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Dunno if this is a troll post or a legit one... but I do agree to an extent. Both Mortal Engines and Alita show a HUGE improvement in Tom’s compositional technique, regardless of Conrad Pope’s contribution (which I’m sure still has something to do with it.) <br><br>I actually enjoy his early works (300, Point Break, Run All Night, Divergent) but you can definitely hear the vast difference in quality over time, and as Tom grows as a composer I’m sure his future scores will be the same way.5 years and it sounds like a blend of bvs and fury road. both of which come after it.Woah, this sounds outdated already, like a bad 90s video game. For the record, it was composed 4 years ago. This fetishization of technology over compositional technique is absolutely ridiculous. <br><br>Now, Tom has seen the errors of his ways and hired some actual orchestrators (not the RCP clown bunch) and Mortal Engines and Battle Angel Alita are actually excellent scores. They show that he masters compositional technique to the hilt. This early stuff - I suspect it will be buried soon. <br>Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.
I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cuesArtemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)
Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues please
I imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
<br>
<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
<br>
<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?
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Henry JackmanAndrew KawczynskiAlex BelcherVictor Chaga
ComposerAdditional MusicAdditional MusicScore Producer
The 5th Wave
Label: Sony Masterworks
Length: 53'17
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8436 votes)
  1. Prologue (1:59)
    Henry Jackman
  2. Tsunami (2:35)
    Henry Jackman, Victor Chaga
  3. Aftermath (2:40)
    Henry Jackman, Alex Belcher
  4. Wright Patterson (1:15)
    Henry Jackman
  5. The Others (1:55)
    Henry Jackman, Andrew Kawczynski
  6. One Degree Of Separation (1:46)
    Henry Jackman, Andrew Kawczynski, Alex Belcher
  7. Reznik (2:32)
    Henry Jackman
  8. Cassie (2:03)
    Henry Jackman, Alex Belcher
  9. In The Sights (2:10)
    Henry Jackman, Victor Chaga
  10. A Call To Arms (2:12)
    Henry Jackman
  11. Evan (2:54)
    Henry Jackman, Alex Belcher
  12. Dayton (2:33)
    Henry Jackman, Victor Chaga
  13. 5th Wave (1:30)
    Henry Jackman
  14. Under Fire (1:28)
    Henry Jackman, Andrew Kawczynski, Victor Chaga
  15. Flashback (2:51)
    Henry Jackman
  16. Extinction (1:41)
    Henry Jackman
  17. Finding Sam (3:04)
    Henry Jackman, Andrew Kawczynski, Alex Belcher
  18. Getaway (2:13)
    Henry Jackman
  19. Epilogue (3:07)
    Henry Jackman
  20. Humanity (3:57)
    Henry Jackman
  21. Vosch (6:09)
    Henry Jackman
  22. Ringer (0:44)
    Henry Jackman, Victor Chaga
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Jack Afrogarrix reply Replies: 2 || 2016-07-21 20:46:47
This MusIc From The 5th Wave Is Better With Orchestral +Electronic Music +Guitar=A Good,Better And Interesting Soundtrack By Henry Jackman

With Andrew Kawczynski & Alex Belcher They Are Good Additional Music

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Edmund Meinerts2016-07-22 00:19:46
Seriously, are these comments randomly generated? What's the point of this?

Also, this score was pretty dreadful.


Macejko2016-07-22 11:39:10
Agreed. Probably the worst Jackman yet.

Jack Afrogarrix reply Replies: 0 || 2016-07-21 20:46:46
This MusIc From The 5th Wave Is Better With Orchestral +Electronic Music +Guitar=A Good,Better And Interesting Soundtrack By Henry Jackman

With Andrew Kawczynski & Alex Belcher They Are Good Additional Music

Hybrid Soldier reply Replies: 1 || 2016-05-01 12:05:24
Little "who did what"...


Edmund Meinerts2016-05-01 12:42:33
Well, none of them did anything particularly worthwhile... :p

But thanks. :)

Edmund Meinerts reply Replies: 4 || 2016-01-08 20:34:24
Just got back from a press screening of this film. Score is very bland, sadly - no themes to speak of, a lot of generic string ostinato + synth percussion action stuff that sounds like leftovers from every Jackman action score from X-Men: First Class onwards. The "Tsunami" cue had an appropriately swirling, chaotic energy to it though, that one should be not bad.


0-^-02016-01-08 21:09:10
I suppose nothing else was expected for this concept. But his recent project choices seem somewhat strange. I expected to see him for Goosebumps and Zootopia but instead he took this one here and some video game project which will likely call for nothing different than what he did here. Are these easy pays, fun, or the man simply doesn't like flicks that call for thematic orchestral scores?


Mario2016-01-13 08:04:01
Was the movie boring? Did it have good pacing to it? Did it feel long? Was there an open end to it, or did it feel like a standalone movie?


Edmund Meinerts2016-01-13 11:25:24
The movie is OK. It's well under two hours so it's never boring and paced fairly well. But it definitely doesn't feel like a complete story. Even though it's based on the one book, it has the feeling of one of those "part 1" movies (or a Hobbit movie) where there's absolutely no effort to make the individual films feel like they can stand on their own. That's what I always appreciated about the Harry Potter books and films (except the last two) - they felt like individual stories that still added up to a greater whole. That's become a lost art in franchises (just look at the Marvel movies where each one feels like a full length trailer for the next one).

Other than that it's entertaining enough if you like that sort of thing. To put it next to the other YA apocalyptic stuff, I liked it a bit more than Divergent and Maze Runner, a bit less than Hunger Games.


Tom2016-02-23 19:22:27
Yeah, kind of reminds me of how boring and monotonous Interstellar sounded.

Felix reply Replies: 0 || 2015-12-17 20:57:38
Can't wait to buy & listen to it:)

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The 5th Wave soundtrack - Henry Jackman 2016