1:56)
    Tom Holkenborg
  8. Calendar Girl - Neil Sedaka (2:37)
  9. The Punch Bowl (5:55)
    Tom Holkenborg
  10. Back To Life (2:12)
    Tom Holkenborg
  11. Every Time I See Her (0:54)
    Tom Holkenborg
  12. Deadpool Rap - Teamheadkick (3:25)
  13. Easy Angel (2:31)
    Tom Holkenborg
  14. Scrap Yard (1:02)
    Tom Holkenborg
  15. This Place Looks Sanitary (6:50)
    Tom Holkenborg
  16. Watership Down (4:10)
    Tom Holkenborg, Aljoscha Christenhuß
  17. X Gon' Give It To Ya - DMX (3:37)
  18. Going Commando (3:45)
    Tom Holkenborg
  19. Let's Try To Kill Each Other (1:00)
    Tom Holkenborg, Aljoscha Christenhuß
  20. Stupider When You Say It (2:24)
    Tom Holkenborg
  21. Four Or Five Moments (0:54)
    Tom Holkenborg, Aljoscha Christenhuß
  22. A Face I Would Sit On (3:07)
    Tom Holkenborg
  23. Careless Whisper - WHAM! (5:02)
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Carter reply Replies: 0 || 2017-10-13 03:55:12
Does anyone know what the name of the synth is in the first 30 secs. of "Punch Bowl"?

Saurabh reply Replies: 0 || 2016-11-04 04:14:35
Don't remember anything from this one. Sounded like a hot mess. Whoever tackles the next one hopefully gives it some form of musical coherence.

Joshua reply Replies: 0 || 2016-11-03 23:12:33
Ah man, Tom is now out of Deadpool 2. He wont do it without Miller. That sucks.

Hybrid Soldier reply Replies: 0 || 2016-06-12 10:55:41
Little "who did what", on the other tracks from the second album too...

Hybrid Soldier reply Replies: 5 || 2016-05-08 13:58:42
If someone wants a chronological order (with the few added cues) :


Medigo2016-05-08 17:26:16
Imn not even sure why they bothered with just the three extra score tracks, when they are so filler

might as well give us the rest then

theeaglesfan0052016-05-15 02:06:00
What's the film order with the VA songs that were actually used in the film?

theeaglesfan0052016-05-15 02:07:36
also pretty sure Small Disruption goes before Maximum Effort

Medigo2016-05-15 20:08:17
Nope, goes after

Angel Of The Morning - Juice Newton
Same Mistakes
Shoop - Salt-N-Peppa
Maximum Effort
Small Disruption
Twelve Bullets
Calendar Girl - Neil Sedaka
Man In A Red Suit
Liam Neeson Nightmares
Fear the T-rex
This Place Looks Sanitary Part 1
Mr. Sandman – The Chordettes
This Place Looks Sanitary Part 2
The Punch Bowl
Back To Life
Deadpool Rap - Teamheadkick
Nice to see you Jared
Because I Want To
Every Time I See Her
Easy Angel
Scrap Yard
X Gon' Give It To Ya - DMX
Watership Down
Going Commando
You’re The Inspiration – Chicago
Let's Try To Kill Each Other
Stupider When You Say It
Four Or Five Moments
A Face I Would Sit On
Careless Whisper - WHAM

Medigo2016-05-15 20:09:45
whoops left in a dummy title for one of the unreleased tracks (The Jared one)
but you get the drift

jjluffy reply Replies: 2 || 2016-04-10 00:47:37
A second CD will release on May: More Music from Deadpool:

1. Merc With A Mouth – Teamheadkick
2. Fear The T-Rex
3. Because I Want To
4. Mr. Sandman – The Chordettes
5. Same Mistakes
6. The Boys Are Back
7. Maximum Effort (Remix by Night Club)
8. Twelve Bullets (Remix by El Huervo)
9. You’re The Inspiration – Chicago
10. Deadpool Rap (Brown Pants EDM Mix)
11. Twelve Bullets (Remix by Kreng)
12. Deadpool Rap (Acoustic Version)

Edmund Meinerts2016-04-10 07:06:52
The expansion we've all been waiting desperately for!

Ds2016-04-10 15:41:29
Lol as if the initial CD wasn't boring enough.

Holkenborg should have pushed for a release of his Point Break score instead, which was more of the same but at least fun to listen at!

Dimitris Krommidas reply Replies: 0 || 2016-02-18 23:34:16
The CD is coming out in March 4th 2016?

Laurens reply Replies: 2 || 2016-02-12 14:02:44
Okay it's been a few days and the score should be out in America too now, right? I saw the movie yesterday and I have to say that it is a very, very good movie. But... I have the tendency to say that if I had not listened to the score before I saw the movie, I would not have noticed the music that much. I mean, the non-score songs play very noticeable, but Junkies (action) cues are very fast paced due to the way the movie is edited. And while this fast-pacing works very well for the storytelling (lots of flashbacks and "wait, let's pause this for a minute"-moments), the music kind of suffers from this. I noticed this in the soundtrack, too... It just feels like the score can't get going. Every time the drums and synths kick in, it's over very quickly. That's such a shame because when you hear Junkies awesome cues, you don't want them to stop. And then, obviously, there is the underscore, which is, well, underscore... It sounds fine in the movie but you probably won't remember any of it.
It would've been nice if there was a Deadpool-suite or something, because Junkie created some very nice themes for the character, but it feels like they can't express fully due to the movies tempo.

Ds2016-02-12 23:50:03
I had pretty much the same impression. It's not bad but it's not a satisfying listening experience.

meta2016-02-13 02:46:29

Since the adverts thats all I keep hearing when I hear Deadpool....

Pity the score meanders...

JR reply Replies: 2 || 2016-02-07 16:12:33
This is a one star score... So disappointing :(

Laurens2016-02-07 23:44:04
Yeah well I just got through my first listen and I am kind of disappointed too... I feel like Maximum Effort and Twelve Bullets are the main two stand-out action tracks, but they're on the very short side and did not blow me away like Blood Bag, Brothers in Arms, Chapter Doof, The Bog, go on and on... Maybe Man in a Red Suit can be up there too, but honestly I did not hear a lot of memorable tracks first time round... Might change obviously, just my initial reaction. However, I would have preferred to have a lot more music from Junkie and less Tarantino-like 'soundtrack'. I mean, I don't know how the existing songs play out in the film as I haven't seen it yet, but I could have done without some of those songs. And I don't know if it's my headophones (I hope not :) ) but it sounds like the album is mastered too loud so sometimes there is clearly some distortion/clipping going on. Could be intentional but it kind of starts to bother me. I'm going to try some other sound systems to verify this.

mpolonest1232016-02-08 01:49:42
Have to agree with you here. The action music, for the most part, is pretty fun when Junkie lets loose with the electronics (Maximum Effort, Twelve Bullets, Watership Down). I'll even say there are some genuinely pretty moments scattered throughout (Liam Neeson Nightmares, Face I would Sit On).

Unfortunately the biggest downfall of this soundtrack is a lot of the underscore. Junkie's strength definitely lies in his themes, but utilizing them is definitely not his strong suit. I would say half of the music functions well, while the rest kinda falls flat. And the biggest problem; the drums. The 80's style synth works amazing but is overshadowed by the Mad Max drums and strings.

Imo, JXL needs to leave his comfort zone and write for dramatic films. His string writing is some of the best out there, and his action music works when he doesn't fall into the same routine drums and pounding.

Laurens reply Replies: 0 || 2016-02-05 09:05:20
Oh wow it's here already (iTunes Netherlands at least...)? I thought this would come out next week... Don't know what made me think that...

Micah reply Replies: 1 || 2016-02-01 20:13:20
While I despise Deadpool and the upcoming movie, the track that was released today is bonkers. I may have to get this soundtrack anyway.

Robert2016-02-02 00:09:30
Just listened to Twelve Bullets and it is indeed absolutely insane. I'm getting this soundtrack for sure.

mpolonest123 reply Replies: 12 || 2016-01-24 02:16:55
I wonder what sound Junkie is going to come up with for this. I'm hoping for something completely off the wall and unconventional.

Edmund Meinerts2016-01-24 10:52:50
Me too, although I'm not sure Junkie has that in him sadly...Mad Max called for that too, and what we got in the end was a pretty standard combination of MoS percussion, strings, electronica and electric guitar.

Hybrid Soldier2016-01-24 11:10:45
The funny thing is, it'll be out before Bat V Sup but was written after... :D

Zimson2016-01-24 11:58:34
Junkie has some serious talent for action scoring. Brothers in arms was easily last year's most intense track. He is besides Hans the only one who can pull sth like that off so far.

mpolonest1232016-01-24 15:14:56
It seems like it's the producers/directors who tend to keep asking for the same type of action drum music that he turns out.

Junkie has proven that he can write stirring string music, unfortunately his use of electronics always tends to fall short. Here's hoping that this and BvS can change that around.

Frank2016-01-25 02:16:17
He mentioned Deadpool in Fans of Film Music gathering and said he pushed very "left" for this one. So I guess this will be a very different score

mpolonest1232016-01-26 02:32:36 e-xl-maximum-effort/s-kdDV2

This is pretty cool imo, I like the little "Beat It" motif.

mpolonest1232016-01-26 02:59:38
For some reason it reminds me of Chappie lol

ggctuk2016-01-27 19:30:50
Having never seen Chappie or heard the soundtrack, I would say it would easily fit in "The Matrix: Path of Neo". Kind of reminds me of "The Key". I liked those pieces so it's nice to hear something that reminds me of it.

On that topic, was Junkie XL with RCP when he wrote for Path of Neo?

...2016-01-28 00:59:09
Damn... I don't like this. I wish Tom would step away from the pop music/edm genre. His work for Black Mass, Mad Max and even divergent (which has pop elements) was amazing. I shouldn't judge the score by this sample but this doesn't do it for me... Let's hope he delivers a great batman theme:)

Ds2016-01-28 08:25:51
Since most of his career has been precisely in the electronic genre, I guess it's normal some directors hire him because they want an electronic score :-p

Edmund Meinerts2016-01-29 00:22:15
I can't say I really loved it or that it's the sort of thing I'll listen to a lot, but I will say that this sort of music feels like a much more natural fit for Junkie than that Man of Steel/Mad Max modern action music stale percussion drumming hell that we've heard from him so many times already. This allows his more colorful electronica side to come to the forefront and the textures are much more interesting than just BAM BAM BAM BAM BAM BA-BA-BA-BA BAM BAM BAM BAM.

Ds2016-01-29 02:53:35
+1 Edmund

Anonymous reply Replies: 1 || 2016-01-26 03:08:31
Ummm I hear Michael Jackson's "Beat It" lol

Everan2016-01-27 04:25:53
Holy chimichangas, that beat is amazing!!

Dimitris Krommidas reply Replies: 0 || 2016-01-10 21:21:41
Epic cover!

Hybrid Soldier reply Replies: 0 || 2016-01-09 22:53:00
New Junkie !© 2001-2017 OST 
Deadpool soundtrack - Tom Holkenborg (Junkie XL) 2016